We Can All Make Music.
Thinking about musicking?
The origins, purpose, function, results and value of
music
In mid 2006, our Victoria Sings program
was scheduled for a large-scale evaluation. While negotiating the form this
would take, the contracted experts stated that so little research had been done
on the health impacts of group music-making that a significant portion of the
project should be devoted to illustrating these effects.
Our
Executive Officer, Jon Hawkes, demured; he opined (without
really being absolutely sure) that there actually was a huge body of research,
perhaps rendered invisible because it occurred across such a wide range of
disciplines. His suggestion was rejected, the Victoria Sings evaluation didn't
happen (but that's another story), and thus began this section of our website.
(A
little diversion: turns out Jon isn't the only one who thinks the point has
already been proved; the Arts and Health Working Group in the
We had
never really bothered much with research before - the benefits of making music
together had always seemed totally obvious to us, and our top priority was to
help get it happening more widely, rather than to be able explain why it was so
important.
But the
world has changed: it's increasingly difficult to raise the dosh without being
able to provide 'the evidence'. So, for our own needs, and as an aid to others
finding themselves in a similar position, we decided to bring together what we
could find of the intersections between music-making and scientific
investigation and analysis.
A year
and a half later, we are more than a bit overwhelmed at the amount of material
we've found (nearly 2,500 entries) - and at a bit of a loss about how to make
it useful. Long lists are impressive but not very accessible. Our method has
been to record the bare essentials and to link each item to a web source, but
even so, it's not hard to imagine the onset of scrolling overload.
We've
put our findings together into six sections:
|
List name |
No of items |
Description |
|
96 |
a hyperlinked
glossary of concepts, disciplines, technologies and concerns that, we hope,
can function as a navigational tool. |
|
|
185 |
people who have
made a significant contribution to our understanding of music, what they do,
where they work and how they can be reached. |
|
|
160 |
places where
research is happening. |
|
|
79 |
the vehicles of
dissemination. |
|
|
55 |
past and future
talkfests. Papers presented at these gatherings are often the first indication
of new directions. Nothing seems to focus the mind more than putting one's
findings in front of one's peers. |
|
|
1,922 |
the bibliography. |
We've confirmed
the obvious: that scholars, scientists and researchers have been exploring
music's biological, physiological and psychological status and effect for ever
(Plato was among the early ones and it's never stopped). Of greatest interest
to us is that these explorations offer insights into music's socialisation,
educational and healthcare applications.
What
did surprise us (but on reflection, shouldn't have) was the diversity of
disciplines, both within and beyond music, in which serious scientific investigation
of music has occurred. We've found ourselves steering a course through:
Music psychology (including evolutionary psychology and
emotion psychology)
Music therapy
Music cognition and perception (including neuroscience,
neurobiology, brain function and development)
Ethnomusicology (including cultural anthropology)
Musicology and music theory
Music education
Music sociology
Infant and early childhood development
Aged care
Evolutionary biology (including the evolution of language
and palaeoanthropology)
At
which point, to avoid madness, we had to set ourselves some limits. We decided
not to include material arising from the mass of research undertaken as to the
social impact of community arts programs in general (this having been copiously
documented elsewhere), and to avoid the area of social capital research (also
well covered by others).
If all
this remains overwhelming, you might like to browse just the most recent new research and reports
that we've come across.
Or, you
could check out the Music Council of Australia's Guide to Australian Research.
This is a good place to find useful summaries and links.
This
page contains 2,497 entries (most recently added to, 18/8/08) brought together
by Community Music
Keywords
Absolute pitch
Also known as perfect pitch, absolute pitch decribes the ability of a person to
recognise and distinguish between specific tones without needing an external
reference. Because there is increasing evidence that this capacity may be
innate, it has become a key element in the exploration of cognition. See C.
Aruffo's site on Music Cognition & Absolute Pitch for a
useful rundown of writings on the topic.
Researchers include: Bergeson,
Brown, Costa-Giomi, Cuddy, Deutsch, Levitin, Peretz, Pfordresher, Saffran, Sloboda, Trainor, Trehub, Zatorre.
Acoustics
The science of sound. In particular, the study of the physical properties and behaviour
of sound waves. How these waves impact on our minds is refered to as psychoacoustics.
Adaptation
An adaptation is an innate (biologically determined) characteristic of an
organism that gives it a direct survival advantage. The offsping of organisms
with this advantage will naturally come to dominate the species (this is the
evolutionary process at work - natural selection).
There are other innate qualities that evolutionists call exaptations or
'spandrels' (concepts coined by Stephen Jay Gould) - these are qualities
that are accidental byproducts of adaptative characteristics offering no
particular advantages.
There is constant debate about which capacities are adaptative and which are
exaptative. Why? Apart from simply truth-seeking and advancing our
understanding of ourselves, the answer, as regards music, is likely to have
far-reaching repercussions for the development of public policy (in particular:
education, health promotion and community development).
Steven Pinker's dismissal of music as
'auditory cheesecake' (a 'useless' byproduct of language) doesn't further the
struggle for the recognition of the power, value (or necessity) of music in
human development. Adaptation is a key issue in the field of evolutionary musicology. This entry includes
a list of researchers who offer alternates to the 'useless byproduct' view of
music.
Alzheimer's
Among the 22 articles (as at 10/2/08) on Alzheimer's and dementia included in
our lit. search results, ample evidence can be found for the beneficial effects
of music-making on patients, not simply on mood enhancement but also on memory and learning.
Researchers include: Bannan,
Cohen, Cuddy, Odell-Miller, Sacks, & Schulkind.
Amusia
Amusia is the inability to recognise musical tones or to reproduce them. It can
be congenital (present at birth) or acquired sometime later in life (as from
brain damage). The study of this condition, particularly by neuroscientists,
has significantly expanded our understanding of how music is processed in the
brain (as with much research, studying the absence of a quality sheds light on
its presence).
While the inability to recognise tunes is rare among humans, the inability to
reproduce them is quite widespread (often what is meant by claiming tone deafness); this
condition, more often than not, can be remedied. Researchers include: Cuddy, Hyde, Peretz, Pfordresher, Sloboda.
Analysis of music / music analysis
A discipline that, through breaking down a piece of music into small parts and
examining their relationships, attempts to arrive at an understanding of how
the piece works. The work of music analysts doesn't appear to have much bearing
on the matters that are the focus of this collection of research; even so, we
have noted the periodical, Music
Analysis and the Society
for Music Analysis.
Atonalia
A term that appears to have been coined by Peretz to describe the inability to
distinguish tones. As amusia
covers such a wide range of dysfunctions, perhaps this concept allows one to
make a distinction between conditions displaying an absence of rhythmic
sensibility and those in which an absence of pitch sensibility predominates.
Audio-Psycho-Phonology
The name that Tomatis
gave to the methodology he developed to resolve learning problems.
Autism
(from wikipedia) Autism is a brain development disorder that impairs social
interaction and communication, and causes restricted and repetitive behavior,
all starting before a child is three years old. This set of signs distinguishes
autism from milder autism spectrum disorders such as Asperger syndrome.
From a music perspective autism is of interest from at least three
perspectives:
Music's social
function has been identified as a possibly useful capacity in treatment. Staum's essay for the
Autistic Research Institue and Shore
(2002) summmarise many of the music thrapy/autism connections.
People with autism often exhibit remarkable musical intelligence; this ranges from
autistics whose primary interaction with their environment is through music to musical savants.
It has also been suggested that the lack of music-making opportunities for
young children may be a contributing factor in the increasing incidence of
autism.
Researchers include: Panksepp,
Roth, Sacks, Thaut, Trevarthen & Wigram.
Biology of music / music biology
The scientific study of the relationships between living things and music.
Sometimes called biomusicology,
it covers such a huge range of specialisations (including cognition,
physiology, medicine, education, psychology and evolution) that, apart from its
use as a catchy conference title (see The Biological Foundations of Music), its most
useful function may be simply to remind us that music actually has a biological
basis. All of the researchers identified in the following material work from
this premise.
Biomusic
Biomusic is a music form rooted in the sounds created or performed by living
things (ie, not humans). The concept is sometimes extended to include sounds
made by humans in a directly 'biological' way (excluding vocalising). For
instance, music that is created by the brain waves of the composer can also be
called biomusic as can music created by the human body without the use of tools
or instruments that are not part of the body. Biomusic can be divided into two
basic categories: music that is created solely by the animal (or in some cases,
plant), and music that is based on animal noises but has been arranged by a
human composer. In this spirit, Gray's
Biomusic project is an exemplar. In the context of the origins of music,
practitioners of biomusic are active in drawing parallels between human musics
and the musics of those with whom we share the planet.
Biomusicology
The study of music from a biological point of view. The term was coined by Wallin. Music is an
aspect of the behaviour of the human and possibly other species. As humans are
living organisms, the scientific study of music is therefore part of biology,
thus the "bio" in "biomusicology". It is envisaged as
having three branches: evolutionary
musicology, neuromusicology
and comparative musicology.
Bipedalism
Standing, or moving (eg, by walking, running or hopping) on two appendages
(typically legs, though it can also include hand walking). Even standing is an
active process, requiring constant adjustment of balance (largely initiated
through the inner ear).
There are scientists who argue that the physiological and cognitive changes
associated with hominids becoming bipedal (eg, the 'dropping' of the larynx and
the rhythmic complexities necessary for upright balance and movement) made song
and dance possible. Indeed, the development of the human capacity for rhythm is a critical
issue in many areas of the study of music. See the rhythm entry for some of the
researchers.
Brain's reward system
There are nerve fibre pathways in and around the limbic system of the brain
that scientists call the brain's pleasure, or reward, circuit or system. When
these neurons are stimulated, we have what we call pleasurable feelings. The
primary source of this activation is a neurotransmitter called dopamine. Other biochemicals such as oxytocin and endorphins are also
involved in stimulating feelings of pleasure. Research (eg, papers by Blood and Zatorre in 1999 and 2001 along with Menon & Levitin in 2005) indicates that
musicking releases the biochemicals that stimulate the brain's reward system. A
possible conclusion is that this behaviour improves the survivability of the
species. Whether this is so, and why, are big questions for the evolutionary musicologists.
Broca's area
A section of the human brain that is involved in language processing, speech
production and comprehension. The concept of Broca's Area was originally
produced to explain how speech production was inhibited in the deaf; now it is
used to describe many anatomical aspects of psychological processing mechanisms
and is known to be involved in aspects of music cognition. Neuroscientists with an interest in music processing are
particularly interested in what goes in Broca's Area.
Cantometrics
(roughly speaking, "song measurements") is a method for relating the
statistical analysis of the (primarily) sonic elements of traditional vocal
music to the statistical analysis of sociological traits. Cantometrics thus
attempts to relate musical organisation to social organisation by establishing
correlations between, eg, vocal quality (such as tense or relaxed), tessitura,
textual coherence (presence and percentage of vocables versus meaningful
words), melodic contour, on the one hand, with class stratification, gender
relations, and sexual mores on the other. Cantometrics was co-created by Victor
Grauer and was first publicly proposed by Alan Lomax in 1959, who then launched a group
project to implement his vision. In 1968 he published Folk Song Style and Culture, in which he
claimed that, "for the first time, predictable and universal relationships
have been established between the expressive and communication processes, on
the one hand, and social structure and culture pattern, on the other."
Chills
Responses to music often include measurable bodily reactions such as goose
bumps or shivers down the spine. In 1980, Avram Goldstein, Emeritus Professor
of Pharmacology at the Stanford School of Medicine (Thrills in response to music and other stimuli)
first attempterd to measure and explain these responses thus beginning the hard
science investigation of music and emotion.
Researchers include: Altenmuller,
multiple intelligences" conceptualised
by Gardner. In his
2005 essay, Multiple Lenses on The Mind, he describes
musical intelligence as "the capacity to create, perform, and appreciate
music. Some people call this a talent. That is fine, so long as you recognize
that being good with words or with numbers is also a talent. What I cannot
accept is that linguistic facility is deemed intelligence, while skill with
music or with other persons is merely a talent". Underpinning his concept
of this capacity (that many are convinced is innate in us all) is an
appreciation that humans perceive and interact with their environment in many
different ways, one of which is musical.
Musicking
Concept developed by Christopher
Small: "And if musicking is action and not thing, a verb
and not a noun, then we should look for its meaning not in those musical
objects, those symphonies and concertos and operas, or even those melodies and
songs, that we have been taught to regard as the repositories of musical
meaning. You will understand that I'm not trying to deny the existence of those
objects, which would be silly, or even to deny that they have meanings in
themselves. What I am saying is that the fundamental nature, and thus the
meaning, of music lies not in those objects but in the act of musicking. It
lies in what people do. Musical objects have meaning only in so far as they
contribute to the human activity which is musicking. Only by thinking in that
manner can we hope to gain an understanding of its nature and of its function
in human life."
Small's conception of musicking as process, not artefact led us to adopt the
word with this extension: that, not least because music is made by physically
creating and responding to rhythm, we use musicking as the name of our subject
and see it as covering vocalisation, dance (rhythmic gesture), and the manipulation of tools
with musical intent.
Musilanguage
A term coined by Steven Brown
to describe a theory that music and language have a common ancestor (see also protolanguage). It is
both a model of musical and linguistic evolution and a term coined to describe
a certain stage in that evolution. Brown speculates that both music and human
language have origins in a phenomenon he calls the "musilanguage"
stage of evolution. This model represents the view that the structural features
shared by music and language are not the results of mere chance parallelism,
nor are they a function of one system emerging from the other-indeed, this
model asserts that "music and language are seen as reciprocal
specializations of a dual-natured referential emotive communicative precursor,
whereby music emphasizes sound as emotive
meaning and language emphasizes sound as referential meaning."
Neurobiology
Is the study of cells of the nervous system and the organisation of these cells
into functional circuits that process information and mediate behavior. It is a
subdiscipline of both biology and neuroscience.
Neurobiology differs from neuroscience, a much broader field that is concerned
with any scientific study of the nervous system. Neurobiology should also not
be confused with other subdisciplines of neuroscience such as computational
neuroscience, cognitive
neuroscience, behavioral neuroscience, biological psychiatry, neurology,
and neuropsychology despite the overlap with these subdisciplines. Researchers
include: Damasio, Freeman, Marler, Schlaug & Weinberger.
Neuroimaging
Neuroimaging covers the use of various techniques and technologies to either
directly or indirectly measure and create images of the structure, function and
pharmacology of the brain. Neuroscientists use technologies such as EEG, fMRI, MEG, MRI & PET to see inside our heads while the music
plays (while we play music is a little more difficult).
Neuromusicology
Along with evolutionary musicology
and comparitive musicology,
one of the three branches of biomusicology.
It describes the scientific study of the effects of music on the brain.
Neuroscientists with a research interest in music include Altenmuller, Avanzini, Besson, Brattico, Brown, Damasio, Freeman, Friederici, Hyde, Koelsch, Kreutz, Magee, Marler, Merker, Overy, Palmer, Pantev, Parsons, Patel, Peretz, Sacks, Schlaug, Skoyles, Stevens, Tervaniemi, Thaut, Tramo, Trevarthen, Weinberger, Will, Wong & Zatorre.
Neuroscience
Neuroscience is the discipline of scientifically studying the nervous system,
including the brain. Many neuroscience institutes have a strong music focus
(see Research institutions
& Associations on this page). We owe much of our
understanding about the cognition,
perception, processing and affect of music to neuroscience,
along with being able to make more informed speculations as to its evolution and to more
clearly understand its therapeutic
capacities.
Neurotransmitters
Are biochemicals that naturally relay, amplify and modulate signals between a
neuron and another cell. They include the monoamines, epinephrine, norepinephrine, along with dopamine and serotonin as well as oxytocin and the endorphins. Apart from
the monoamines (associated with performance
anxiety, all of these biochemicals are associated with feelings
of well-being (the brain's reward
system at work) and all have been measured as changing during musicking.
Oxytocin
A mammalian hormone that also acts as a neurotransmitter in the brain. In women, it
is released in large amounts after distension of the cervix and vagina during
labor, and after stimulation of the nipples. In the brain, oxytocin is involved
in social recognition and bonding, and may be involved in the formation of
generosity and trust. Popularly known as the cuddle chemical. Dopamine stimulates the production of
oxytocin. Freeman
was one the first to make the connection between oxytocin and music.
Palaeoanthropology
Literally, the study of really ancient humans; which means that anyone
concerned with the origins of music has an interest in the field. A more
precise description is the scientific study of the early members of the hominid
family through their fossil remains. Mithen
a, palaeoarchaeologist,
has, with The Singing Neanderthals,
produced a major palaeoanthropological text.
Palaeoarchaeology
The study of the earliest humans and their predecessors. As both 'palaeo' and
'archaeo' derive from concepts of ancientness, it means that the evidence being
examined is really really old - indeed, fossilised. The difference between this
and palaeoanthropology
is difficult for us to see, but nevertheless the palaeo-ists are making
profound contributions to our understanding of the origins of music . Researchers
include: Gamble, Mithen & Morley.
Parkinson's
The link above is to material on music and Parkinson's from the Beth Abraham IMNF. The Director
Tomaino and her friend Sacks
have done significant research into the beneficial effects of musicking on parkinsonians. See also Thaut.
Perception of music / music perception
In this context, perception can be described as making meaning from sensory
stimuli. In this case of music perception, fascinating questions arise: the
most obvious 'meanings' of music are emotional - what is the balance between
personally idiosyncratic, culturally determined and universal (unconcsiously
arrived at) meanings? What meanings do we make and how do we make them and how much
and what sort of 'training' is needed in order to appreciate the intended
meanings of its makers? These questions engage those pondering music
perception. They include: Aiello
Clarke, Costa-Giomi, Cuddy, Deutsch, Dibben, Gjerdingen, Kreutz, Krumhansl, McDermott, Palmer, Parncutt, Patel, Pfordresher, Saffran, Schellenberg, Shannon, Sloboda, Stevens & Trehub.
Performance anxiety
The fear that may be experienced while performing or while preparing for and
anticipating a performance. Performance anxiety, a subset of stress, is little different from general
anxiety (see Carole Miller's website for illuminating stuff).
Its symptoms are cognitive, behavioural and physiological and are closely
associated with the action of cortisol
and epinephrine in
the bloodstream and the brain. Music teachers (and professional musicians and singers)
have spent centuries exploring ways of reducing performance anxiety because,
even though it is recognised that these 'flight or fight' biochemicals
sometimes allow us to do superhuman things, the stress levels are often
overwhelming.
In terms of the social bonding
potential of group music-making, it is quite possible that the biochemicals
stimulated through public performance inhibit, if not drown out, the effects of
the dopamine
associated neurotransmitters (at least in the performers).
Researchers include: Kreutz
& Rickard.
PET
Positron Emission Tomography (PET) is a neuroimaging process that measures and maps
emissions from radioactively labeled metabolically active chemicals that have
been injected into the bloodstream.
Polyphony
Is a texture consisting of two or more independent melodic voices, as opposed
to music with just one voice (monophony) or music with one dominant melodic
voice accompanied by chords (homophony). See Jordania who demonstrates that choral
polyphony is not a manifestation of sophisticated European musical development
(as is presumed by many musicologists) but rather is a world-wide traditional
form of music-making that is likely to be in a direct line from the musical protolanguage that
preceded the emergence of language as we now recognise it.
Positive psychology
The simplest description of positive psychology is the study of mental wellness rather than
the study of mental illness. Thought of in this way, it has similarities to salutogenesis, in
which the same distinction is made in relation to medicine generally. Both
theories identify the absence of stress
as the key to wellness.
The key thinker whose work underpins positive psychology is Csikszentmihalyi. His concept of 'flow' as the mental
state supporting mental wellness parallels Antonovsky's 'state of coherence'. Both
concepts can be seen to emerge from the practice of musicking as envisaged by many evolutionary musicologists.
Prosody
In linguistics, prosody is the rhythm, stress, and intonation of speech.
Whatever meaning is communicated through these means (and it is usually more emotional than
directly referential), it is being done musically rather than linguistically.
Language takes on musical characteristics (or remembers its musical roots).
This is particularly the case with infant
directed speech and in tone-based languages such as Mandarin.
Protolanguage
Is a language that was the common ancestor of related languages that form a
language family. If music predates language, then it may be the 'protolanguage'
of language. See Wray
and her concept, 'formulaic
language', Brown's
concept of musilanguage,
Mithen's Hmmmmm and Bispham's socio-affective confluential
communication.
Psychoacoustics
Is the study of subjective human perception
of sounds. Alternatively, it can be described as the study of the psychological
correlates of the physical parameters of acoustics. It's a word that's been around a
long time (foreshadowing concepts like music perception and music cognition) that has lately taken on some
currency in 'sonic healing'
circles. Along with its new age garb, psychoacoustics continues to be a useful
concept for many of the more hard-edged researchers, in that it expands the concepts
of music cognition and perception into the wider sphere of sound in general.
These include: Grewe,
McDermott, Parncutt, Roederer & Shannon.
Psychophysiology
(from Wikipedia) 'The branch of psychology that is concerned with the
physiological bases of psychological processes'. What's happening in our bodies
when we're feeling that a way? To what extent are my psychological states
influenced by the response of my physiology to external stimuli, like, for
example, music? Researchers in this field have a lot to say about the
connections between music and emotion.
These researchers have written from a psychophysiological perspective: Besson, Jentschke, Koelsch, Kreutz & Krumhansl.
Rhythm
Almost as often as 'harmony', this musical concept is used to describe ideal
states. The question whether the capacity to create and respond to musical
rhythm is uniquely human and innate lies at the core of adaptative thinking and the study of evolutionary musicology.
In particular, the entrainment
phenomenon that occurs in musicking
is of great interest to those wishing to understand the biological function
socially creating and responding to periodic pulses.
Researchers include: Bispham,
Mithen, Patel, Repp & Trevarthen.
The rhythmical nature of music is at the core of many of its therapeutic applications. A good example is
its use in managing Parkinson's.
Salutogenesis
Is an alternative medicine concept that focuses on factors that support human health and wellbeing
rather than on factors that cause disease. The term comes from the Latin
'salus' = health and the Greek 'genesis' = origin. It was first used by Aaron Antonovsky in
1979, who studied the influence of a variety of sources of stress on health and was able to show that relatively
unstressed people had much more resistance to illness than those who were more
stressed. Antonovsky argued that the experience of wellbeing constitutes a
Sense of Coherence (SOC). Though modern medicine has increasingly come to ask
about the origin of illness, Antonovsky suggested that an equally important
question to pose is: "what is the origin of health?"
Antonovsky's SOC has complementarities with Flow, a concept developed at around the same
time, that posits an internal integration that mirrors Antonovsky's more social
context. Both could be seen to be describing a state enhanced by music-making's
social bonding
function.
Savants
See musical savants.
Secretory immunoglobulin A (sIgA)
A protein considered as the body's first line of defence against bacterial
infections of the upper respiratory pathway. A number of studies show that its
presence is increased through group singing (Beck et al, Kuhn, Kroetz et al)
Serotonin
Serotonin (5-hydrozytryptamine or 5-HT) is a neurotransmitter synthesised in neurons in
the central nervous system and cells in the gastrointestinal tract of animals
including humans. Low levels of serotonin may be associated with several
conditions, including increases in aggressive and angry behaviours, clinical
depression, obsessive-compulsive, bipolar and anxiety disorders. Fost, among others, has linked rises in
serotonin levels to enhanced capacity to socially bond, and there are indications
that music-making plays an important function in facilitating the biochemical
conditions for this to occur (eg, see Evers).
Social behaviour
It's obvious that music-making is a social behaviour: there's a heap of sociological and
historical material attesting to music's function as a facilitator, solidifier
and signifier of social development. Perhaps because this function is so clear,
a body of theory has emerged that proposes that music-making's biologically
determined function was/is to facilitate hominid social cohesion beyond the
narrow boundaries of kin. Also, many of those that favour an evolutionary
theory that includes the idea of group
selection see music's adaptative development as critical. Researchers
with an an interest in exploring the evolutionary basis of music's socialising
function include: Aiello,
Benzon, Brown, Cross, Dunbar, Freeman, Gamble, Hagen, Huron, Silk & Tomasello.
Socio-affective confluential communication
Bispham's
suggestion as a functional description of music. It concisely includes music's social dimension, its emotional power, and
the simultaneous activation of both our expressive and receptive organs. Some
other researchers whose work is heading in the same direction include: Benzon, Brown, Cross & Merker.
Sociology of music / music sociology
The study of: music's function in social life (historical and contemporary); the
social structures involved in the production and consumption of music; the uses
to which music is/has been put in society; music's function as a medium for
socio-political and cultural development and change; music's biological
function as facilitator of social
behaviour; music's function through infant, child and adolescent
social development. While music sociology is itself a subset of musicology, it is clearly a huge field: musicking is a
ubiquitous social activity and can be viewed from a myriad of perspectives. The
more we know about the ways music is and has been applied in societies (eg, Amandla and The Singing Revolution),
the better may we be able to understand its biological function.And on the way,
one comes across gems like Marcus's Lipstick
Traces.
Researchers with a sociological bent include: DeNora, Batt-Rawden, Cross, Hargreaves, Miell, North, Procter & Stige.
Sonic healing
The idea that sound vibrations are benefical is as old as it is new. From
Tibetan mantras to Tomatis,
humans have always perceived a positive connection between health and the buzz.
While music therapy
tends to take a medical approach (the cure or alleviation of ailments), there
are scores of new age music/health phenomena that, through synthesising ancient
insights with contemporary neuroscience, have developed solid practices for
achieving and maintaining wellbeing
through musicking.
There are philosophies that see the function of sonics in our existence going
far beyond wellbeing. Berendt's
'The World Is Sound' goes the whole hog. Finding common cause between Hinduism
and modern physics, he demonstrates that vibration is all.
Stress
(from wikipedia) 'Stress is the condition that results when person-environment
transactions lead the individual to perceive a discrepancy, whether real or
not, between the demands of a situation and the resources of the person's biological,
psychological or social systems'. Proponents of salutogenesis and positive psychology view the absence of
stress as the prime factor in wellness, physical and mental. Beyond the
considerable research demonstrating the immediate and relieving impact of music
on individuals' stress levels (eg, Burns
et al, Georgi et al
& Hasegawa et al),
there remains the function of musicking in helping to create the conditions in
which stress does not figure: 'wellbeing',
'flow', 'sense of coherence'.
These concepts all have a sense of connectedness as a key element - a sensation
that is experienced and modelled through musicking. Musicking's adaptative function as a means of promoting social behaviour should
be emerging as a key informant of social inclusion strategies (we wish!).
On a different, but related, tack, stresses that may emerge in music-making,
sometimes called performance
anxiety, are the subject of research, theory and therapy.
Therapy
See music therapy.
Tone deafness
See absolute pitch.
Individuals
Rita
Aiello
Visiting scholar at the New York University Psychology Department since 2001.
Has served on the faculties of The Juilliard School, the Manhattan School of
Music, the City University of New York, and has been a visiting professor at
Universita' Degli Studi di Roma "La Sapienza". Her research focuses
on the perception and cognition of music.
email
Frederick Matthias Alexander
(1869-1955) Tasmanian actor who invented the Alexander
Technique that works through re-establishing the natural
relationship between the head, the neck and the back - the "core" of
the body - that supports the strength of the limbs and which provides the
structural environment for breathing and for the internal organs. Alexander's
development of the technique was inititiated as a solution to his mysterious
vocal deterioration - what began as a vocal strengthening program soon morphed
into a holistic health system.
Eckart Altenmuller
Head, Institute of Music Physiology
and Musicians' Medicine,
Gary Ansdell
With Mercedes Pavlicevic,
co-head of Research at the Nordoff-Robbins
Music Therapy Centre,
email
Aaron Antonovsky
(1923-1994) Sociologist and academician whose work emphasized the relationship
between stress, health and well-being that he developed into a theory of health
and illness that he termed salutogenesis.
The major concept in this theory is that specific personal dispositions make
individuals more resilient to the stressors they encounter in daily life. He
identified these characteristics, that he claimed helped a person better cope
(and remain health) by providing "a sense of coherence" (SOC) about
life and the challenges one faces. His key works were Unraveling the mystery of health and Health, Stress and Coping
Michael A. Arbib
Fletcher Jones Professor of Computer Science, Professor of Biological Sciences,
Biomedical Engineering, Electrical Engineering, Neuroscience and Psychology and
Director, USC Brain Project @ the University of Southern California. With Rizzolatti, the
discoverer of mirror neurons.
Current resarch interests: computational and cognitive neuroscience, mirror
neurons and action recognition, brain mechanisms of language and their
evolution, epistemology, neural networks, simulation, schema theory and
neuroinformatics.
Richard Ashley
Associate Professor, Music Cognition/Music Theory in the Faculty of Music,
Northwestern University. His research in music cognition focuses on expressive
performance, musical communication, and long-term memory for music.
email
Giuliano Avanzini
Director of the Department of Clinical Neuroscience at the National
Neurological Institute Carlo Besta @ the
Betty
A. Bailey
Was PhD student in the Department of Music at the
email
Felicity
Baker
Co-ordinator of Music Therapy training at the
email
Laura-Lee Balkwill
Researcher at the Music Cognition
Lab. Interests lie in the expression and recognition of emotion in
music, particularly across cultures.
Nicholas Bannan
Collaborator of Steven Mithen's,
previously at ICRME,
recently took up position in UWA Music Faculty. Key interest is the means by
which vocal potential can be released in singers of all ages and abilities;
this has led to his Harmony Singing project, a new pedagogical system for
developing aural sensitivity and creative potential through group singing. He
has also worked with Alzheimer's
patients on the potential of singing for retaining social communication between
carers and people with dementia. He has also written extensively on the
evolutionary origins of music. Organised and presented at the MLHE conference.
Margaret S. Barrett
Associate Professor & Deputy Head of
email
Kari Bjerke Batt-Rawden
Associate Professor, Department of Nursing,
email
William L. Benzon
Association Director, World Development Endowment Foundation,
email
Tonya
R. Bergeson
Assistant professor of otolaryngology and co-director of the Infant Language Lab in the Department of
Otolaryngology at the Indiana University School of Medicine.
email
Mireille
Besson
Director of Research, Institut de Neurosciences Cognitives de la Mediterranee,
Marseille. Her research interests are described in detail (in French) on the
institute's website. They include the extent to which early musical training
influences other perceptive and cognitive skills and, in particular, language
perception and comprehension.
email
Derek Bickerton
Emeritus Professor of Linguistics at the
Ian Biddle
Head of Music at the
email
Emmanuel Bigand
Director of The Laboratory for Research on Learning and Development (LEAD)
@ the
John C. Bispham
PhD student working with Cross.
The central focus of his work is an attempt to describe psychological and
behavioural features of 'music' that distinguish it from other forms of animal
and human communication - its putative 'design features'.
John Blacking
(1928-1990) One of the first, and still most important, ethnomusicologists to
develop arguments for music as an innate capacity of humans. In The Singing Neanderthals, Mithen quotes JB more than anyone else. The Callaway Centre in
Anne J. Blood
Instructor in Neurology at
email
June
Boyce-Tillman
Professor of Applied Music at the
email
Elvira
Brattico
Researcher @ the Cognitive Brain
Research Unit, Department of Psychology,
Steven
Brown
Cognitive neuroscientist working in the Department of Psychology at
email
Gregory A.
Bryant
Postdoctoral Fellow at the Center for Culture, Brain and Development at UCLA's
Department of Psychology. His research interests include psycholinguistics (the
role of prosody in
understanding spontaneous speech), emotion,
culture, and evolutionary psychology and cognitive science.
email
Leslie
Bunt
Music therapy
practitioner, trainer, researcher and Professor in Music Therapy in the Faculty
of Health and Social Care at the University of the West of England.
email
Patricia Shehan Campbell
Teaches at the
email
James S. Catterall
Professor, Urban Schooling,
email
Eric F. Clarke
Sometime James Rossiter Hoyle Professor of Music at Sheffield and, since
October 2007, Heather Professor of Music at the
Martin Clayton
Senior Lecturer in Ethnomusicology at the Open University. His research
interests include Hindustani (North Indian) classical music, rhythmic analysis,
comparative musicology and early field recordings, British-Asian music and
Western music in
email
Stephen Clift
Professor of Health Education at
email
Annabel J. Cohen
Director of the Auditory Perception & Music Cognition Research &
Training Laboratory at the University of Prince Edward Island and Director of AIRS.
Gene
Cohen
First Director of the Center on
Aging, Health & Humanities at George Washington University,
where he also holds the positions of Professor of Health Care Sciences and
Professor of Psychiatry and Behavioral Sciences. He also co-founded the Creativity
Discovery Corps whose mission is to identify and preserve the creative
accomplishments and rich histories of under-recognised talented older adults.
He is the Principal Investigator on the Creativity and Aging Study, a longitudinal
resarch project whose findings have confirmed the profound impacts of group
singing.
Nicholas Cook
Professorial Research Fellow in Music at Royal Holloway, where he directs the
AHRC Research Centre for the History and Analysis of Recorded Music (CHARM).
Musicologist, theorist and author.
email
Eugenia Costa-Giomi
Associate Professor of Music and Human Learning,
email
Ian
Cross
Director of the Centre for Music
and Science, Faculty of Music, University of
email
Mihaly
Csikszentmihalyi
Director of the Quality of Life Research Centre and C.S. and D.J. Davidson
Professor of Psychology and Management at the
Lola
L. Cuddy
Psychology professor at Queens University, Kingston, Ontario with a research
focus on music perception, cognition and performance. Director and founder of
the Music Cognition Lab
email
Simone Dalla Bella
Principal Investigator @ the Music Performance and Brain Lab, Department
of Cognitive Psychology,
Antonio R. Damasio
David Dornsife Chair in Neuroscience and Professor of Psychology and Neurology
and Director of the
email
Jane W. Davidson
Collaborator and supervisor of Betty
Bailey; recently taken up position in UWA Music Faculty. Former
editor of Psychology of Music,
she is currently Vice-president of the European Society for the Cognitive Sciences of Music
email
Irene Deliege
Founder of the Unite de Recherche
en Psychologie de la Musique (URPM), Arts et Sciences de la
Musique,
email
Tia DeNora
Professor of Sociology of Music and Director of Research in the School of
Humanities and Social Sciences at the
email
Diana
Deutsch
Professor in the Department of Psychology,
email
Nicola Dibben
Lecturer in music at the
email
Steve Dillon
Senior lecturer in Music and Sound at Queensland University of Technology in
the Faculty of Creative Industries. He is internationally recognised as a
leading researcher in the field of positive effects of school and community
music programs, particularly on at risk youth. He is the Director of the save to D.I.S.C.
(Documenting Innovation in Sound Communities) research network, supervising a
cohort of postgraduate students and collaborating with a team of international
researchers. He is currently series editor for six books based on his Music, Meaning and Transformation
research for Cambridge Scholars Press.
email
Ellen
Dissanayake
Seattle-based independent scholar and cultural anthropologist affiliated with
the
email
Robin
Dunbar
Evolutionary psychologist specialising in primate behaviour. Head of the
Evolutionary Psychology and Behavioural Ecology Research Group at
email
Jane Edwards
Course Director of the MA in Music Therapy program at the Irish World Academy
of Music and Dance. She holds a Guest Professorship at the Institute for Music
Therapy in the University of the Arts,
Elliot W. Eisner
Sometime Lee Jacks Professor of Education and Professor of Art, School of
Education, Stanford University and now a member of their 'Emeriti Faculty'. His
research interests include arts education, curriculum studies and qualitative
research methodology (identifying practical uses of critical qualitative
methods from the arts in schools settings and teaching processes). He focuses
on the development of aesthetic
intelligence and on the use of methods from the arts to study
and improve educational practice. Originally trained as a painter, his teaching
and research centre around the ways in which schools might improve by using the
processes of the arts in all their programs.
email
Dean Falk
Chair of Anthropology at
email
Steven Feld
Distinguished Professor of Anthropology and Music at the
email
Anne Fernald
Director of the Center for Infant Studies at
email
W. Tecumseh Fitch
Studies the evolution of cognition in animals and man, focusing on the
evolution of communication in the
email
Robert A. Foley
Director of the Leverhulme Centre for Human Evolutionary Studies at
email
Joshua
W. Fost
Innovative interdisciplinarian teaching at the intersection of science,
philosophy, and art, with research programs in the neural basis of religious
and aesthetic
experience, and neurally-grounded philosophy of language. Strong parallel
interest in the public understanding of science and critical thinking.
Walter J. Freeman
Professor of the
Angela
D. Friederici
Director of the Department of Neuropsychology at the Max Planck Institute for Human Cognitive and Brain Sciences,
Leipzig, Germany. Massively prolific author on all aspects of the cognition of
language and music.
email
Alf Gabrielsson
Professor Emeritus in the Institute for Psychology,
email
Clive
Gamble
Archaeologist with a particular interest in our earliest origins and the
evolution of human society. Professor of Geography at Royal Holloway and
Director of 'Lucy to Language:
the Archaeology of the Social Brain' (the
email
Howard
Gardner
John H. and Elisabeth A. Hobbs Professor of Cognition and Education at the
email
Christian Gaser
Department of Psychiatry,
email
Thomas
Geissmann
Director of the Gibbon Research Lab at the Anthropological Institute,
University
email
Robert O. Gjerdingen
Professor of Music at The
email
Howard
Goodall
Edwin E.
Gordon
Researcher, teacher, author, editor, and lecturer. Through extensive research,
he has made major contributions in the study of music aptitudes, audiation,
music learning theory, tonal and rhythm patterns, and music development in infants and very young
children. He is the author of six highly regarded music aptitude tests, as well
as numerous books, articles, and research monographs.
email
Patricia M. Gray
Artistic Director and Pianist of National Musical Arts, for 21 seasons the
resident ensemble at the National Academy of Sciences in
email
Amy B. Graziano
Assistant Professor of Music and Director of Historical Studies School of
Music,
email
Oliver Grewe
Researcher at the
email
Thomas
C. Gunter
Senior Research Scientist with the Neurocognition of Language Working Group at
the Max Planck Institute for Human
Cognitive and Brain Sciences,
email
Edward H. Hagen
Postdoctoral Fellow at the Institute for Theoretical Biology,
Humboldt-Universitat zu
email
Susan Hallam
Head of Lifelong Education & International Development at the
email
Grenville Hancox
Co-director of the Sidney de Haan
Centre for Arts and Health and Professor of Music at
email
Erin E. Hannon
Director of the Auditory Cognition
and Development Lab. Her research aims to understand the
development of culture-specific and domain-specific knowledge of complex sound
structures such as music and speech. Using cross-cultural comparisons, she examines
how mechanisms underlying perception of music arise and change from infancy
through adulthood as a result of experience in one's culture and cognitive
developmental processes that are independent of culture. In current work she
investigates (1) How perception of musical rhythm and meter is constrained
during infancy and reorganized as a result of everyday exposure to music, (2)
Whether or not there are critical period-like effects in acquisition of musical
knowledge, (3) The development of intermodal perception in a musical context
(e. g., perception of dancing and the development of synchronized movement to
music), (4) Parallels between music and speech in rhythm perception and
rule-learning, and (5) The role of music and singing in caretaking contexts.
David J. Hargreaves
Professor of Education, Froebel Research Fellow, and Director of the Centre for
International Research on Creativity and Learning in Education (CIRCLE) in the
email
Marc D. Hauser
Professor of Psychology and Organismic and Evolutionary Biology at
email
Pam Heaton
Department of Psychology,
Lois
Hetland
Associate Professor of Art Education at the
email
David Huron
Music cognition researcher and Head of the Cognitive & Systematic Musicology Laboratory,
School of Music,
email
Krista
L. Hyde
Post-doctoral research fellow at the McConnell Brain Imaging Centre, Montreal
Neurological Institute,
email
Gabriela
Ilie (frmrly) Husain
Instructor in the Department of Psychology,
email
Michel Imberty
Professor of Psychology at the Universite de Paris X -
Ray Jackendoff
Seth Merrin Professor of Philosophy and Co-Director, Center for Cognitive
Studies,
email
Emile Jacques-Dalcroze
(1865-1950) Swiss musician and music educator who developed eurhythmics (the
interpretation in harmonious bodily movements of the rhythm of musical
compositions - as distinct from Rudolf Steiner's eurhythmy). The influence of eurhythmics can be
seen in the Orff
Schulwerk pedagogy, common in public school music education throughout the
Petr
Janata
Principal Investigator at the Janata
Lab; research interests are primarily in the fields of cognitive
neuroscience and neuroethology using music as a model system for studying the
neural basis of auditory attention, imagery, and memory; in particular the ways
in which these general functions support the formation and evaluation of
expectancies.
Lutz Jancke
Head, Department of Neuropsychology, Psychology Institute,
Sebastian Jentschke
PhD student at the Max Planck
Institute for Human Cognitive and Brain Sciences,
email
Joseph
Jordania
Probably the most informed person in the world on the music of Georgia; Visiting
Lecturer at the Australian Catholic University, Melbourne, and Research
Associate and Honorary Fellow of the University of Melbourne. Prolific author
and organiser of international conferences On Problems of Traditional Polyphony in
Patrik N. Juslin
Director of Appraisal in Music and
Emotion (
email
Carolyn Kenny
Professor of Human Development and Indigenous Studies in the PhD in Leadership
and Change program at
Zoltan Kodaly
(1882-1967) Hungarian composer, ethnomusicologist, educator, linguist, and
philosopher. One of the first to undertake the serious study of folk tales,
Kodaly became one of the most significant early figures in the field of
ethnomusicology. From 1905 he visited remote villages to collect songs
recording them on phonograph cylinders. Around this time Kodaly met fellow
composer Bela Bartok, whom he took under his wing and became his mentor and
subsequently a major influence on Bartok's music. His influence on music
education has also been profound, being based on the belief that
music, in particular singing, would have a liberating effect on the mind and
increase the child's ability to deal better with all the other subjects of the
school curriculum. His legacy is continued by the International Kodaly Society.
Stefan
Koelsch
Group Leader of the Neurocognition of Music research group at the Max Planck Institute for Human Cognitive and Brain Science,
email
Reinhard Kopiez
Professor and collaborator with Grewe
and Altenmuller at
the Institute of Music Physiology
and Musicians' Medicine. With his colleagues, he researches
music and emotion,
in particular, 'chills'.
Gunter Kreutz
Research Fellow at the Research Centre for the Vocational Training of
Musicians, Royal Northern College of Music. Previously a lecturer in musicology
at Goethe-Universitat of Frankfurt am
email
Carol L. Krumhansl
Professor in the Psychology Department of
email
Alexandra Lamont
Lecturer in the
email
Edward W.
Large
Associate Professor in the Department of Psychology and head of the Music Dynamics Laboratory,
Center for Complex Systems and Brain Science @ the Florida Atlantic University.
Research intere stsinclude auditory neuroscience, music psychology and
dynamical systems theory. His interdisciplinary research combines behavioral
experimentation, neurophysiology and neuroimaging with nonlinear dynamical
systems modeling, to gain a deeper understanding of the neural underpinnings of
musical experience.
Daniel
J. Levitin
Head of the Levitin Laboratory
for Musical Perception, Cognition and Expertise at Mcgill. Research interests:
learning and memory of auditory patterns (including musical memory), cross-modal perception and
quantitative methods in psychology.
email
Steven
Robert Livingstone
Postdoctoral Researcher in the Department of Psychology @ Macquarie University
and the School of Information Technology and Electrical Engineering, University
of Queensland. His research involves measuring 'music-emotion'; has developed a
Computational Music-Emotion Rule System (CMERS) that 'provides researchers with
a powerful tool for exploring emotional relationships within music'. He is also
interested in music psychology, amusia and speech prosody, music performance
and motion capture and evolutionary music origins.
Alan
Lomax
(1915-2002) An American folklorist and musicologist. He was one of the great
field collectors of folk music of the 20th century, recording thousands of
songs in the USA, UK, the West Indies, Italy and Spain; inventor of 'cantometrics'
Raymond A. R. MacDonald
Professor of Music Psychology and Improvisation in the Department of Psychology
at the Glasgow Caledonian University; leads the Glasgow Caledonian Music
Psychology Research Group. His ongoing research focuses on issues relating to music therapy, music
education and musical identities.
email
Francois-Bernard Mache
Composer and author. Contributor to The
Origins of Music (Wallin et al).
email
Wendy Magee
International Research Fellow,
email
Stephen Malloch
Researcher who trained in performance (violin) and musicology at the Sydney
Conservatorium. His training in performance, music analysis and acoustics
formed the background to his work on mother-infant vocal communication during a post-doctoral
research fellowship with Colwyn
Trevarthen in the Department of Psychology at
email
Peter Marler
Professor Emeritus of Neurobiology, Physiology and Behaviour at the
email
Josh
McDermott
Uses psychophysics and computation to understand perception. After a long
period spent working in mid-level vision, is currently reinventing himself as a
psychoacoustician
and music psychologist. Generally interested in mid and high level auditory
processes and the way they interface with cognition. Much of his recent work
has focused on the evolutionary origins of music. Currently a Postdoctoral
Associate at the Auditory
Perception and Cognition Lab
email
Katrina McFerran
Lecturer in music therapy
at the
email
William H. McNeil
Robert A. Milikan Distinguished Service Professor Emeritus of History at the
Gary E. McPherson
Zimmerman Professor of Music Education at the
email
Bjorn Merker
Neuroscientist exploring the biological basis of music in humans (through the
duet singing of gibbons and musical aspects of mother-infant interaction). Senior Fellow at
the Institute for Biomusicology and
Acoustic Ethnology at Mid
email
Dorothy E. Miell
Dean of the Faculty of Social Sciences at the Open University. Research
interests: the sociocultural environment surrounding the fundamental role
played by relationships in people's lives, in particular the function of music
as identity shaper.
email
Geoffrey Miller
Evolutionary social psychologist working in the cognitive neuroscience field in
the Psychology Department of the
email
Steven J. Mithen
Head of the
email
Iain
Morley
Archaeologist with an interest in neurological evolution. Affiliated Scholar
with the Department of Archaeology, Cambridge University; Research Fellow,
Darwin College; Research Associate, Templeton Foundation Research Project.
Presented at the MLHE
Conference.
Bruno
Nettl
Ethnomusicologist and Professor Emeritus of Music and Anthropology at the
email
Adrian North
Professor of Psychology in the
Adam Ockelford
Professor of Music in the
Helen Odell-Miller
Deputy Head of the Music and Performing Arts Department at Anglia Ruskin
University and Principal Lecturer in Music Therapy. Research interests: music therapy and
dementia, music therapy and links with diagnosis in adult mental health, music
therapy and personality disorders, arts therapies and mental health.
email
Carl
Orff
(1895-1982) Apart from Carmina Burana (currently used by Fosters
to advertise beer and promote men singing together), Orff is best known as the
creator of Orff
Schulwerk, the internationally recognised methodology for music
education in primary schools. His legacy is maintained by the Carl Orff Foundation.
Nigel Osborne
Co-director of Institute for Music
in Human & Social Development. His research interests
include music and health and community music.
email
Katie Overy
Co-director of the Institute for
Music in Human & Social Development and Lecturer in the
email
Caroline
Palmer
Professor, Department of Psychology and
Jaak Panksepp
Professor Emeritus of Psychology, Bowling Green State University and Adjunct
Professor of Psychiatry at the Medical College of Ohio at Toledo. Research
interests: brain processes; emotions
and motivation; play; aggression, addiction, social behaviours, brain reward and punishment; and autism and other
neurodevelopmental disorders.
email
Christo Pantev
Professor for Biomagnetism and Biosignalanalysis and head of the Institute for
Biomagnetism and Biosignal Analysis,
Richard Parncutt
Australian born and educated Professor of Systematic Musicology,
email
Lawrence Parsons
Head of the Cognitive Neuroscience Research Group in the Department of
Psychology, University of
email
Aniruddh
D. Patel
Esther J. Burnham Fellow at The
Neurosciences Institute,
email
Mercedes Pavlicevic
She co-instituted
email
Isabelle Peretz
Head of the Laboratoire de
neuropsychologie de la musique et de la cognition auditive in
the
email
Peter Q. Pfordresher
Associate Professor in the Department of Psychology @ the University at
Simon Procter
Doctoral student in the Sociology of the Arts group at Exeter (under DeNora; also a
practicing music therapist
in both medical and non-medical mental health services in East London, Research
Assistant at the Nordoff-Robbins
Music Therapy Centre and Editor of the British Journal of Music Therapy
Frances H. Rauscher
Associate Professor at the University of
email
Bruno H. Repp
Senior Scientist, Haskins Laboratories,
Nikki Rickard
Team Leader of the Music Psychology
Research Team at
email
Giacomo Rizzolatti
Italian neurophysiologist who is a Senior Scientist at the
Paul Robertson
For more than 30 years, has been leader of the Medici Quartet, of which he is a
founder member. He now combines his musical career with a career as speaker and
lecturer. For nearly 20 years he has also pursued an understanding of
musicality by means of scientific research. This led to the Channel 4 TV series
Music and the Mind. He is currently Visiting Professor in Music to the
Department of Education at
Juan
G. Roederer
Emeritus Professor of Physics at the University of Alaska-Fairbanks. Research
fields are space physics, psychoacoustics,
science policy and information theory.
email
Ilona Roth
Psychologist researching forms of imagination and the psychological processes
that link and differentiate them including the implications of imagination
deficits in people with autistic
spectrum disorders.
email
Even
Ruud
Professor at the University of
email
Oliver Sacks
Consulting neurologist at the Beth
Abraham IMNF and author best known for his collections of case
histories from the far borderlands of neurological experience, The Man Who
Mistook His Wife for a Hat and An Anthropologist on Mars, in which he describes
patients struggling to live with conditions ranging from Tourette's syndrome to
autism, parkinsonism, musical
hallucination, epilepsy, phantom limb syndrome, schizophrenia, retardation, and
Alzheimer's
disease. His two most recent publications have been The Power of Music and Musicophilia.
Jenny R. Saffran
Professor in the Psychology Department of the
email
Severine Samson
Director of the Neuropsychology & Auditory Cognition Laboratory,
E.
Glenn Schellenberg
Professor of Psychology at the
email
Klaus R. Scherer
Chair of Emotion Psychology at the
email
Gottfried Schlaug
Director, Music and Neuroimaging
Laboratory, Stroke Recovery Laboratory, and Division Chief,
Cerebrovascular Diseases; Associate Professor of Neurology,
email
Matthew D. Schulkind
Associate Professor of Psychology,
Robert V. Shannon
Head, Department of Auditory Implants and Perception and Director, Auditory
Implants Research Lab @ the House Ear Institute. Has been researching auditory
perception and psychoacoustics
for more than 30 years ranging from the design of speech processors for
auditory prostheses to temporal processing in cochlear implants and neural
patterns of activation resulting from electrical stimulation of the inner ear,
the hearing nerve and the cochlear nucleus.
Gordon
L. Shaw
Professor Emeritus Brain Theory and Elementary Particle Theory. With Rauscher and Ky,
discoverer of the Mozart Effect
and President of the MIND Institute
Joan Silk
Biological anthropologist at UCLA; particularly interested in how natural
selection shapes social behaviour in primates and the development of
co-operative capacities in humans.
email
John R. Skoyles
Graduate, London School of Economics; Postgraduate, University College London;
and former MRC funded neuroscience researcher who is a researcher in the
evolution of human intelligence in the light of recent discoveries about the
brain.
email
John A. Sloboda
Head of the Unit for the Study of
Musical Skill and Development in the
email
Christopher Small
Conceiver of the concept of musicking
in which he develops the idea that music is always an activity and never a
thing. He demonstrates that musicking is a process through which all the
participants explore and celebrate the relationships that constitute their
social identity. See Christgau
interviews
Elliott
Sober
Hans Reichenbach Professor and William F. Vilas Research Professor in the
Department of Philosophy at
email
Rudolf Steiner
(1861-1925) Austrian philosopher, literary scholar, educator, artist, playwright,
social thinker, and esotericist. His educational ideas have snowballed through
the Steiner/Waldorf Education method to become a
world-wide network of alternative schools emphasising the role of imagination
in learning. The elementary schools offer a multi-disciplinary arts-based
curriculum that includes visual arts, drama, artistic movement (eurythmy - the
art of visible singing - as distinct from eurythmics, invented by Jacques-Dalcroze)
vocal and instrumental music, and crafts. His thoughts are conserved in the Rudolf Steiner
Archive.
Kate Stevens
Associate Professor and Deputy Director MARCS Auditory Laboratories, UWS. Research
interests: music perception and cognition; tinnitus and cognition; auditory
icons and warning signals; choreographic cognition; memory for movement; audience
response to contemporary dance; computational models: artificial neural
networks; dynamical systems; evaluation of text-to-speech (TTS) synthesis
systems.
email
Brynjulf Stige
Professor of Music Therapy at the the Grieg Academy, Institute of Music,
University of Bergen, Norway, where he is doing theoretical and qualitative
research on music therapy
in psychiatry and on community music therapy. Editor-in-chief of Nordic Journal of Music Therapy and
co-editor of Voices: A World Forum
for Music Therapy. Stige worked for five years as a music therapist
with a socio-ecological, cultural and community based approach before becaming
the first coordinator of the music therapy training in Sandane. He has
published articles and books on music education and music therapy.
email
Johan
Sundberg
Retired member of the Music
Acoustics Group at Kungliga Tekniska hogskolan (KTH),
email
Sten
Ternstrom
Head of the Music Acoustics Group
at Kungliga Tekniska hogskolan (KTH),
email
Mari
Tervaniemi
Head of the Cognitive Brain
Research Unit, Department of Psychology,
Michael H. Thaut
Professor of Music and a Professor of Neuroscience at
email
William
Forde Thompson
Director of Communication, Culture and Information Technology (CCIT) at the
email
Barbara Tillmann
Cognitive psychologist at the
email
Jeff Todd Titon
Professor of Music and Director, PhD Program in Music @ the Department of
Music,
Neil P. McAngus Todd
Lecturer, School of Psychological Sciences,
email
Elizabeth
D. Tolbert
Ethnomusicologist and co-Chair of the Musicology Department at the
Michael
Tomasello
Co-Director of the Max Planck
Institute for Evolutionary Anthropology,
email
Alfred A. Tomatis
(1920-2001) Laid the groundwork for a new multi-disciplinary science he called
Audio-Psycho-Phonology (APP). It explains "why the way we listen" has
a profound impact on almost all aspects of our being. He believed that
listening problems are the root cause of many learning problems. See wikipedia
for a concise summary.
Laurel J. Trainor
Director of the Auditory Development
Lab at
email
Mark Jude Tramo
Director of the Institute for Music
and Brain Science at
email
Sandra
E. Trehub
Professor Emeritus at the
email
Colwyn Trevarthen
Professor (Emeritus) of Child Psychology and Psychobiology in the Department of
Psychology of the
email
Trish Vella-Burrows
Project Development Officer at the Sidney
de Haan Centre for Arts and Health
Nils L. Wallin
Director of the Institute for
Biomusicology and Acoustic Ethnology at Mid Sweden University,
Ostersund and co-editor of The Origins
of Music.
Norman M. Weinberger
Research Professor and Fellow of the Center for the Neurobiology of Learning
and Memory UC Irvine. Author and publisher of MuSICA Research Notes over nineteen issues
from Spring 1994 through Summer 2001.
email
Graham F. Welch
Professor of Music Education and Head of the School of Arts and Humanities in
the
email
Tony Wigram
Professor of Music Therapy at the Institute for Music and Music Therapy,
Department of Humanities,
email
Udo Will
Composer and neuroscientist who undertook most of his early field research in
outback
Aaron
Williamon
Head of the Centre for Performance Science (CPS) at the Royal College of Music,
London and Honorary Research Fellow, Division of Neurosciences and Mental
Health, Imperial College, London.
David Sloan Wilson
Professor, Departments of Biology and Anthropology,
email
Patrick C. M. Wong
Principal Investigator at the Speech Research Laboratory in The Roxelyn and
Richard Pepper Department of Communication Sciences and Disorders, School of
Communication, Northwestern University, Evanston, USA. Research interests
include the neurophysiological basis of music cognition.
Alison Wray
Professor in the Centre for Language and Communication at the
email
Robert J.
Zatorre
Cognitive neuroscientist, James McGill professor of neuroscience at the
Montreal Neurological Institute and Principal Investigator at its Auditory Cognitive Neuroscience Laboratory.
Lawrence M. Zbikowski
Associate Professor of Music at the
Research institutions & Associations
Acoustic
Ecology Institute (
Provides access to news, academic research, public policy advocates, and
articles and essays about sound and listening. Board of Directors includes Steven Feld, David
Dunn, Dave Mellinger & Jim Cummings
Acoustical Society
of America (
Adult &
Community Music Education Special Research Interest Group (USA)
(USA)
Part of the National Association of Music Education (MENC), ACME SRIG promotes research that
fosters active involvement in the making, creating, and studying of music
across the life span
AIRS
(
A 'virtual research environment' for Advancing Interdisciplinary Research in
Singing hosted by the
Discovering Universals of Song Acquisition
Distinguishing Song and Speech
Developing Singing Pedagogy
Promoting Cultural Understanding through Singing
Promoting Intergenerational Singing
Promoting Well-being through Singing
and involves many of the researchers identified in these listings (eg, Brown, Trainor & Dalla Bella). Betty A. Bailey is the liaison contact for
Atlantic Canada.
American Music
Conference (USA)
National non-profit music education advocacy association dedicated to
supporting the importance of music education and music research. Links to
recent research are regularly updated.
American
Music Therapy Association (
American
Musicological Society (
Appraisal
in Music and Emotion (AMUSE) (
@ Uppsala University; project director: Patrik N. Juslin
The Arts
Council of Eire / An Chomhairle Eala_on (EIRE)
Has hosted a series of International Arts & Health Conferences, has strong
Arts and Health policies and supports long term evaluations (see Moloney)
Arts, Culture and Community Research Group (
@ the Faculty of Education, University of
Arts Education
Partnership (USA)
National coalition of arts, education, business, philanthropic and government
organizations that demonstrate and promote the essential role of the arts in
the learning and development of every child
Arts for Health (UK)
International centre offering advice and consultancy for creative planning,
funding and commissioning of arts and cultural projects in the healthcare
services. Based at
Auditory
Cognition and Development Lab (
@ the Department of Psychology,
Auditory
Cognitive Neuroscience Laboratory (
@ the
Auditory
Perception and Action Lab (
@ the University of
Auditory
Perception and Cognition Lab (
@ the Universiity of
Auditory
Perception & Music Cognition Research & Training Laboratory
(
Department of Psychology,
Auditory Research Laboratory (
@ Department of Psychology, McGill Univrsity
Australasian
Digital Theses Program (ADT) (
A distributed database of digital versions of theses produced by postgraduate
research students at Australian universities. The theses will be available
worldwide via the web.
Australia
& New Zealand Register of Postgraduate Music Research
(AUSTRALIA)
(keyword search on community brings up some interesting stuff)
Australian Association for Research in Music Education
(
Australian
Health Promotion Association (
Australian
Music and Psychology Society (AMPS) (
Australian
Music Therapy Association (
Australian
Society for Music Education (ASME) (
Bibliography of Australian Music Education Research (BAMER)
(
BioCog
- Cognitive incl. Biological Psychology (GERMANY)
Cognitive science research centre involved in the Tuning the Brain for Music project.
Biomusic
(
Program of National Music Arts at the
Brain
and Creativity Institute (
@
BRAMS
(Brain, Music and Sound) (CANADA)
Research unit affiliated with the University of Montreal, McGill University and
the Montreal Neurological Institute devoted to the study of music cognition
with a focus on neuroscience. Co-directors: Peretz & Zatorre. Involved in the Tuning the Brain for Music project.
British Society for
Music Therapy (
CAIRSS
for Music (USA)
(Computer-Assisted Information Retrieval Service System): initiative of the
The
Callaway Centre (
@ the
Canadian
Association for Music Therapy (
Center
for Biomedical Research in Music (CBRM) (
@ Colorado State University; headed by Michael Thaut
Center
for Music Research (
@ the
Center
for the Arts in Healthcare Research and Education (
@the
Center for Treatment, Training and Research in Music
Therapy (ADIMU)
Latin American music therapy association
The Center on
Aging, Health and Humanites (USA)
Stimulates, coordinates, and conducts sponsored research on both the problems
and potentials of aging, with the goal of improving the quality of life for
older adults and their families. Director: Cohen
Centre for Applied and Interdisciplinary Research in Music (CAIRM)
(UK)
Established within the Department of Music at the University of Sheffield in
June 2007, the Centre 'is dedicated to fostering the practice and study of
music as seen, heard and understood from the widest possible range of
perspectives.' Headed up by Jonathan Stock. Davidson and Dibben are both associated with the Centre.
Centre for
Arts and Humanities in Health and Medicine (CAHHM) (
Research centre based in
Centre for International Research on Creativity and
Learning in Education (CIRCLE) (
@
Centre for Music and Science (
@ Faculty of Music, University of
Centre for
Musical Performance as Creative Practice (CMPCP) (
Will be launched in April 2009. Its five-year research programme will focus on
live musical performance and creative music-making. Investigatots include ClarkeClarke andCook
Centre for Social Learning & Cognitive Evolution
(
@ the
Chair of Music Psychology (
@ the
Cognitive
Brain Research Unit (
@ the Department of Psychology,
Cognitive & Systematic Musicology Laboratory
(USA)
@
College
Music Society (USA)
Consortium of college, conservatory, university, and independent musicians and
scholars interested in all disciplines of music. Its mission is to promote
music teaching and learning, musical creativity and expression, research and
dialogue, and diversity and interdisciplinary interaction.
The
Council on Research in Music Education (
@
Dana
Foundation (
Private philanthropic organization with interests in brain science, immunology,
and arts education.
Eastman/UR/Cornell Music Cognition Symposium
(USA)
@ the Music Theory Department at the Eastman School of Music and the Brain and
Cognitive Sciences Department at the University of Rochester.
ERMusic.org
A site devoted to exploring the relationship between music, music therapy, and
medicine.
European Music Therapy Confederation
European
Seminar in Ethnomusicology (ESEM)
European Society for the Cognitive Sciences of Music
(ESCOM)
Their sixth conference
was in
Finnish Centre of Excellence in Interdisciplinary Music
Research (
At the Department of Music,
German Musicological Society (GMTH) (
German Society for Music Psychology (DGM)
(
HeartMind
(AUSTRALIA)
Sydney based counselling service established in 2007 by Stephen Malloch, 'founder of the model
of interaction known as Communicative Musicality, which is concerned with the
non-verbal 'narratives' that underlie all communication, especially between a
caregiver and infant.'
Hochschule fur Musik und Theater Hannover
(
Seven institutes of 'science and research' covering music education, world
music and much else
Institute for
Biomusicology and Acoustic Ethnology (
@ Mid Sweden University, Ostersund (this is the University site - unable to
find a direct link to the Institute); Wallin is Director, Merker is a Senior Fellow
Institute for Ethno-Music-Therapy (
Focuses its research and practical work on consciousness research, non-European
music and dance therapies, artistic treatment concepts relating to music, as
well as teaching and education for music therapists.
Institute
for Music and Brain Science (
@
Institute for Music and Neurologic Function
(USA)
Founded on the idea that music has unique powers to heal, rehabilitate, and
inspire - and that music therapy can be used to restore and improve physical,
emotional, and neurological health. Dedicated to advancing scientific inquiry
on music and the brain and to developing clinical treatments to benefit people
of all ages.
Institute for Music in Human and Social Development
(IMHSD) (
@ the
Institute for
Music Research (
@ the
Institute
for Psychoacoustics and Electronic Music (IPEM) (
@ the Department of Musicology,
Institute
of Music Physiology and Musicians' Medicine (
@ the
International
Association of Empirical Aesthetics (IAEA) (INTERNATIONAL)
International
Centre for Music Studies (ICMuS) (
@ the
International Centre for Research in Music Education
(ICRME) (
Director: Gordon Cox (was headed by Nicholas Bannan)
International
Conference of Music Perception and Cognition (ICMPC) (INTERNATIONAL)
Their ninth conference
was in
International
Foundation for Music Research (IFMR) (INTERNATIONAL)
See NAMM
International Music and Art Research Association Austria
(IMARAA) (
From their mission statement: 'Its impact on emotions, learning and healing
gives evidence to how profoundly music can affect different regulatory
processes. Thus the efforts to broaden the scope of interdisciplinary research
on the functions of music are of great importance and the applications of the
results should not be left to chance.'
International
Music Education Research Centre (iMerc.org) (UK)
Based in the School of Arts & Humanities of the Institute of Education,
University of London, iMerc.org is a place where researchers in music
education, professionals in related fields, as well as undergraduate students
and enthusiasts, can get together in a virtual exchange of information and
knowledge in the field of Music Education, Music Psychology, Special Needs
Education and Music, Early Childhood and Musical Development, Philosophy of
Music Education, Music Technology Education, Musical Performance, Music
Curriculum, Sociology of Music and Music Education and Choral Music Education.
Head: Graham F. Welch
International Musicological Society (IMS)
(INTERNATIONAL)
International
Society for Music Education (ISME) (INTERNATIONAL)
Isabelle
Peretz Research Laboratory (
@
Janata
Lab (
@ the Center for Mind and Brain, UC Davis. Principal Investigator: Janata
Japanese Society for Music Perception and Cognition
(
Joanneum
Research Institute of Non-Invasive Diagnosis (
The Institute's head, Maximilain Moseris undertaking
research into the effects of art and creative therapies. First studies on the
effects of therapeutic language design and eurhythmy show what amazing effects
accurately applied rhythm can have on recreation and the quality of sleep.
Langage, musique et motricite (
Research team at the Institut de Neurosciences Cognitives de la Mediterranee in
Levitin Laboratory for Musical Perception, Cognition and
Expertise (
@
Macarthur
Auditory Research Centre (MARCS) Auditory Laboratories (
@ the College of the Arts,
Making Music for the South East Region of England
(
Supports volunteer managaged music groups (branch of the The National
Federation of Music Societies); publishes a newsletter that often contains
useful music/health/social cohesion material
Mariani Foundation (
In partnership with the New York Academy of Sciences, the MF began The
Neurosciences and Music project in 2000. International conferences in
2002, 2005 and 2008, an online
newsletter, 'Neuromusic News'
and the development of a portal dedicated to 'neuromusic' have led to the MF
becoming an important focus point for music and neuroscience research.
Max
Planck Institute for Evolutionary Anthropology (GERMANY)
Unites scientists with various backgrounds (natural sciences and humanities)
whose aim is to investigate the history of humankind from an interdisciplinary
perspective with the help of comparative analyses of genes, cultures, cognitive
abilities, languages and social systems of past and present human populations
as well as those of primates closely related to human beings. Based in
Max
Planck Institute for Human Cognitive and Brain Sciences (
Includes a 'junior' research group on the neurocognition of music headed by Koelsch. Friederici is Director
of Neuropsychology. Gunter
is Senior Research Scientist in the Neurocognition of Language unit.
McMaster
Institute for Music and the Mind (CANADA)
A group of researchers at McMaster University (Ontario), including music
theorists, musicians, psychologists, neuroscientists, mathematicians,
kinesiologists, health scientists, and engineers are creating an Institute for
the Study of Music and Auditory Neuroscience; core member: Laurel J. Trainor
Music Acoustics Group (
@ the Speech Music & Hearing Department (TMH), Royal Institute of
Technology (KTH),
Music
and Neuroimaging Laboratory (
@ the
Music
Cognition Group (
@ Department of Musicology and the Institute for Logic, Language and
Computation,
Music Cognition Lab (
@
Music Cognition Lab (
@ the Department of Psychology, Queen's University,
Music Cognition Resource Centre (
@
Music
Cognition Team (
@
Music Conferences Worldwide
(INTERNATIONAL)
Music Dynamics Laboratory (
@ the Center for Complex Systems and Brain Science,
Music For All Foundation (
Music
in Prisons - The Irene Taylor Trust (
Music in the Brain (
Coalition of four Aarhus-based research institutions arising out of the recent conference of
the same name
Music Intelligence Neural Development (MIND) Institute
(
Sometimes it seems that the 'M' stands for maths. Undertaken much research on
the connections between the two 'm's. President: Gordon Shaw
Music, Language and Human Evolution (
@ Archaeology Research,
Music
Mind Machine (
Music research unit at the Nijmegen Institute for Cognition and Information at
Radboud University Nijmegen
Music Neuroscience Laboratory (
In the
Music
Performance and Brain Lab (
@ Department of Cognitive Psychology,
Music Psychology Research Team (
@ the
Music Research (
Site maintained in the
Music Research Group (
@ the
North. Now
that he's moved on, this group may not be continuing.
The
Music Research Institute (
@ the
The Music
Research Institute (
Music Theory and Cognition Program (
@ the
Music Therapy NZ (NZ)
Music Therapy World (
Comprehensive website on music therapy. Created by David Aldridge
MusicAustralia
(
Online service developed by the National Library of Australia and the National
Film and Sound Archive. A rich store of information on Australian music,
musicians, organisations and services is now accessible from a single source.
Musiclanguage.net
(
Website dedicated to the integrated study of music and language. It was
established 3/06 by Jonathan
G. Secora Pearl, as an outlet for his research endeavors, as
a resource for those interested in these topics, and as a forum for scholarly
debate and discussion
Musicological
Society of Australia (
Musics and Cultures Research Group (
@ the Open University, 1995-2003
Musique
et Sante (FRANCE)
French association promoting the application of music in healthcare.
NAMM
Foundation Research Division, formerly the International Foundation for Music
Research (IMFR) (USA)
'Advancing active participation in music making across the lifespan by
supporting scientific research, philanthropic giving and public service
programs'. The Foundation is the research and philanthropic arm of NAMM,
the International Music Products Association; its initiatives include Sounds of Learning:
The Impact of Music Education and Recreational Music Making, among many.
National
Association of Music Education (MENC) (
Association with a comprehensively stocked website
National
Center for Creative Aging (
National Foundation for Giving Voice (
Promotes group singing for wellbeing and social cohesion. Founder: Jill Rakusen
(co-author, Our Bodies, Our Selves)
National Music Therapy Research Unit (NMTRU)
(
@ the Faculty of Music, University of
The
Neurosciences Institute (
In
Nordoff-Robbins
Music Therapy Australia (
Nordoff-Robbins Music Therapy Centre (
Co-heads of Research: Gary
Ansdell and Mercedes
Pavlicevic
Origin
of Music (
Website of Robert Fink, an early music researcher
Project
Zero (
Research group at the Harvard Graduate School of Education investigating the
development of learning processes in children, adults, and organizations,
particularly in the arts. Director: Steve Seidel; Chair: Howard Gardner
purves-lab (
@ Center for Cognitive Neuroscience,
Pythagoras
Graduate School of Music and Sound Research (
Collaboration between several Finnish universities where music-related research
is conducted
Queen's
Biological Research Centre (
@ the Department of Psychology, Queen's University,
Research Guide - Music
From the Leonard H. Axe Library at
Royal
Society for the Promotion of Health (
save to
D.I.S.C. (Documenting Innovation in Sound Communities) (
A web-based research network headed by Steve Dillon.
Science and Music group (
@ Faculty of Music,
Science Network Man and Music (
Promotes investigation of the effects of music and sound on humans, the
structures integrated in the music, the music-therapeutic application of music
and sound and the employment of music and musical education within education
range.
Sidney de Haan Research Centre for Arts and Health
(UK)
Established in 2004; headed up by Stephen
Clift & Grenville
Hancox
'[Music] provides a wonderful resource in promoting health
in a holistic sense embracing not just the well balanced functioning of the
body, but our social and mental wellbeing, and the life of the spirit'.
'[The understanding that] involvement in group singing can be beneficial to well-being and health is
gaining currency'.
Society
for Education, Music and Psychology Research (SEMPRE)
The Society for Ethnomusicology (
Devoted to the support of ethnomusicology and to the study of music-making all
over the world.
Society
for Music Analysis (SMA) (
Society
for Music Perception and Cognition (SMPC)
Society for Music Theory (
Society for the Arts in Healthcare (
Non-profit corporation in
The Society
for the Arts in Healthcare (
Dedicated to promoting the incorporation of the arts as an integral component
of healthcare.
Society
for the Psychology of Aesthetics, Creativity and the Arts (
The
Sound Healing Network (USA)
A connected international community of individuals and organisations who are
committed to furthering awareness of the nature of sound healing as an
effective tool for therapeutic healing, transforming consciousness, enhancing
everyday life experience and building community.
Sounds of Intent (UK)
Interactive website of a research project set up in 2002 by the Royal National
Institute of the Blind and the Institute of Education, University of London to
investigate and promote the musical development of children and young people
with severe, or profound and multiple learning difficulties. The research team
includes Graham F. Welch
& Adam Ockelford.
Sounds of Learning: The Impact of Music Education
(
Research initiative
to examine the roles of music education in the lives of school age children.
Sponsored by NAMM
Sulzer
Lab (
@ the
Tennenbaum Center for the Biology of Creativity
(
Part of the Semel Institute for Neuroscience and Human Behavior @ UCLA.
Tuning
the Brain for Music
A project investigating the musical brain by combining the efforts and
expertise of six neuroscience research groups in Europe and Canada, 2006 -
2009; the research co-ordinator is Tervaniemi and the groups are Cognitive Brain Research Unit
(Helsinki, Finland), Music
Cognition Team (Jyvaskyla, Finland), Music Acoustics Group (Stockholm,
Sweden), Center for Cognitive Neuroscience, (Vita-Salute
San Raffaele University, Milan, Italy), BioCog, Cognitive incl. Biological Psychology
(Leipzig, Germany) & BRAMS
(Montreal, Canada).
Unit for the Study of Musical Skill and Development
(
@
Unite de Recherche en Psychologie de la Musique
(
@ Arts et Sciences de la Musique, Universite de
The Voice Foundation (
World Federation of Music Therapy
(INTERNATIONAL)
Worldwide Internet Music Resources
Music resource list from the William and Gayle Cook Music Library,
Youth Music (
UK-wide charity set up in 1999 to provide high quality and diverse music-making
opportunities for 0-18 year olds. Commissions research (eg, 'Turning Their Ears On')
Zero to Three (
Periodicals & websites
Jeff Allbright
A blog with a wide selection of articles on the science of music
American
Journal of Health Promotion
Ars
Medica
'A Journal of Medicine, The Arts, and Humanities' (
The Arts in Psychotherapy
Abstracts
Australian
Journal of Music Therapy
The annual journal of the Australian
Music Therapy Association
Babel's Dawn
A blog about the origins of speech operated by Edmund Blair Bolles
British Journal of Music Education
British
Journal of Music Therapy
Six monthly journal of the British
Society for Music Therapy
Contemporary Music Review
Abstracts
Contributions
to Music Education
Journal published by the members of the Ohio Music Education Association.
The
Critical Link
Quarterly newsletter of the
Empirical Musicology Review
Quarterly founded by David Huron
and David Butler in 2004 and published by the Ohio State University Library.
Empirical Studies of the Arts
Journal of the International
Association of Empirical Aesthetics
Ethnomusicology
Journal of the Society for Ethnomusicology (SEM).
Ethnomusicology Forum (formerly British Journal of
Ethnomusicology)
Journal of the British
Forum for Ethnomusicology
Eunomios
Open on-line journal for theory, analysis and semiotics of music
European Music Journal
Internet journal focusing on music education
General Music Today
Periodical of MENC
(the
Health Promotion Journal of Australia
Journal of the Australian
Health Promotion Association
International Journal of Arts Medicine
Bi-annual periodical and official journal of the International Arts Medicine
Association
International
Journal of Community Music
International
Journal of Music Education (IJME)
Journal of the International Society for Music Education (ISME). Abstracts
available from Sage, or see ISME's own site.
International
Journal of Research in Choral Singing
Journal of Aesthetic Education
Journal of Creativity in Mental Health
Journal of Historical Research in Music Education
(formerly Bulletin of Historical Research in Music Education)
Journal
of Interdisciplinary Music Studies
Journal of Music Teacher Education
Periodical of MENC
(the
Journal of Music Therapy
From the American Music
Therapy Association
Journal
of Musicology
Abstracts
Journal of Research in Music Education
Periodical of MENC
(the
Journal
of the Acoustical Society of America
Society's
quarterly journal. Abstracts
Journal of the American Musicological Society
The Society's
journal Abstracts
Journal of the Music Therapy NZ
Journal of the Royal Musical Association
Journal of
the Royal Society for the Promotion of Health
See RSPH. Abstracts
Journal of Voice
Quarterly journal of the Voice
Foundation. Abstracts
Link
Quarterly magazine 'connecting the music education community'
Music Analysis
Journal of the Society for Music Analysis (SMA). Abstracts.
Music
and Language Studies
The presonal website of Jonathan G. Secora Pearl
Music Educators Journal
Periodical of MENC
(the
Music
Forum
Quarterly journal of the Music Council of Australia
Music
Matters
A blog on music cognition set up by Henkjan Honing, a member of the Music Cognition Group
at the
Music Perception
Website of this interdisciplinary journal. Abstracts.
Music
Theory Online
Online journal of criticism, commentary, research and scholarship form the Society for Music Theory
Music Theory Spectrum
Journal of the Society for Music Theory (SMT). Abstracts.
Music Therapy Perspectives
From the American Music
Therapy Association
Music Therapy Today
e-magazine from Music Therapy
World
MuSICA
'The Music & Science Information Computer Archive' houses the entire output
of Norman M. Weinberger's newsletter, 'MuSICA Research Notes' published 19
times between spring '94 and summer '01. See Weinberger
Musicae Scientiae
Journal of the European Society for the Cognitive Sciences of Music (ESCOM)
Musiclanguage.net
Website operated by Jonathan G. Secora Pearl of the Center for the
Interdisciplinary Study of Music, University of California, Santa Barbara
Musicology
Australia
Journal of the Musicological
Society of Australia
Musicworks!
Newsletter of Nordoff-Robbins
Music Therapy Australia
Neuromusic News
Online newsletter from the Mariani
Foundation.
Nordic Journal
of Music Therapy
Philosophy of Music Education Review
Psyart
Online journal for the psychological study of the arts from the
Psychology Aesthetics, Creativity and the Arts
Journal of the Society for the
Psychology of Aesthetics, Creativity and the Arts
Psychology
of Music
Journal of the Society for Education, Music and Psychology Research (SEMPRE). Abstracts.
Psychomusicology
Published biannually by Center
for Music Research at
Research
and Issues in Music Education
Research
Studies in Music Education
Published in association with the Society for Education, Music and Psychology
Research(SEMPRE).
Abstracts.
Sing for Your Life Newsletter; Community music making for
children and older people
pdfs of each issue can be downloaded from this site.
Sound and Mind: music cognition and related topics
Website operated by Devin Burke & Kris Shaffer
Teaching Music
Periodical of MENC
(the
Update
Periodical of MENC
(the
Visions
of Research in Music Education
Voices: A
World Forum for Music Therapy
On-line journal produced by Sogn og
The World of Music
Journal of the Department of Ethnomusicology @ the Otto-Friedrich University of
Bamberg published three times a yearAbstracts
Conferences
11th Community Music Activity International Seminar
(
In
The Biological Foundations of Music (
Hosted by the New York Academy of Sciences and co-chaired by Peretz and Zatorre. Proceedings originally
published as The Biological
Foundations of Music (online abstracts still available);
main papers republished as The
Cognitive Neuroscience of Music
Brainwave Entrainment to External Rhythmic Stimuli:
Interdisciplinary Research and Clinical Perspectives (
@
Cradle
of Language Conference (
Co-organised by
Includes papers from Baker,
Bannan, Cross, Demolin &
Mithen
along with Fitch,
Dunbar et
al. Abstracts can be accessed from this site.
Evolution of
Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music
(
International Symposium at the
Speakers include Brown,
Fitch, Juslin & Peretz
Exploring Emotion (
@
Festival
500: Sharing the Voices (
International non-competitive festival of choral music held biennially (in odd
years) in
Papers: see Bailey,
Knight, Morton
The First European Conference on Developmental Psychology of Music (FINLAND)
(17-19/11/2005)
At the University of Jyvaskyla; proceedings are available as an
e-book.
ICMPC10 (JAPAN) (25-29/8/2008)
Tenth International Conference on Music Perception and Cognition at The Center
for Research and Development in Higher Education,
ICMPC6 (
Sixth International Conference on Music Perception and Cognition at
Papers published as Proceedings of the Sixth International Conference on
Music Perception and Cognition (eds C. Woods, G. Luck, R. Brochard, F.
Seddon, & J. A. Sloboda) Department of Psychology Keele University
(available as a CD-ROM)
ICMPC7 (
Seventh International Conference on Music Perception and Cognition in
Abstracts available on this site. Proceedings were published.
ICMPC8
(
Eighth International Conference on Music Perception and Cognition at
Northwestern University,
Abstracts and full texts of presentations can be accessed from this site.
Inspiring Transformations: The Arts and Health
(
Hosted by the Schools of Arts and Health at the
Includes a presentation from Hilary Bungay and Ann Skingley (
International Symposium on Performance Science
(
The first ISPS, held in PortoÕs Casa da Mosica, explored
theories, methods, and applications of performance science specifically within
the field of music. Full texts of proceedings available on
line including papers by Clift,
Hancox, Morrison, Hess, Kreutz, & Stewart, Altenmuller
& Gorges, Alpers, & Pauli.
International Workshop on the Biology and Genetics of
Music (
In
ISME 2006 (
Twentyseventh International Society for Music Education World Conference in
Language and Music as Cognitive Systems
(
Co-organised by the Research Centre for English & Applied Linguistics and
the Centre for Music &
Science,
Moving Toward Evidence-Based Arts Education
(
Organised by the Arts
Education Partnership,
Mozart and Science Congress (
Organised by IMARRA
in
Music
and Consciousness (
Co-organised by the Universities of Sheffield and
Music and Evolutionary Thought (
Hosted by the Institute of Advanced Study,
Conference committee includes Bannan,
Cross &
Fitch;
Keynote speakers are Mithen
& Susan Blackmore; other speakers include many of the researchers listed in
these pages. Abstracts available from this site.
Music and Health: Current Developments in Research and
Practice (UK) (9-10/9/2008)
Co-ordinated by the Sidney de
Haan Research Centre for Arts and Health @ University Centre
Folkestone; aims to provide an overview of current developments in research and
practice in the field of music and health, with particular reference to: music
in health and social care settings; music in public health promotion and
community development, and the role and value of established community music
activity for wellbeing and health. Keynote speakers: Cohen and Ansdell
Music
and Language II (USA) (10-13/7/2008)
A conference in celebration of the 25th Anniversary of Lerdahl and Jackendoff's
"A Generative Theory of Tonal Music" @ Tufts University Perry and
Marty Granoff Music Center, Boston, Massachusetts. Follows the successful
conference held at
Music and Medicine (
SEMPRE
Conference at
Included Power Point presentations by Kreutz, Magee et al and a 'spoken
presentation' by JW Davidson
entitled 'Singing for health and wellbeing: a theoretical perspective'
Music at All
Ages (ISME 2008) (
Twentyeighth International Society for Music Education World Conference at the
Music, Health and Happiness (
Hosted by the Royal Northern
Music in Science - Science in Music (ESCOM 2003) (
The 5th Triennial ESCOM Conference,
See Kopiez et al
for record of proceedings
Music in the Brain - Experience & Learning
(
Hosted by the
Presenters included: Besson,
Kuhl, Peretz
Music in
the Mind - The Mind in Music (ICMPC9 & ESCOM6) (
The 9th International Conference on Music Perception and Cognition in
Includes presentations from Batt-Rawden,
Cross, Dissanayake, Giordano & Bresin,
Hargreaves, Macdonald &
Miell, Himberg,
Juslin, Liljestrom, Laukka,
Vastfjall & Lundqvist, London, Himberg & Cross, Peretz, Stavrou, Tolbert, Trehub, Trevarthen, Woolhouse & Cross,
Woolhouse, Cross & Horton
Presentations were published as Proceedings
of ICPMC9 (eds M. Baroni, A. R. Addessi, R. Caterina &
M. Costa).
Music, Language and Human Evolution (MLHE) (
European Science Foundation (ESF) Exploratory Workshop.
See description by Michael Balter.
Organised by Mithen
& Bannan.
This workshop brought together key thinkers on the adaptative characteristics
of music (including Cross,
Fitch, Foley, Gamble, Merker, Morley,
Papers: see Tolbert,
Foley.
A Scientific Report and Abstracts can be found on the ESF website under 6. EW03-135.
Music, Language and Movement (
Summer Workshop presented by the Institute for Music in Human and Social
Development (IMHSD).
Music, Mind and Science (ICMPC5) (
Fifth International Conference on Music Perception and Cognition (ICMPC5)
Selection of papers published as Music, Mind, and Science (ed Suk Won
Yi) Seoul National University Press 1999
Searching the publisher's
website indicates that it may be out of print. Chapters: Cross
Music,
Rhythm and the Brain (
@
Music, Technology, Culture and Healthcare
(
Held at the UN headquarters in NY. Organised by the International Council for
Caring Communities (ICCC) in collaboration with the Rusk Institute of
Rehabilitation Medicine,
The Musical Brain (UK) (12/7/2002)
Hosted by The Royal Institution of Great Britain who used to maintain a
selection of web pages about the conference - no longer. There is a report of
the event in the Nov 02 issue of Trends in Cognitive Sciences by Lauren Stewart
(abstract).
Presentations by Costa-Giorni,
Krumhansl,
Parsons, Robertson, Thaut, Trehub
Musical Development and Learning (
2nd European Conference on Developmental Psychology of Music at
Musical
Origins (
Workshop at the McMaster
Institute for Music and the Mind
Presenters include Huron,
McDermott, Trainor, Trehub and Zatorre
Musical Participation (
SEMPRE One
Day Conference at the
Musical
Structure (CIM08) (GREECE) (2-6/7/2008)
The fourth Conference on Interdisciplinary Musicology will be hosted by the
Department of Music Studies, Aristotle University of Thessaloniki, and
presented in collaboration with the European Society for the Cognitive Sciences
of Music (ESCOM),
the International Musicological Society (IMS), and the European Seminar in
Ethnomusicology (ESEM).
MusicLearningLive!2008 (
A National Festival of Music Education at The Sage Gateshead presented by Zone
Music Education and the Department of Learning and Participation
The Neurosciences and Music I (
Conference in
The Neurosciences and Music II: From Perception to Performance (GERMANY) (2005)
Conference in
The Neurosciences and Music III: Disorders and plasticity
(
On the McGill Campus,
PAS 1
(
The First International Conference on the Physiology and Acoustics of Singing
in
PAS 2
(
The Second International Conference on the Physiology and Acoustics of Singing
in
PAS 3 (
The Third International Conference on the Physiology and Acoustics of Singing
in
PAS
4 (
The Fourth International Conference on the Physiology and Acoustics of Singing
at the
The Phenomenon of Singing: Biological and Psycho-social
perspectives (
Nine free seminars (Jan thru Jun) co-ordinated by the Sidney de Haan Research Centre for Arts and Health
@ University Centre Folkestone; presenters include: Mithen, Clift, Hancox, Parsons, Welch & Wigram
Rhythm, Time and Temporal Organisation
(
The Institute for Music in Human and Social Development (IMHSD) hosts its inaugural
interdisciplinary conference.
Second International Conference on Music and Gesture
(
Hosted by the Royal Northern College of Music,
Abstracts available from this site.
Sing for Health (
Co-ordinated by MusicLeader
at The Sage Gateshead.
Singing (CIM07) (
Third Conference on Interdisciplinary Musicology held in
SMPC 2007 (
The 2007 conference of the Society for Music Perception and Cognition (SMPC) at
Transforming Children Through Singing
(
Launch of the National Sing Up campaign in
Hosted by the Music
Performance and Brain Lab. Presenters included Dalla Bella, Keller, Peretz, Repp, Samson, Schon, Tillman
Books, articles and reviews
As it is in Heaven
- a review for healthcare staff (31/5/2006) in the Psychiatry and Neurology
edition of the Lundbeck Institute's E-Magazine CNSforum
Contains a series of pieces on community singing
The biology of music (12-18/2/2000) in The Economist
General article referring to Peretz,
Miller et al
Brain Music Transcript (15/12/2006) from The Gray
Matters radio series, produced for Public Radio International, in association
with the Dana Alliance for
Brain Initiatives
Emergent Cognition through Active Perception (EmCAP)
Research
project in music cognition involving 5 European neuroscience
centres begun in 10/2005 and finishing by 9/2008.
The evolution of music in humans and the virtues of singing (25/8/2006) on
Stateline ABC Local Radio
Interview transcript with Nicholas Bannan by
Layla Tucak
First evidence that musical training affects brain development in young
children (19/9/2006) on newsguide.us
General article on Fujioka & Trainor findings
published in Brain
The healing power of song (17/10/2005)
General article about various music
projects
The Health Benefits of Singing (2/6/2007) from the Harmony Foundation website
General article on current research
How Singing Improves Your Health (Even if Other People Shouldn't Hear You
Singing) (6/6/2007) from www.SixWise.com newsletter
General article on current research
In Brief: Sing along for health (1/3/2007) in Harvard Health Letter
Summary
In Jazz Improv, Large Portion of Brain's Prefrontal Region 'Takes Five' to Let
Creativity Flow (26/2/2008) from the website of the National Institute on
Deafness and Other Communication Disorders
General articleabout NIDOCD sponsored research into
jazz improvisation.
In Tune - Bringing music into Healthcare (3/2005) in Shepway matters newsletter
General article about the Sidney de Haan Centre's
community music projects: 'Jangle It' sessions for young families and children
and the 'Silver Song Club' for older people and their carers
Is music the universal language? (5/5/2007) from All In The Mind ABC Radio
National
Natasha Mitchell talks with Balkwill,
Brettle, Cathy Falk (UMelb) & Patel.
Interview transcript
lucy to language: the archaeology of the social brain : Language, music and
social bonding in human evolution British Academy Centenary Research Project
19,
Music, and especially the act of singing, seems to tap into very ancient,
deeply emotional, right-hemisphere mechanisms. This project will test Aiello &
Dunbar's suggestion that language was preceded by a (possibly long) period of
non-verbal vocal exchange in the form of chorusing designed to reinforce social
bonding at group sizes larger than those that can be bonded by the conventional
primate mechanisms (ie social grooming).
Making every child's music matter, Report no. 2 (2006) from Music Manifesto
Proposals for changes to
Music and the Brain Transcript (23/11/2003) from The Gray Matters
radio series, produced for Public Radio International, in association with the Dana Alliance for Brain
Initiatives
Music During Surgery Reduces Sedation Needs (25/5/2005) on LiveScience
General article on research concerning music and pain
relief.
Music, Language and Human Evolution (21/5/2006) in FEAST focus p9
General article describing the '04 colloquium,
OUP's commissioning of a book to be edited by Mithen & Bannan on the subject, Bannan's move
to WA and his intention to establish an Australian research network on the same
theme (FEAST is the Forum for European-Australian Science and Technology Cooperation,
derived from arrangements between the European Union and the Australian
Government)
Music-Making: Ad-Hoc Social Music-Making in Western Industrial Societies,
Particularly
A blog
The Origins of Music (2000) Nordic
Journal of Music Therapy Forum in response to A Biological Perspective (Grinde) with
contributions from Merker, Christensen et al
Play a Song, or Sing Along, for Alzheimer's (2006) on the Fisher Center for
Alzheimer's Research Foundation website
This general article, summarising some of the research om music and Alzheimer's
can be reached through the search function on the Foundation's website.
Review Feature on 'The
Singing Neanderthals: the Origins of Music, Language, Mind
and Body' by Steven Mithen (2/2006) in the Cambridge Archaeological Journal
16(1) 97-112
Morley, Wray, Tallerman & Gamble are responsed to by Mithen. Abstract
Science & Music (2008) in Nature
Nine essays by Ball,
McDermott,
Huron, Trainor, Patel, Barron, Zanette, Cook & Sloboda.
Singing Helps Keep Your Brain in Tune (26/12/2005) in U.S. News and World
Report
General article on choral singing
mentioning Cohen's
research and naming Roter & ermusic
Singing Together: Arts Participation (2003) in Grantmakers in the Arts Reader
14(2) Summer
Comments on America's Performing Art: A Study of
Choruses, Choral Singers, and Their Impact (Sparks & Allen)
Song of the Earth with David Attenborough (2002) PBS (USTV) 'Nature' program
Program site
Special Edition on Timing (2/2002) Brain and Cognition 48(1)
Table of contentsChaptersIvry & Richardson
Talk to Your Baby (music and child development) from the National Literacy
Trust website
Why Sing? For the Health of It (undated) from the Sweet Adelines International website
Aasgaard, Trygve (2004) A Pied Piper Among White Coats and Infusion
Pumps: Community Music Therapy in a Paediatric Hospital Setting Community Music Therapy (eds
Pavlicevic & Ansdell)
Aasgaard, Trygve (1999) Music therapy as milieu in the hospice and
paediatric oncology ward in Music Therapy in Palliative Care: New Voices (ed D.
Aldridge) Jessica Kingsley
Publisher's book description
Abad, Vicky (2002) Reaching the Socially Isolated Person with
Alzheimer's Disease Through Group Music Therapy - A Case Report in Voices: A World Forum for Music Therapy
Abril, Carlos R. (2007) I have a voice but I just can't sing: a
narrative investigation of singing and social anxiety in Music Education Research 9(1) 1-15
Abstract
Adachi, Mayumi & Trehub, Sandra E. (1998) Children's expression of
emotion in song in Psychology
of Music 26(2) 133-153
Abstract
Adderley, Cecil, Kennedy, M. & Berz, W. (2003) 'A Home away from
Home': The World of the High School Music Classroom in the Journal of Research in Music Education
51(3) 190-205
Citation only; no abstract
Adler, Adam (2003) Let the boys sing and speak: Masculinities and boys'
stories of singing in school in Proceedings of the Phenomenon of Singing
Symposium IV at the Festival
500 Sharing the Voices
Festival sales site
Aiello, Rita (2007) Review of Huron's Sweet Anticipation in Empirical Musicology Review 2(2)
Full text
Aiello, Rita (1994) Music and Language: Parallels and Contrasts in Music Perceptions
(eds Aiello & Sloboda)
Aiello, Rita & Sloboda, John A. (eds) (1994)
Publisher's book description.
Chapters: Aiello,
L. Davidson
Aiello, Rita & Williamon, Aaron (2002) Memory in The Science and
Psychology of Music Performance (eds Parncutt & McPherson) (pp. 167-181)
Publisher's book description
Aigen, Kenneth (2004) Conversations of Creating Community: Performance
as Music Therapy in
Albersnagel, Frans A. (1988) Velten and musical mood induction
procedures: a comparison with accessibility of thought associations in
Behaviour Research and Therapy 26(1) 79-96
Abstract
Aldridge, David (1999) Music Therapy and the Creative Act in Music
Therapy in Palliative Care: New Voices (ed D. Aldridge) Jessica Kingsley
Publisher's book description
Aldridge, David (1996) Music Therapy Research and Practice in Medicine:
From Out of the Silence Jessica Kingsley
Publisher's book description
Alemseged, Zeresenay, Spoor, Fred, Kimbel, William H., Bobe, Rene, Geraads,
Denis, Reed, Denne & Wynn, Jonathan G. (2006) A juvenile early hominin
skeleton from
Abstract
Allott, Robin (1994) The Pythagorean Perspective: The Arts and
Sociobiology in the Journal of Social and Evolutionary Systems 17(1)
The section on music draws from Critchley
Music and the Brain (1977) and McLaughlin Music and Communication (1970). It
concludes: 'there seems no reason so far to conclude that the behaviour
categorised as 'the arts' should be treated as non-evolutionary and
non-biological'.
Altenmuller, Eckart (2007) From the Neanderthal to the concert hall:
Development of sensory motor skills and brain plasticity in music performance
in Proceedings of the International Symposium on Performance Science (ed A.
Williamon & D.
Full text
Altenmuller, Eckart (2004) Music in Your Head in Scientific American
Mind 14(2) 24-31
Abstract
Altenmuller, Eckart (2003) How Many Music Centres Are in the Brain? in The Cognitive Neuroscience of
Music (eds Peretz & Zatorre)
Abstract
Altenmuller, Eckart, Goydke, K., Eckstein, A. & Kopiez, Reinhard
(2005) Music as a model for acoustic communication of emotions in humans from
the Proceedings of the 30th Gottingen Neuro Biology Conference, University of
Gottingen, Germany, 17-20 February
Full text
Altenmuller, Eckart, Kesselring, Jurg & Wiesendanger, Mario (eds)
(2006) Music, Motor Control and the
Publisher's book description
Altenmuller, EckartÊ& Rammsayer, Thomas (2006) Temporal Information
Processing in Musicians and Nonmusicians in Music Perception 24(1) 37-48
Abstract
Amir, Dorit (4/3/2005) Groups in Music a review of Groups in Music: Strategies from Music
Therapy (Pavlicevic) in the Nordic
Journal of Music Therapy 14(1)
Full text
Amir, Dorit (2004) Community Music Therapy and the Challenge of
Multiculturalism Community
Music Therapy (eds Pavlicevic & Ansdell)
Angelucci, F., Fiore, M., Ricci, E.,
Abstract
Angelucci, F., Ricci, E., Padua, L., Sabino, A. & Tonali, P. A.
(2007) Music exposure differentially alters the levels of brain-derived
neurotrophic factor and nerve growth factor in the mouse hypothalamus in
Neuroscience Letters 429(2-3) 152-155
Abstract
Angier, Natalie (9/19/2001) Sonata for Humans, Birds and Humpback Whales
in The New York Times
Response to essays on music, nature
and the brain by Gray et al,
and Tramo
in '01 Science. Peretz's
work is also mentioned. See also articles by Cromie & Leutwyler
Ansdell,
Full text
Ansdell, Gary (2005) Being Who You Aren't; Doing What You Can't:
Community Music Therapy & the Paradoxes of Performance in Voices: A World Forum for Music Therapy
5(3)
Full text
Ansdell, Gary (2005) Musicing, Time & Transcendence: Theological
Themes for Music Therapy in the British
Journal of Music Therapy 19(1)
Citation
only; no abstract
Ansdell,
Citation
only; no abstract
Ansdell, Gary (2004) Rethinking Music and Community: Theoretical
Perspectives in Support of Community Music Therapy in Community Music Therapy (eds
Pavlicevic & Ansdell)
Ansdell,
List of papers at annual conferences
Ansdell, Gary (2003) The Stories We Tell: Some Some meta-theoretical
reflections on music therapy in the Nordic Journal of Music Therapy 12(2)
Abstract
Ansdell,
Full text
Ansdell, Gary (1995) Music For Life : Aspects of Creative Music Therapy
with Adult Clients Jessica Kingsley
Publisher's book description.
Ansdell, Gary & Pavlicevic, Mercedes (2005) Musical Companionship,
Musical Community: Music Therapy and the Process and Values of Musical
Communication in Musical
Communication (eds Miell, MacDonald & Hargreaves)
Ansdell, Gary & Pavlicevic, Mercedes (2001) Beginning Research in
the Arts Therapies: A Practical Guide Jessica Kingsley
Publisher's book description.
Ansdell, Gary, Pavlicevic, Mercedes & Procter, Simon (2004)
Presenting the Evidence: A Guide for Music Therapists Responding to the Demands
of Clinical Effectiveness and Evidence-Based Practice Nordoff-Robbins Music
Therapy Centre
Pdf providing sources of
evidence-based research for music therapy.
Anshel, A. & Kipper, David A. (1988) The influence of group singing
on trust and cooperation in the Journal
of Music Therapy 25(3) 145-55
Journal site: on-line archives begin
in 1998
Antonovsky, Aaron (1996) The salutogenic model as a theory to guide health
promotion in Health Promotion International 11(1) 11-18
Abstract
Antonovsky, Aaron (1987) Unraveling the mystery of health: How people
manage stress and stay well Jossey-Bass
Out of print. National Library of Australia details.
Antonovsky, Aaron (1979) Health, Stress and Coping Jossey-Bass
Out of print. National Library of Australia details.
Anvari, Sima, Trainor, Laurel J., Woodside, Jennifer & Levy, Betty Ann
(2002) Relations among musical skills, phonological processing, and early
reading ability in preschool children in the Journal of Experimental Child
Psychology 83 111-13
Full text
Arbib, Michael A. (2005) From monkey-like action recognition to human
language: An evolutionary framework for neurolinguistics in Behavioral and
Brain Sciences 28(2) 105-167
Full text
Arcadi, Adam Clark, Robert, Daniel & Boesch, Christophe (1998)
Buttress drumming by wild chimpanzees: Temporal patterning, phrase integration
into loud calls and preliminary evidence for individual distinctiveness in
Primates 39(4) 505-518
Abstract
Arcadi, Adam Clark, Robert, Daniel & Mugurusi, Francis (2004) A
comparison of buttress drumming by wild chimpanzees from two populations in
Primates 45(2) 135-139
Abstract
Arom, Simha (1999) Prologomena to a biomusicology in The Origins of Music (eds Wallin,
Merker & Brown)
Arom, Simha (1991) African polyphony and polyrhythm: Musical structure
and methodology Cambridge University Press
Publisher's
book description
Arom, Simha & Khalfa, Stefanie (1998) Une raison en acte: pensee
formelle et systematique musicale dans les societes de tradition orale in TOME
84(1) 5-17
Cannot find a web source.
Asbury, Carolyn & Rich, Barbara (eds) (2008) Learning, Arts and the
Brain: The Dana Consortium Report on Arts and Cognition Dana Press
Full text
Aschersleben, Gisa & Prinz, Wolfgang (1995) Synchronizing actions
with events: the role of sensory information in Perception and Psychophysics 57
305-317
Full text
Aschersleben, Gisa, Stenneken, Prisca, Cole, J. & Prinz, Wolfgang
(2002) Timing mechanisms in sensorimotor synchronisation in Common Mechanisms
in Perception and Action: Attention and Performance vol XIX (eds W. Prinz &
B. Hommel) Oxford University Press
Publisher's book description
Ashley, Martin (2002) Singing, gender and health: perspectives from boys
singing in a church choir in Health Education 102(4) 180-187
Abstract
Asmus, Edward P. (2005) The Impact of Music Education on Home, School,
and Community in Sounds of
Learning
Full text
Attali, Jacques (1985, 1977) Noise: The Political Economy of Music
University of Minnesota Press
Publisher's book description
Auer, Peter, Couper-Kuhlen, Elizabeth & Muller, Frank (1999)
Language in time: the rhythm and tempo of spoken interaction Oxford University
Press
Publisher's book description
Avanzini, Giuliano, Faienza, Carmine & Minciacchi, Diego (eds)
(12/2003) The Neurosciences and Music Annals of the New York Academy of
Sciences 999
Proceedings of an international conference
organised by the Mariani
Foundation in Venice, 2002; includes material by Bigand, Costa-Giomi, Cross, Drake & Jamel,
Faienza & Cossu,
Gaser & Schlaug,
Gruhn, Galley & Kluth,
Koelsch & Friederici,
Krumhansl,
Kuck, Grossbach, Bangert
& Altenmuller, Lamont, Lopez, Jurgens, Diekmann, Becker, Ried, Grozinger &
Erne, Magne,
Schon & Besson, Molinari, Leggio, De Martin, Cerasa & Thaut,
Oerter, Overy, Pantev, Ross, Fujioka, Trainor,
Schulte & Schulz, Patel, Peretz, Champod & Hyde, Plantinga & Trainor,
Radulescu,
Ross, Olson & Gore,
Ruzza, Rocca, Boero &
Lenti, Saffran,
Sloboda, Thaut, Thompson, Schellenberg &
Husain, Trainor,
Shahin & Roberts, Trehub, Wieser, Zatorre
Table of contents
Avanzini, Giuliano, Koelsch, Stefan, Lopez, Luisa & Majno, Maria (eds)
(2005,2006) The Neurosciences and Music II: From Perception to Performance
Annals of the New York Academy of Sciences 1060
Proceedings of an international conference
organised by the Mariani
Foundation in Leipzig, May 2005; includes material by Bermudez & Zatorre,
Besson & Friederici,
Chen, Penhune & Zatorre,
Costa-Giomi,
Cross, Cuddy, Balkwill, Peretz &
Holden, Fitch,
Grewe, Nagel, Kopiez &
Altenmuller, Jentschke,
Koelsch & Friederici, Koelsch, Krumhansl, Lahav, Boulanger, Schlaug & Saltzman,
McDermott & Hauser,
Merker, Moreno & Besson,
Overy, Norton, Cronin, Winner
& Schlaug, Patel, Penhune, Watanabe & Savion-Lemieux,
Peretz & Sloboda,
Schellenberg & Hallam,
Schlaug, Norton, Overy &
Winner, Schon,
Gordon & Besson, Sloboda, Wise & Peretz, Steinbeis, Koelsch & Sloboda,
Thaut, Thaut, Peterson & McIntosh,
Tillmann, Tramo, Cariani, Koh, Makris
& Braida, Trehub
& Vines, Krumhansl,
Wanderley, Dalca & Levitin.Table of contents
Ayotte, Julie, Peretz, Isabelle & Hyde, Krista L. (2002) Congenital
amusia: A group study of adults afflicted with a music-specific disorder in
Brain 125(2) 238-251
Full text
Ayoub, Chakib M., Rizk, Laudi B., Yaacoub, Chadi I., Gaal, Dorothy &
Kain, Zeev N. (2005) Music and Ambient Operating Room Noise in Patients
Undergoing Spinal Anesthesia in Anesthesia and Analgesia 100(5) 1316-1319
Abstract
Ayres, Barbara (1973) Effects of Infant Carrying Practices on Rhythm in
Music in Ethos 1(4) 387-404
Citation only
Baddeley, Alan D. (1997) Human memory: Theory and practice (revised
edition) Psychology Press
Publisher's
book description
Baer, Markus & Oldham, Greg R. (2006) The curvilinear relation
between experienced creative time pressure and creativity: moderating effects
of openness to experience and support for creativity in the Journal of Applied
Psychology 91(4) 963-970
Abstract
Bahrick, Lorraine E. & Lickliter, Robert (2004) Infants' perception
of rhythm and tempo in unimodal and multimodal stimulation: A developmental
test of the intersensory redundancy hypothesis in Cognitive, Affective and
Behavioral Neuroscience 4(2) 137-147
Abstract
Baier, Gerold & Hermann, Th. (2008) Sonification: Hearing Brain
activity in Music That Works
(eds Haas & Brandes)
Bailey, Betty A. (4/2002) Empowering the poor and mentally ill through
choral performance presented at a SEMPRE
meeting
Organisation's
site; unable to find a web source for presentation (CMV has
a hard copy of this paper)
Bailey, Betty A. & Davidson, Jane W. (2007) Psychological and
physical benefit of participation in vocal performance in Music: Promoting Health and Creating Community
(ed. Edwards)
Bailey, Betty A. & Davidson, Jane W. (2005) Effects of group singing
and performance for marginalized and middle-class singers in Psychology of Music 33(3) 269-303
Abstract
Bailey, Betty A. & Davidson, Jane W. (2003) Amateur Group Singing as
a Therapeutic Instrument in the Nordic
Journal of Music Therapy 12(1) 18-33
Abstract
Bailey, Betty A. & Davidson, Jane W. (9/2003) Perceived Holistic
Health Effects of Three Levels of Music Participation in Proceedings of the 5th Triennial ESCOM Conference
(eds Kopiez, Lehmann, Wolther & Wolf)
Full text
Bailey, Betty A. & Davidson, Jane W. (2002) Adaptive characteristics
of group singing: Perceptions from members of a choir for homeless men in Musicae Scientiae
6(2) 221-256
Abstract
Bailey, Betty A. & Davidson, Jane W. (2001) Group Singing as
Adaptive Behaviour in Proceedings of the Phenomenon of Singing Symposium III at
the Festival 500 Sharing the
Voices
Festival sales site
Bailly, G. (2002) Close shadowing natural versus synthetic speech in
International Journal of Speech Technology 6(1) 11-19
Abstract
Baily, John (1985) Music structure and human movement in Musical
Structure and Cognition (eds P. Howell, I. Cross & R. West) Academic Press
237-258
Out ofprint. Author's site
Baily, John & Collyer, Michael (2006) Introduction: Music and
Migration in the Journal of Ethnic and Migration Studies 32(2) 167-182
Abstract
Baines, Sue (2003) A Consumer-Directed and Partnered Community Mental
Health Music Therapy Program: Program Development and Evaluation in Voices: A World Forum for Music
Therapy
Full text
Bakagiannis, Sotirios. & Tarrant, Mark (2006) Can music bring people
together? Effects of shared musical preference on intergroup bias in
adolescence in the Scandinavian Journal of Psychology 47(2) 129-136
Abstract
Baker, Anne (2006) Modality dominance: the timing of early signing and
speaking revisited presented at 'Cradle
of Language Conference' Stellenbosch South Africa 7-10
November, 2006
Abstract
Baker, Felicity (1/2004) The effects of song singing on improvements in
affective intonation of people with traumatic brain injury a PhD thesis ,
Institut of musik og musikterapi, Aalborg University, Denmark
Full text
Baker, Felicity & Jones, Carolyn (2005) Holding a steady beat: The
effects of a music therapy program on stabilising the behaviours of newly
arrived young refugee students in the British Journal of Music Therapy 19(2)
67-74
Abstract
included in collection of article descriptions from issues 19(1 & 2)
Balkwill, Laura-Lee & Thompson, William Forde (2008 under review)
Prosodic communication of emotion across cultures
No web source; mentioned on author's site.
Balkwill, Laura-Lee & Thompson, William Forde (1999) A cross-cultural
investigation of the perception of emotion in music: Psychophysical and
cultural cues in Music
Perception 17 43-64
No abstracts before 2001. Cannot find a web source.
Balkwill, Laura-Lee, Thompson, William Forde & Matsunaga, Rie (2004)
Recognition of emotion in Japanese, Western, and Hindustani music by Japanese
listeners in Japanese Psychological Research 46(4) 337-349
Abstract
Ball, Philip (2008) Science
& Music: Facing the music in Nature 453(7192) 160-162
First in a ninefold set of essays from various writers. Full text
Ball, Philip (9/7/2005) Music: The International Language? in New
Scientist 2507
First threeparagraphs
Balter, Michael (12/11/2004) Evolution of Behaviour: Seeking the Key to
Music in Science 306
Report on 'Music, Language and Human Evolution',
the '04 European Science Foundation Conference
Bamberger, Jeanne (2006) What develops in musical development? in The Child as Musician:
A handbook of musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Bamford, Alistair & Clift, Stephen (2007) Southampton Silver Song
Club: Reflections on Music Making with Elderly People Facilitated by Student
Volunteers Sidney de Haan Research Centre for Arts and Health Report No 4
Canterbury Christ Church University
Full text
Bannan, Nicholas (2006) Language out of music: the four dimensions of
vocal learning presented at 'Cradle
of Language Conference' Stellenbosch South Africa 7-10
November, 2006
Abstract
Bannan, Nicholas (19/10/2006) Singing Neanderthals; interview by Layla
Tucak on Australia Wide on ABC
Transcript and video
Bannan, Nicholas (9/2003) Reverse-Engineering The Human Voice: Examining
The Adaptive Prerequisites for Song and Language in Proceedings of the 5th Triennial ESCOM Conference
(eds Kopiez, Lehmann, Wolther & Wolf)
Full text
Bannan, Nicholas (2000) Instinctive singing: lifelong development of the
'child within' in the British
Journal of Music Education 17(3)
Abstract
Bannan, Nicholas (1997) The consequences for singing teaching of an
adaptionist approach to vocal development in Music in Human Adaptation (eds D.
K. Schneck & J. K. Schneck) MMB Music Inc
Out of print; MMB dissolved their book division in 2005. National
Library of Australia details.
Bannan, Nicholas & Montgomery-Smith, Chreanne (2004?) Singing for
the Brain: reflections on the human capacity for music arising from a pilot
study of group singing with Alzheimer's patients and carers
Unable to find a web source; CMV has an Lx copy of this paper; see also BBC
story on Singing for the Brain (Elliott)
and paper by Montgomery-Smith.
Baron-Cohen, Simon (1999) The evolution of a theory of mind in The
Descent of Mind: Psychological Perspectives on Hominid Evolution (eds M. C.
Corballis & S. E. G. Lea) Oxford University Press
Publisher's book description
Baron-Cohen, Simon (1995) Mindblindness: An Essay on Autism and Theory
of Mind MIT Press
Publisher's book description
Baroni, Mario, Addessi, Anna Rita, Caterina, Roberto & Costa, Marco
(eds) (2006) Proceedings of the 9th International Conference on Music Perception and
Cognition (ICPMC9) Bologna/Italy August 22-26, 2006 The Society for Music
Perception & Cognition (SMPC) and European Society for the Cognitive
Sciences of Music (ESCOM)
Presentations include: Batt-Rawden,
Cross, Dissanayake, Giordano & Bresin,
Greasley & Lamont,
Hargreaves, Macdonald &
Miell, Himberg,
Juslin, Liljestrom, Laukka,
Vastfjall & Lundqvist, London, Himberg & Cross, Peretz, Stavrou, Tolbert, Trehub, Trevarthen, Woolhouse & Cross,
Woolhouse, Cross & Horton
Papers can be downloaded from the conference site
Barrett, Margaret S. (2006) Inventing songs, inventing worlds: the
'genesis' of creative thought and activity in young children's lives in the
International Journal of Early Years Education 14(3) 201-220
Full text
Barrett, Margaret S. (2005) Children's communities of musical practice:
Some socio-cultural implications of a systems view of creativity in music
education in Praxial music education: Reflections and dialogues (ed Elliott)
OUP
Book description from google
Barrett, Margaret S. (2005) Musical communication and children's
communities of musical practice in Musical communication (eds Miell,
MacDonald & Hargreaves)
Barrett, Margaret S. (2005) Representation, cognition, and
communication: Invented notation in children's musical communication in Musical communication
(eds Miell, MacDonald & Hargreaves)
Barrett, Margaret S., Baguley, Margaret, Baker, Bill, Glade-Wright, Robyn,
Jones, Tammy, Langston, Tom, Moss, Tim, Pittaway, Sharon & Porteous, Julie
Building Communities in and through the Arts: A longitudinal research program
Research project funded through the 2007 Community, Place and Change 'Kickstart' Grants through the Community
Place & Change Resarch Theme Area.
Barron, Michael (2008) Science
& Music: Raising the Roof in Nature 453(7197) 859-860
Sixth in a ninefold set of essays from various writers. Abstract
Barrow, John D. (1995) The Artful Universe Clarendon Press
Out of print. National Library of Australia details.
Bartlett, D. (1996) Physiological Responses to Music and Sound Stimuli
in Handbook of Music Psychology (ed Hodges) IMR Press
Publisher's
book description
Basso, Ellen B. (1985) A Musical View of the Universe: Kalapalo Myth and
Ritual Performances University of Pennsylvania Press
Out of print; google book entry. National Library of
Australia details.
Batt-Rawden, Kari Bjerke (2007) Music as a transfer of faith: Towards
recovery and healing in Journal of Research in Nursing 12(1) 87-99
Abstract
Batt-Rawden, Kari Bjerke (8/2006) Empowering musical rituals as a way to
promote health culture presented at the Proceedings of ICMPC9 (eds M. Baroni,
A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna
Full text
Batt-Rawden, Kari Bjerke (2006) Music - a key to the Kingdom? A
qualitative study of music and health in relation to men and women with
long-term illnesses in the Electronic Journal of Sociology
Full text
Batt-Rawden, Kari Bjerke (6/2006) Music: a strategy to promote health in
rehabilitation? An evaluation of participation in a 'music and health promotion
project' in International Journal of Rehabilitation Research 29(2) 171-173
Abstract
Batt-Rawden, Kari Bjerke & DeNora, Tia (11/2005) Music and informal
learning in everyday life in Music
Education Research 7(3) 289-304
Citation only; no abstract
Batt-Rawden, Kari Bjerke, DeNora, Tia & Ruud, Even (12/2005) Music
Listening and Empowerment in Health Promotion: A Study of the Role and
Significance of Music in Everyday Life of the Long-term Ill in the Nordic Journal of Music Therapy
14(2) 120-136
Abstract
Batt-Rawden, Kari Bjerke & Tellnes, Gunnar (2005)
Nature-culture-health activities as a method of rehabilitation: an evaluation of
participants' health, quality of life and function in the International Journal
of Rehabilitation Research 28(2) 175-80
Abstract
Baumeister, Roy F. & Leary, Mark R. (1995) The need to belong:
Desire for interpersonal attachments as a fundamental human motivation in the
Psychological Bulletin 117(3) 497-529
Abstract
Bazhenova, Olga V., Plonskaia, Oxana & Porges, Stephen W. (2001)
Vagal reactivity and affective adjustment in infants during interaction
challenges in Child Development 72(5) 1314-1326
Abstract
Beck, R. J., Cesario, T. C., Yousefi, A. & Enamato, H. (2000) Choral
singing, performance perception and immune system changes in Salivary
Immunoglobulin A and Cortisol in Music
Perception 18(1) 87-106
Abstract (full text downloadable from
this site); journal on-line abstracts begin with issue 18(3)
Becker, Judith (2004) Deep Listeners: Music, Emotion, and Trancing
Indiana University Press
Publisher's book description
Becker, Judith (2001) Anthropological perspectives on music and emotion
in Music and Emotion: Theory
and Research (eds Juslin & Sloboda)
Beebe, Beatrice, Knoblauch, Steven, Rustin, Judith & Sorter, Dorienne
(2005) Forms of intersubjectivity in infant research and adult treatment Other
Press
Publisher's book description
Begley, Sharon (31/3/2006) Caveman crooners may have aided early human
life in Science Journal, post-gazette.com
Full text; review of The Singing Neanderthals (Mithen)
Bekoff, Marc & Byers, John A. (eds) (1998) Animal play:
evolutionary, comparative and ecological perspectives Cambridge University
Press
Publisher's
book description
Belin, Pascal, Van Eeckhout, P., Zilbovicius, M., Remy, P., Francois, C.,
Guillaume, S., Chain, F., Rancurel, G. & Samson, Y. (1996) Recovery
from nonfluent aphasia after melodic intonation therapy: A PET study in
Neurology 47 1504-1511
Abstract
Bell, Cindy L. (2004) Update on Community Choirs and Singing in the
United States in the International Journal of Research in Choral Singing 2(1)
39-52
Full text
Bendor, Daniel & Wang, Xiaoqin (2005) The neuronal representation of
pitch in primate auditory cortex in Nature 436(7054) 1161-1165
Abstractsee
general article by Khamsi
Bennett, Drake (3/9/2006) Survival of the harmonious in The Boston Globe
General article: 'Mounting evidence
suggests that human beings are hard-wired to appreciate music. What researchers
want to know now is why our distant ancestors evolved music in the first
place.'
Benzon, William L. (2005) Synch, Song & Society; a review of The Singing Neanderthals
(Mithen) in Human Nature Review 5
Full text
Benzon, William L. (12/2/2003) Introduction: Mind-Culture Coevolution
Full text
Benzon, William L. (2002) Beethoven's Anvil: Music In Mind And Culture
Basic Books
Publisher's book descriptionReview: Wilkins
Benzon, William L. (1993) Stages in the Evolution of Music in the
Journal of Social and Evolutionary Systems 16(3)
Full text
Berendt, Joachim-Ernst (1983) The World Is Sound: Nada Brahma: Music and
the Landscape of Consciousness Destiny Books
Publisher's site
Bergeson, Tonya R. & Trehub, Sandra E. (4/2006) Infants' Perception
of Rhythmic Patterns in Music
Perception 23(4)
Full text
Bergeson, Tonya R. & Trehub, Sandra E. (2002) Absolute pitch and tempo
in mothers' songs to infants in Psychological Science 13(1)
Full text
Berk, Laura E. (11/1994) Why Children Talk to Themselves in Scientific
American
Full text
Berkowska, M. & Dalla Bella, Simone (2007) A.Z.: A case of purely
vocal tone-deafness presented at 'Singing'
CIM07 3rd Conference on Interdisciplinary Musicology 28-29
Summary
Bermudez, Patrick & Zatorre, Robert J. (2005) Differences in Gray
Matter between Musicians and Nonmusicians in Annals of the New York Academy of
Sciences: The Neurosciences
and Music II: From Perception to Performance (eds Avanzini,
Koelsch, Lopez & Majno) 1060 395-399
Abstract
Bernardi, Luciano, Porta, C, & Sleigh, P. (2006) Cardiovascular,
cerebrovascular, and respiratory changes induced by different types of music in
musicians and non-musicians: the importance of silence in Heart 92 445-452
Abstract
Berti, Stefan, Munzer, Stefan, Schroger, Erich & Pechmann, Thomas
(2006) Different interference effects in musicians and a control group in
Experimental Psychology 53(2) 111-116
Abstract
Besson, Mireille (2006) Influence of music training on language
processing: Electrophysiological studies in both adults and children presented
at 'Music in the Brain -
Experience & Learning' conference hosted by the Aarhus
Royal Academy of Music, 21-22 April 2006
Abstract
Besson, Mireille & Friederici, Angela D. (2005) Part II: Language
and Music: A Comparison: Introduction in Annals of the New York Academy of
Sciences: The Neurosciences
and Music II: From Perception to Performance (eds Avanzini,
Koelsch, Lopez & Majno) 1060 57-58
No abstract available. Table of contents
Besson, Mireille & Schon, Daniele (2003) Comparison between language
and music in The Cognitive
Neuroscience of Music (eds Peretz & Zatorre)
Abstract
Beynon, Carol (2003) Why boys (don't) sing in Proceedings of the
Phenomenon of Singing Symposium IV at the Festival 500 Sharing the Voices
Festival sales site
Bharucha, Jamshed J., Curtis, Meagan & Paroo, Kaivon (2006)
Varieties of musical experience in Cognition; special issue: The Nature of Music (ed I. Peretz)
100(1) 131-172
Abstract
Bhattacharya, Joydeep, Petsche, Hellmuth & Pereda, Ernesto (2001)
Interdependencies in the spontaneous EEG while listening to music in the
International Journal of Psychophysiology 42(3) 287-301
Abstract
Bibikov, Sergei N. (1978) A Stone Age Orchestra in Readings in Physical
Anthropology and Archaeology (eds D. E. K. Hunter & P. Whitten) Harper
& Row
Out of print. National Library of Australia details.
Bickerton, Derek (2003) Symbol and structure: a comprehensive framework
for language evolution in Language
Evolution (eds M. H. Christiansen & S. Kirby) OUP 77-93
Full text
Bickerton, Derek (2000) Can biomusicology learn from language
evolutionary studies? in The
Origins of Music (eds Wallin, Merker & Brown)
Bickerton, Derek (1990) Language and Species University of Chicago Press
Publisher's book description
Bigand, Emmanuel (2003) More About the Musical Expertise of Musically
Untrained Listeners in Annals of the New York Academy of Sciences: The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 304-312
Abstract
Bigand, Emmanuel & Poulin-Charronnat, B. (2006) Are we 'experienced
listeners'? A review of the musical capacities that do not depend on formal
musical training in Cognition; special issue: The Nature of Music (ed I. Peretz)
100(1) 100-130
Abstract
Bilhartz, T. D., Bruhn, R. A. & Olson, J. E. (1999) The effect of
early music training on child cognitive development in the Journal of Applied
Developmental Psychology 20(4) 615-636
Abstract
Binns, Corey (28/11/2006) Why Music Gives Us the Chills on LiveScience
General article on Grewe's research.
Bispham, John C. (2008 in press) Music's 'design features' - musical
motivation, musical pulse, musical pitch to appear in Musicae Scientiae, special issue on
music and evolution
Full text
Bispham, John C. (2007) Music as socio-affective confluential
communication? A response to Graham
'a comment on Bispham' in Music
Perception 25(2) 169-170
Full text
Bispham, John C. (2006) 'Music' means nothing if we don't know what it
means in the Journal of Human Evolution 50 587-593
Full text; review of The Singing Neanderthals (Mithen)
Bispham, John C. Rhythm in Music: What is it? Who has it? and Why? in Music Perception
24(2) 125-134
Full text; comment: Graham
Bispham, John C. (2005) Homo sapiens: The Rhythmic Species? presented at
the Rhythm Perception and Performance Workshop, Bilzen, Belgium
Cannot find a web source
Bispham, John C. (2004) Music as a biocultural phenomenon - commentary
on 'Music in time:
the concept of entrainment and its significance for ethnomusicology by M.Clayton,
R. Sager, & U. Will in ESEM Counterpoint 1
Full text
Bispham, John C. (2003) An evolutionary perspective on the human skill
of interpersonal musical entrainment an unpublished MPhil thesis , University
of Cambridge
Cannot find a web source
Blacking, John (1995) Music, Culture, and Experience: Selected Papers of
John Blacking University of Chicago Press
Publisher's book description
Blacking, John (1992) The Biology of Music Making in Ethnomusicology: An
Introduction (ed H. Myers) W. W. Norton
Publisher's book description
Blacking, John (1987) A commonsense view of all music: reflections on
Percy Grainger's contribution to ethnomusicology and music education Cambridge
University Press
Out of print. National Library of Australia details.
Blacking, John (1987) Dance and Music in Venda Children's Cognitive
Development in Acquiring culture : cross cultural studies in child development
(es G. Jahoda & I. Lewis) Croom Helm
Out of print. National Library of Australia details.
Blacking, John (1985) A false trail for the arts? Multicultural music
education and the denial of creativity in The Aesthetic in education (ed M.
Ross) Pergamon Press
Out of print. National Library of Australia details.
Blacking, John (1977) The Anthropology of the Body Academic Press
Out of print. National Library of Australia details.
Blacking, John (1973) How Musical is Man? University of Washington Press
Publisher's book description
Blacking, John (1969) The value of music in human experience in the
Yearbook of the International Folk Music Council 1 33-71
Citation
only from JSTOR (with sample first page)
Blacking, John (1967) Venda Children's Songs: a study in ethnomusicological
analysis Witwatersrand University Press
Out of print; amazon has a file. National Library of
Australia details.
Blackmore, Susan (2007) Memes, Minds and Imagination in Proceedings of
The British Academy 147: Imaginative Minds (ed I. Roth) published for The
British Academy by Oxford University Press
Full text
Blood, Anne J. & Zatorre, Robert J. (2001) Intensely pleasurable
responses to music correlate with activity in brain regions implicated in
reward and emotion in Proceedings of the National Academy of Sciences 98(20)
Full text
Blood, Anne J., Zatorre, Robert J., Bermudez, Patrick & Evans, Alan C.
(1999) Emotional responses to pleasant and unpleasant music correlate with
activity in paralimbic brain regions in Nature Neuroscience 2 382-387
Full text
Bloom, Howard (10-12/2004) Music Stirs More Masses Than You Think in
What Is Enlightenment 27
Full text
Bodner, Ehud, Gilboa, Avi & Amir, Dorit (2007) The unexpected
side-effects of dissonance in Psychology
of Music 35(2) 286-305
Abstract
Bodner, Mark, Derr, Christopher, Leng, Xiaodan, Patera, Jiri, Peterson,
Matthew, Ticheli, Frank, Vuong, Sydni & Shaw, Gordon L. (undated) Music
Math Connection invited paper for Early Childhood Connections
Full text
Bogin, Barry (1999) Patterns of human growth (2nd ed) Cambridge
University Press
Publisher's
book description
Bohlman, Philip Vilas (2000) Ethnomusicology and music sociology in
Musicology and Sister Disciplines Past, Present, Future: Proceedings of the
16th International Congress of the International Musicological Society, London,
1997 (ed D. Greer) Oxford University Press 288-298
Publisher's book description
Bohlman, Philip Vilas (1999) Ontologies of music in Rethinking Music (eds Cook &
Everist)
Boker, Steven M. & Rotondo, Jennifer L. (2003) Symmetry building and
symmetry breaking in synchronized movement in Mirror Neurons and the Evolution
of Brain and Language (eds M. I. Stamenov & V. Gallese) Benjamins 163-171
Publisher's book description
Bolles, Edmund Blair (2007) Songs and Language on Babel's Dawn
'A blog about the origins of speech'
Boltz, Marilyn G. (2004) The cognitive processing of film and musical
soundtracks in Memory and Cognition 32(7) 1194-1205
Abstract
Boltz, Marilyn G. (2001) Musical soundtracks as a schematic influence on
the cognitive processing of filmed events in Music Perception 18(4) 427-54
Abstract
Bonaiuto, James, Rosta, Edina & Arbib, Michael A. (2007) Extending
the mirror neuron system model, I: Audible actions and invisible grasps in
Biological Cybernetics 96(1) 9-38
Abstract
Boulez, Pierre (1971) Boulez on music today Faber / Harvard University
Press
Both editions out of print; google book entry. National Library of
Australia details.
Bowlby, John (1979) The making of and breaking of affectional bonds
Routledge
Publisher's book description
Bowman, Wayne D. (1998) Philosophical Perspectives on Music Oxford
University Press
Publisher's book description
Boyack, Jenny (2003) Hearing the voices of 'singing schools' in
Proceedings of the Phenomenon of Singing Symposium IV at the Festival 500 Sharing the Voices
Festival sales site
Boyce-Tillman, June (2008) Music and Value in Cross-Cultural Work in
Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics (ed
O. Urbain) I. B. Tauris
Publisher's book description
Boyce-Tillman, June (2000) Constructing Musical Healing: The Wounds that
Sing Jessica Kingsley
Publisher's book description
Boyd, Robert & Richerson, Peter J. (1985) Culture and the
Evolutionary Process University of Chicago Press
Publisher's book description
Boyd, Robert & Silk, Joan. B. (2006) How humans evolved (4th ed)
Norton
Publisher's book description
Brainard, Michael S. (2004) Contributions of the anterior forebrain pathway
to vocal plasticity in the Annals of the New York Academy of Sciences:
Behavioral Neurobiology of Birdsong 1016 377-394
Abstract
Bramble, Dennis M. & Lieberman, Daniel E. (2004) Endurance running
and the evolution of Homo in Nature 432(7015) 345-352
Abstract
Brattico, Elvira & Tervaniemi, Mari (2006) Musical creativity and
the human brain in Musical
Creativity(eds Deliege & Wiggins)
Bregman, Albert S. (1990) Auditory Scene Analysis: the Perceptual
Organisation of Sound MIT Press
Publisher's book description
Brighton, Henry (2002) Compositional syntax for cultural transmission in
Artificial Life 8(1)
Full text
Brink, Susan (4/2007) In the Key of Everyone originally published in The
LA Times
General article about the southerly
spread of 'recreational singing'
Brink, Susan (4/2007) Sing Out Sister originally published in The LA
Times
Review of Cohen, Levitin et al
Brinkman, James M. (1970) The German Male Chorus of the Early Nineteenth
Century in the Journal of
Research in Music Education 18(1) (Spring) 16-24
First
page only
Britt, Robert Roy (26/5/2005) Music Tickles Strong Memories on
LiveScience
General article about research into
music and memory.
Britt, Robert Roy (7/2/2005) Study: Why Americans Have Bad Rhythm on
LiveScience
General article on the research of Trehub and Hannon.
Brochard, Renaud, Abecasis, Donna, Potter, Doug, Ragot, Richard & Drake,
Carolyn (2003) The 'ticktock' of our internal clock: direct brain evidence
of subjective accents in isochronous sequences in Psychological Science 14(4)
362-366
Abstract
Brotons, Melissa & Koge, Susan M. (2000) The Impact of Music Therapy
on Language Functioning in Dementia in the Journal of Music Therapy 37(3) 183-195
Abstract
Brown, Eleanor D. & Farabaugh, Susan M. (1991) Song sharing in a
group-living songbird, the Australian magpie, Gymnorhina tibicen. III. Sex
specificity and individual specificity of vocal parts in communal chorus and
duet songs in Behaviour 118(3-4) 244-274
Abstract
Brown, Sandra (1999) Some thoughts on music, therapy and music therapy
in the British Journal of
Music Therapy 13(2)
Abstract
included in collection of article descriptions from issues 13(1 & 2)
Brown, Steven (2007) Contagious heterophony: A new theory about the
origins of music in Musicae
Scientiae 11 3-26
Full text
Brown, Steven (2006) Bringing science to art. Review of Zaidel's
Neuropsychology of Art: Neurological, Cognitive and Evolutionary Perspectives
in Trends in Cognitive Sciences 10(8) 356-357
Full
text
Brown, Steven (2006) 'How does music work?' Towards a pragmatics of
musical communication in Music
and Manipulation: On the Social Uses and Social Control of
Music (eds Brown & Volgsten) 1-27
Full text
Brown, Steven (2006) The perpetual music track: The phenomenon of
constant musical imagery in the Journal of Consciousness Studies 13 25-44
Full
text
Brown, Steven (2003) Biomusicology, and three biological paradoxes about
music in the Bulletin of
Psychology and the Arts 4(1) 15-17
Referred to on author's site. Unable to find a direct
web source. The website of the journal of the Society
for the Psychology of Aesthetics, Creativity of the Arts is what comes up from
a BPA search.
Brown, Steven (2001) Are Music and Language Homologues? in The Biological Foundations of
Music (eds Zatorre & Peretz)
Full
text
Brown, Steven (2000) Evolutionary models of music: From sexual selection
to group selection in Perspectives in Ethology 13: Evolution, Culture and
Behaviour (eds N. S. Thompson & F. Tonneau) Kluwer Academic / Plenum
Publishers
Abstract
Brown, Steven (1999) The 'musilanguage' model of music evolution in The Origins of Music
(eds Wallin, Merker & Brown) 271-300
Full text
See also the Wikipedia entry on Evolutionary musicology
Brown, Steven (1996) Evolutionary musicology working paper of the Institute for Biomusicology
Referred to on author's site.
Brown, Steven & Dissanayake, Ellen (2008 in press) The arts are more
than aesthetics: Neuroaesthetics as narrow aesthetics in Neuroaesthetics (eds
Skov & Vartanian) Baywood
Not yet on Publisher's
site.
Brown, Steven, Gotell, Eva & Ekman, Sirrka-Liisa (2001)
'Music-therapeutic caregiving': The necessity for active music-making in
clinical care in The Arts in
Psychotherapy 28(2)
Citation only; no abstract
Brown, Steven, Gotell, Eva & Ekman, Sirrka-Liisa (2001) Singing as a
therapeutic intervention in dementia care in Journal of Dementia Care 9(4)
33-37
An abstract can be reached through the article search section of careinfo
site.
Brown, Steven, Ingham, Roger J., Ingham, Janis C., Laird, Angela R. &
Fox, Peter T. (2005) Stuttered and Fluent Speech Production: An ALE
Meta-Analysis of Functional Neuroimaging Studies in Human Brain Mapping 25(1)
105Ð117
Full text
Brown, Steven & Jordania, Joseph (2008 in preparation) Towards a
universal musicology
Referred to on author's site
Brown, Steven, Laird, A. R., Pfordresher, Peter Q., Thelen, S. M.,
Turkeltaub, P. & Liotti, M. (2008 submitted) Speaking is not special:
Comparisons between speech and song using fMRI and ALE meta-analysis
Referred to on author's site
Brown, Steven & Martinez, Michael J. (2007) Activation of premotor vocal
areas during musical discrimination in Brain and Cognition 63 59-69
Full text
Brown, Steven, Martinez, Michael J., Hodges, Donald A., Fox, Peter T. &
Parsons, Lawrence M. (2004) The song system of the human brain in Cognitive
Brain Research 20(3) 363-367
Abstract
Brown, Steven, Martinez, Michael J. & Parsons, Lawrence M. (2006)
Music and language side by side in the brain: a PET study of the generation of
melodies and sentences in the European Journal of Neuroscience 23(10) 2791-2803
Abstract
Brown, Steven, Martinez, Michael J. & Parsons, Lawrence M. (2006)
The Neural Basis of Human Dance in Cerebral Cortex 16 1157-1167
Full
text
Brown, Steven, Martinez, Michael J. & Parsons, Lawrence M. (2004)
Passive music listening spontaneously engages limbic and paralimbic systems in
NeuroReport 15(13) 2033-2037
Full text
Brown, Steven, Merker, Bjorn & Wallin, Nils L. (1999) An
Introduction to Evolutionary Musicology in The Origins of Music (eds Wallin,
Merker & Brown) 3-24
Full text
Brown, Steven, Ngan, Elton, & Liotti, Mario (2007) A larynx area in
the human motor cortex in Cerebral Cortex
Full text
Brown, Steven & Parsons, Lawrence M. (2008 in press) The Dance and
the brain in Scientific American
Referred to on author's site
Brown, Steven & Theorell, T. (2006) The social uses of background
music for personal enhancement in Music and Manipulation: On the Social Uses and
Social Control of Music (eds Brown & Volgsten) 126-160
Brown, Steven & Volgsten, Ulrik (2006) Is Mozart's music good?
in Music and Manipulation:
On the Social Uses and Social Control of Music (eds Brown & Volgsten)
365-369
Brown, Steven & Volgsten, Ulrik (eds) (2006) Music and Manipulation:
On the Social Uses and Social Control of Music Berghahn Books
Publisher's book description.
Chapters: Brown,
Brown & Theorell,
Brown & Volgsten,
Martin
Brown, Steven & Volgsten, Ulrik (2000) Controlling the music,
controlling the listener in Music
Forum 16 23-25
Referred to on author's site
Bruner, Jerome (1986) Actual minds, Possible Worlds Harvard University
Press
Publisher's book description
Bruscia, Kenneth (1998) Defining Music Therapy (2nd ed) Barcelona
Publishers
Publisher's book description
Bruscia, Kenneth (ed) (1998) The Dynamics of Music Psychotherapy
Barcelona Publishers
Publisher's book description
Brust, John C. M. (1980) Music and language: musical alexia and agraphia
in Brain 103(2) 367-392
Abstract
Bryant, Gregory A. & Barrett, H. Clark (2008 in press) Vocal emotion
recognition across disparate cultures in the Journal of Cognition and Culture
No web source; mentioned on the author's site.
Bryant, Gregory A. & Barrett, H. Clark (2007) Recognizing intentions
in infant-directed speech: Evidence for universals in Psychological Science
18(8) 746-751
Full text
Buccino, G., Riggio, L., Melli, G., Binkofski, F., Gallese, V., Rizzolatti,
Giacomo (2005) Listening to action-related sentences modulates the activity
of the motor system: A combined TMS and behavioral study in Cognitive Brain
Research 24(3) 355-363
Full text
Bunch, Meribeth (1995) The Dynamics of the Singing Voice Springer
Publisher's book description
Bunt, Leslie (2006) Music therapy for children in The Child as Musician: A handbook of
musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Bunt, Leslie (2004) Music, Space and Health: the story of MusicSpace Community Music Therapy
(eds Pavlicevic & Ansdell)
Bunt, Leslie (2003) A review of Culture-Centered Music Therapy (Stige)
in the Nordic Journal of Music
Therapy
Bunt, Leslie (2003) Music therapy with children: a complementary service
to music education? in the British
Journal of Music Education 20(2) 179-195
Abstract
Bunt, Leslie (1997) Clinical and Therapeutic Uses of Music in The social psychology of music
(eds Hargreaves & North) Oxford University Press
Bunt, Leslie (1994) Music therapy: An Art Beyond Words Routledge
Out of print. National Library of Australia details.
Bunt, Leslie & Hoskyns, Sarah (eds) (2002) The Handbook of Music
Therapy Routledge
Publisher's book description
Bunt, Leslie & Pavlicevic, Mercedes (2001) Music and emotion:
perspectives from music therapy in Music and Emotion: Theory and Research
(eds Juslin & Sloboda)
Burke, Devin & Shaffer, Kris (7/2006 and continuing) Sound and Mind:
music cognition and related topics AmSteg.org
A new website
Burling, Robbins (2005) The Talking Ape: How Language Evolved Oxford
University Press
Publisher's book description
Burnard, Pamela (2006) The individual and social worlds of children's
musical creativity in The
Child as Musician: A handbook of musical development (ed G.
E. McPherson) Oxford University Press
Publisher's book description
Burnett, Theresa A., Senner, Jill E. & Larson, Charles R. (1997)
Voice F0 responses to pitchshifted auditory feedback: A preliminary study in
the Journal of Voice
11(2) 202-211
Abstract
Burns, E. & Ward, W. (1999) Intervals, scales, and tuning in The Psychology of Music
2nd edition (ed Deutsch) 215-264
Burns, Jason L., Labbe, Elise, Arke, Brooke, Capeless, Kirsten, Cooksey,
Bret, Steadman, Angel & Gonzales, Chris (2002) The effects of different
types of music on perceived and physiological measures of stress in the Journal of Music Therapy
39(101-116)
Abstract
Burton, Judith M., Horowitz, Rob & Abeles, Hal (1999) Learning in
and through the arts: Curriculum implications in Champions of Change: The Impact of the
Arts on Learning (ed Fiske) Arts Education Partnership
Full text
Buttolph, K. (1993) Tone-deafness: the myth explored in Sounding Board
Spring 10-13
Publisher's site; magazine not on line
Butzlaff, Ron (2000) Can music be used to teach reading? in the Journal
of Aesthetic Education; special issue: The Arts and Academic Achievement: What
The Evidence Shows 34(3-4) 167-178
Table of contents
Bywater, Michael (20/10/2007) Thank you for the music in
Telelgraph.co.uk
Review of Sacks and Levitin
Caldwell, George N. & Riby, Leigh M. (2007) The effects of music
exposure and own genre preference on conscious and unconscious cognitive
processes: A pilot ERP study in Consciousness and Cognition 16(4) 992-996
Abstract
Call, Josep, Hare, Brian, Carpenter, Malinda & Tomasello, Michael
(2004) 'Unwilling' versus 'unable': Chimpanzees' understanding of human
intentional action in Developmental Science 7(4) 488-498
Abstract
Call, Joseph & Tomasello, Michael (2005) What chimpanzees know about
seeing revisited: an explanation of the third kind in Joint Attention:
communication and other minds (eds N. Eilan, C. Hoerl, T. McCormack & J.
Roessler) Oxford University Press 45-64
Publisher's book description
Callan, Daniel E., Tsytsarev, Vassiliy, Hanakawa, Takashi, Callan, Akiko M.,
Katsuhara, Maya, Fukuyama, Hidenao & Turner, Robert (2006) Song and
speech: Brain regions involved with perception and covert production in
NeuroImage 31(3) 1327-1342
Abstract
Campbell, Patricia Shehan (2006) Global practices in The Child as Musician: A handbook of
musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Camurri, Antonio, Lagerlof, Ingrid & Volpe, Gualtiero (2003)
Recognizing emotion from dance movement: comparison of spectator recognition
and automated techniques in the International Journal of Human-Computer Studies
59(1-2) 213-225
Abstract
Canadian Press (19/9/2006) Music lessons help brain develop: Study in
Toronto Star
General article on Fujioka research
Caoren, Dao (8/1/2007) Mandarin is music to the ears in China Daily
General article on research by Luo et al
Caporael, Linnda R. (2001) Evolutionary psychology: toward a unifying
theory and a hybrid science in the Annual Review of Psychology 52 607-628
Abstract
Cappelletti, M., Waley-Cohen, H., Butterworth, B. & Kopelman, M.
(2000) A selective loss of the ability to read and write music in Neurocase
6(4) 332-341
Abstract
Carterette, Edward C. & Kendall, Roger (1999) Cross-cultural music
perception and cognition in The
Psychology of Music 2nd edition (ed Deutsch)
Cassileth, Barrie R., Vickers, Andrew J. & Magill, Lucanne A. (2003)
Music therapy for mood disturbance during hospitalization for autologous stem
cell transplantation: A randomized controlled trial in Cancer 98(12) 2723-2729
Abstract
Cassity, Michael D. (1976) The influence of a music therapy activity
upon peer acceptance, group cohesiveness, and interpersonal relationships of
adult psychiatric patients in the Journal
of Music Therapy 13(2) 66-76
Journal site: on-line archives begin
in 1998.
Summary
Castellano, Mary A., Bharucha, Jamshed J., & Krumhansl, Carol L.
(1984) Tonal hierarchies in the music of North India in the Journal of
Experimental Psychology: General 113(3) 394-412
Abstract
Catani, Marco, Howard, Robert J., Pajevic, Sinisa & Jones, Derek K.
(2002) Virtual in vivo interactive dissection of white matter fasciculi in the
human brain in Neuroimage 17(1) 77-94
Abstract
Catterall, James S. (ed) (2002) Critical Links: Learning in the Arts and
Student Academic and Social Development Arts Education Partnership
Site
from which full text can be accessed
New Horizons for Learning book summary
Catterall, James S. (1998) Does experience in the arts boost academic
achievement? A response to Eisner in Art Education 51(4) 6-11
Publisher's
site; cannot find an abstract
Catterall, James S., Chapleau, Richard, & Iwanaga, John (1999)
Involvement in the arts and human development: General involvement and
intensive involvement in music and theatre arts in Champions of Change: The Impact of the
Arts on Learning (ed Fiske) Arts Education Partnership
Full text
Cavazzona, Monica, Biasutti, Emanuele, Mondoloa, Federica, Del Tin. Silvana
& Di Benedetto, Paolo (11/2006) Voice and Choral Singing Treatment for
Parkinson's Disease Patients in Archives of Physical Medicine and
Rehabilitation 87(11)
Order source only; no abstract
available
Cepeda, M. S., Carr, D. B., Lau, J. & Alvarez, H. (2004) Music for
pain relief in Cochrane Database of Systematic Reviews 3, CD004843
Full text
Chan, Agnes S., Ho, Yim-Chi & Cheung, Mei-Chun (12/11/1998) Music training
improves verbal memory in Nature 396(128)
Abstract
Charyton, Christine (2002) The Mozart Effect: Classical Music and Infant
Cognitive Development in the Journal of Integrative Psychology 3(2)
Full text
Chase, A. (2001) Music discriminations by carp (Cyprinus carpi) in
Animal Learning and Behavior 29(4) 336-353
Abstract
Chase, Wayne How Music REALLY Works!: The Essential Handbook for
Songwriters, Performers, and Music Students (2nd Edition) Roedy Black
Publishing, Vancouver, Canada
Full text of Chapter 1: What Music
REALLY Is, Who Makes It, Where, When, Why
Chen, Joyce L., Penhune, Virginia B. & Zatorre, Robert J. (2005)
Tapping in Synchrony to Auditory Rhythms: Effect of Temporal Structure on
Behavior and Neural Activity in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 400-403
Abstract
Cheney, Dorothy L. & Seyfarth, Robert M. (2007) Baboon Metaphysics:
The Evolution of a Social Mind University of Chicago Press
Publisher's book description
Chikahisa, Sachiko, Sei, Hiroyoshi, Morishima, Masaki, Sano, Atsuko,
Kitaoka, Kazuyoshi, Nakaya, Yutaka & Morita, Yusuke (2006) Exposure to
music in the perinatal period enhances learning performance and alters
BDNF/TrkB signaling in mice as adults in Behavioural Brain Research 169(2)
312-319
Abstract
Childs, Kim (9/2007) Making a Joyful Noise: Playing Music For Fun and
Healing in Natural Awakenings
General article. Full text
Choi, Ae-Na, Lee, Myeong Soo & Lee, Jung-Sook (2008) Group Music
Intervention Reduces Aggression and Improves Self-esteem in Children with
Highly Aggressive Behavior: A Pilot Controlled Trial in Evidence-based
Complementary and Alternative Medicine nem182v2
Abstract
Christensen-Dalsgaard, Jakob (2004) Music and the Origin of Speeches in
the Journal of Music and
Meaning 2 Spring
Full text
Christgau, Robert (10/2000)
Interview transcript with Christopher Small
Christgau, Robert (5/9/2000) Thinking About Musicking: Christopher Small
Has (At Least) Three Books in Him in Village Voice
General article
Christiansen, M. H. & Kirby, S. (eds) (2003) Language Evolution
Oxford University Press
Publisher's Full text Chapters: Bickerton, Dunbar, Hauser & Fitch, Studdert-Kennedy & Goldstein
Clair, Alicia Ann (2002) The effects of music therapy on engagement in
family caregiver and care receiver couples with dementia in the American
Journal of Alzheimer's Disease and Other Dementias 17(5) 286-90
Abstract
Clair, Alicia Ann & Bruhn, Karl (15/9/2006) Active Music-Making and
Wellness in Music. For Life. Roland
Newsletter
Clair, Alicia Ann, Mathews, R. Mark, & Kosloski, Karl (2005)
Assessment of active music participation as an indication of subsequent music
making engagement for persons with midstage dementia in the American Journal of
Alzheimer's Disease and Other Dementias 20(1) 37-40
Abstract
Clark, Jim & Taylor, Helen (3/2006) Turning their ears on ...
keeping their ears open: exploring the impact of musical activities on the development
of pre-school age children Youth
Music
Full text
Clarke, Eric F. (2005) Ways of Listening: An Ecological Approach to the
Perception of Musical Meaning Oxford University Press
Publisher's book description
Clarke, Eric F. (2003) Music and Psychology in The Cultural Study of Music: A Critical Introduction
(eds Clayton, Herbert, Middleton)
Clarke, Eric F. (1999) Rhythm and timing in music in The Psychology of Music 2nd edition
(ed Deutsch) 473-500
Clarke, Eric F. & Clarke, David (2008 in press) Music and
Consciousness Oxford University Press
No web reference yet.
Clarke, Eric F. & Cook, Nicholas (2004) Empirical Musicology: Aims,
Methods and Prospects Oxford University Press
Publisher's book description.
Chapters: Davidson
& DeNora
Clarke, Eric F., Dibben, Nicola & Pitts, Stephanie (2008 in press)
Music and Mind in Everyday Life Oxford University Press
Unable to find a web description
Clarke, Esther, Reichard, Ulrich, H. & Zuberbuhler, Klaus (2006) The
Syntax and Meaning of Wild Gibbon Songs in PLoS One 1(1) e73
Full text
Clayton, Martin (ongoing) Experience and Meaning in Music Performance
Music Department, The Open University
Descriptive website
Clayton, Martin (2008) The social and personal functions of music in
cross-cultural perspective in public performance in The Oxford Handbook of Music Psychology
(eds Hallam, Cross & Thaut) OUP
Clayton, Martin (2007) Music, Time & Place : Essays in Comparative
Musicology B. R. Rhythms
Distributor's site
Clayton, Martin (ed) (2007) Music, words and voice: a reader Manchester
University Press
Publisher's book description
Clayton, Martin (1996) Free music: Ethnomusicology and the study of
music without metre in the Bulletin of the School of Oriental and African
Studies 59(3) 323-332
Abstract from cat.inist. No abstracts
until 2000 from the journal site
Clayton, Martin, Herbert, Trevor & Middleton, Richard (eds) (2003)
The Cultural Study of Music: A Critical Introduction Routledge
Faculty book description. Chapters: Clarke, Cross & Green
Clayton, Martin, Sager, Rebecca & Will, Udo (2004) In time with the
music: The concept of entrainment and its significance for ethnomusicology in
ESEM CounterPoint 1
Full text; commentary: Bispham & Large
Clift, Stephen, Hancox, Grenville, Morrison, Ian, Hess, Barbel, Kreutz,
Gunter & Stewart, Don (2007) Choral singing and psychological
wellbeing: Findings from English choirs in a crossnational survey using the
WHOQOL-BREF in Proceedings of the International Symposium on Performance
Science (ed A. Williamon & D. Coimbra) European Association of
Conservatoires
Full text
Clift, Stephen M. & Hancox, Grenville (2007) The Significance of
Choral Singing for Sustaining Psychological Wellbeing: Findings from a survey
of choristers in England, Germany and Australia submitted to the Community Music Activity seminar of
the ISME 2008 Rome Conference
Preliminary report from the directors of the Sidney de Haan Research Centre for Arts and Health.
CMV has an electronic copy of the full text.
Clift, Stephen M. & Hancox, Grenville (2006) Music and Wellbeing in
Integrating Spirituality in Health and Social Care: Perspectives and practical
approaches (ed W. Greenstreet) Radcliffe
Publisher's book description
Clift, Stephen M. & Hancox, Grenville (12/2001) The perceived
benefits of singing: findings from preliminary surveys of a university college
choral society in the Journal
of the Royal Society for the Promotion of Health 121(4)
Abstract
Clift, Stephen M. & Vella-Burrows, Trish (2003) Arts and Healthy
Communities in the South East Canterbury Christ Church University College
Abstract (among others)
Clynes, Manfred E. (1995) Microstructural musical linguistics: Composer's
pulses are liked most by the best musicians in Cognition 55 269-310
Full text
Clynes, Manfred E. (1977) Sentics: The touch of the emotions Doubleday
Anchor
Out of print. National Library of Australia details
Cohen, Annabel, Bailey, Betty & Nilsson, Thomy (2002) The Importance
of Music to Seniors in Psychomusicology
18 89-102
Can't find a web source (but CMV has a hard copy).
Cohen, Annabel J. (2001) Music as a source of emotion in film in Music and Emotion: Theory and
Research (eds Juslin & Sloboda) 249-273
Cohen, David E. (2001) "The Imperfect Seeks Its Perfection":
Harmonic Progression, Directed Motion, and Aristotelian Physics in Music Theory Spectrum
23(2) 139-169
Citation only
Cohen, Gene D., Perlstein, Susan, Chapline, Jeff, Kelly, Jeanne, Firth,
Kimberly M., & Simmens, Samuel (2006) The Impact of Professionally
Conducted Cultural Programs on the Physical Health, Mental Health, and Social
Functioning of Older Adults in The Gerontologist 46(6) 726-734
Abstract
Cohen, Gene (Principal Investigator) (4/2006) The Creativity and Aging
Study: The Impact of Professionally Conducted Cultural Programs on Older Adults
National Endowment for the Arts
Final report of a study begun in 2001 that
included a seniors chorale in Washington DC as one of three subjects.
Investigation continues.
Cohen, Mary (2005) Explorations of inmate and volunteer choral
experiences among a prison-based choir in the U.S. Midwest in Proceedings of
the Phenomenon of Singing Symposium V at the Festival 500 Sharing the Voices
Festival sales site
Coleman, Elizabeth (1/2004) The Pedagogy of Making on the Cultural
Comment page of Cultural Commons
Full text
Collier, Geoffrey L. & Collier, James Lincoln (2002) A study of
timing in two Louis Armstrong solos in Music Perception 19(3) 463-483
Abstract
Compston, Alistair (ed) (2006) Brain 129(10)
Issue
with pieces on music and the brain: Fujioka, Ross, Kakigi, Pantev & Trainor,
Racette, Bard & Peretz,
Sacks
Conard, Nicholas J. & Bolus, Michael (2003) Radiocarbon dating the
appearance of modern humans and timing of cultural innovations in Europe: new
results and new challenges in the Journal of Human Evolution 44(3) 331-371
Abstract
Condillac, Etienne Bonnot de (1746/1971) An essay on the origin of human
knowledge Scholars' Facsimiles & Reprints
Publisher's site on which brief
description can be found.
Condon, W. S. (1982) Cultural microrhythms in Interaction Rhythms:
Periodicity in Communicative Behavior (ed M. Davis) Human Science Press 77-102
Out of print; google book entry. National Library of
Australia details.
Cook, Gayle (20/12/2006) Singing for Survival on EurekaAlert
General article on the research
findings of Clarke, Ulrich
& Zuberbuhler
Cook, Nicholas (2008) Science
& Music: Beyond the Notes in Nature 453(7199) 1186-1187
Eighth in a ninefold set of essays from various writers. Abstract
Cook, Nicholas (2007) Imagining Things: Mind Into Music (And Back Again)
in Proceedings of The British Academy 147: Imaginative Minds (ed I. Roth)
published for The British Academy by Oxford University Press
Full text
Cook, Nicholas (2000) Music: a very short introduction Oxford University
Press
Publisher's book description
Cook, Nicholas & Dibben, Nicola (2001) Musicological approaches to
emotion in Music and Emotion:
Theory and Research (eds Juslin & Sloboda)
Cook, Nicholas & Everist, Mark (eds) (1999) Rethinking Music Oxford
University Press
Publisher's book description.
Chapters: Bohlman
Cooke, Deryck (1959) The Language of Music Oxford University Press
Publisher's book description
Cordes, Inge (9/2003) Melodic contours as a connecting link between
primate communication and human singing in Proceedings of the 5th Triennial ESCOM Conference
(eds Kopiez, Lehmann, Wolther & Wolf)
Full text
Costa-Giomi, Eugenia (2005) Does Music Instruction Improve Fine Motor Abilities?
in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
262-264
Abstract
Costa-Giomi, Eugenia (2004) The effects of three years of piano
instruction on children's academic achievement, school performance and
self-esteem in Psychology of
Music 32(2)
Abstract
Costa-Giomi, Eugenia (2003) Young Children's Harmonic Perception in
Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 477-484
Abstract
Costa-Giomi, Eugenia (2002) Music education in childhood: the
development of musical and non-musical abilities presented at The Musical Brain conference hosted by
The Royal Institution of Great Britain
Site on which abstracts of all
presentations can be viewed
Costa-Giomi, Eugenia (2000) The relationship between absolute pitch and
spatial abilities in Proceedings of the Sixth International Conference on Music
Perception and Cognition (eds C. Woods, G. Luck, R. Brochard, F. Seddon, &
J. A. Sloboda) Department of Psychology Keele University
Conference outline
Costa-Giomi, Eugenia (1999) The effects of three years of piano
instruction on children's cognitive development in the Journal of Research in Music Education
47(3) 198-212
Citation only; no abstract
Cowlishaw, Guy (1992) Song function in gibbons in Behaviour 121(1-2)
131-153
Abstract; see also the author's site
Cox, Gordon (2006) Historical perspectives in The Child as Musician: A handbook of
musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Crabbe, Stephen (2007) Singing: Key to Human Development: Vocal music is
a foundation for your language, community and health on Suite 101 website
Full text
Crain, Caleb (10/2001) The Artistic Animal (on Ellen Dissanayake) in
Lingua Franca 11(7)
Full
text
Crawford, Mike J. & Patterson, Sue (2007) Arts therapies for people
with schizophrenia: an emerging evidence base in Evidence-Based Mental Health
10 69-70
Abstract
Crncec, Rudi, Wilson, Sarah & Prior, Margot (2006) The Cognitive and
Academic Benefits of Music to Children: Facts and fiction in Educational
Psychology 26(4) 579-594
Abstract
Cromie, William J. (21/3/2001) Music on the brain: Researchers explore
the biology of music in the Harvard University Gazette
Response to Tramo's essay in '01 Science about how
little we know about music's place in the brain. See also Angier & Leutwyler.
Cross, Ian (2008 in press) The evolutionary nature of musical meaning to
appear in Musicae Scientiae,
special issue on music and evolution
Full text
Cross, Ian (2008 in press) Musicality and the human capacity for culture
in Musicae Scientiae,
special issue on music and narrative 147-167
Full text
Cross, Ian (2007) Music and cognitive evolution in Oxford Handbook of
Evolutionary Psychology (eds L. Barrett & R. I. M. Dunbar) OUP
Full text
Cross, Ian (2007) Music, Science and Culture in Proceedings of The
British Academy 147: Imaginative Minds (ed I. Roth) published for The British
Academy by Oxford University Press
Full text
Cross, Ian (2007) Review of The musical human: rethinking John
Blacking's ethnomusicology in the twenty-first century (ed S. A. Reily) in Music Perception
24(5) 507-510
Table
of contents; no abstract available
Cross, Ian (2006) Four issues in the study of music in evolution in The World of Music
48 (3) 55-63
Full text
Cross, Ian (2006) Music and social being in Musicology Australia
Full text
Cross, Ian (2006) Music, meaning and evolution presented at 'Cradle of Language Conference'
Stellenbosch South Africa 7-10 November, 2006
Abstract
Cross, Ian (8/2006) Musicality and the human capacity for culture
presented at the Proceedings
of ICMPC9 (eds M. Baroni, A. R. Addessi, R. Caterina &
M. Costa), 'Music in the Mind -
The Mind in Music' conference, Bologna
Abstract
Cross, Ian (9/2006) The Origins of Music: Some Stipulations on Theory in
Music Perception
24(1) 79-82
Response inspired by papers from McDermott
& Hauser & Justus & Hutsler. See also,
responses by Dean &
Bailes, Fitch,
Livingstone & Thompson,
Merker, Patel & Trainor.
These were in turn responset to by McDermott & Hauser.Abstract
Cross, Ian (2006) Review of Conceptualizing Music (Zbikowski) in
the Journal of the American
Musicological Society 59(1) 220-227
Table of contents; no abstract
available
Cross, Ian (2005) Comments on Music, Ethology, and Evolution in Annals
of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
3-5
Table of contents; no abstract
available
Cross, Ian (2005) Music and meaning, ambiguity and evolution in Musical Communication
(eds Miell, MacDonald & Hargreaves)
Full text
Cross, Ian (2003) Music and biocultural evolution in The Cultural Study of Music: A Critical Introduction
(eds Clayton, Herbert, Middleton)
Full text
Cross, Ian (2003) Music and evolution: causes and consequences in Contemporary Music Review
22(3)
Full text
Cross, Ian (2003) Music as biocultural phenomenon in Annals of the New
York Academy of Sciences: The
Neurosciences and Music (eds Avanzini, Faienza &
Minciacchi) 999 106-111
Full text
Cross, Ian (2003) Music, cognition, culture and evolution in The Cognitive Neuroscience of
Music (eds Peretz & Zatorre)
Full text
Cross, Ian (2003) Review of Musicology and Sister Disciplines;
Proceedings of the 16th IMS (ed D. Greer) OUP in music & letters 84(2) 262-266
Full text
Cross, Ian (2001) Music, mind and evolution in Psychology of Music 29(1) 95-102
Full text
Cross, Ian (2001) Music, science, and post-positivist pluralities in
Integral 14/15 20-26
Full text
Cross, Ian (2001) Review of The Origins of Music (eds Wallin,
Merker & Brown) in Music
Perception
Full text
Cross, Ian (2001) Review of The Origins of Music (eds Wallin,
Merker & Brown) in Trends in Neurosciences 24(3) 90
Full text
Cross, Ian (1999) AI and music perception in AISB Quarterly 102 12-25
Full text
Cross, Ian (1999) Is music the most important thing we ever did? Music,
development and evolution in Music, mind and science (ed Suk Won Yi) (ICMPC5) Seoul
National University Press
Full text
Cross, Ian (1998) Cognitive science and music - the case of musical
pitch in Psicologia cognitiva e composizione musicale (eds M. Olivetti
Belardinelli & F. Cifarielo Ciardi) Edizioni Kappa 85-111
Full text
Cross, Ian (1998) Music analysis and music perception in Music Analysis 17(1) 3-20
Full text
Cross, Ian (1998) Music & science: three views in Revue Belge de
Musicologie LII 207-214
Full
text
Cross, Ian, Bispham, John C., Himberg, T. & Swaine, J. (under
review) Evolution and musical rhythm for Evolutionary Anthropology
Full text
Cross, Ian & Kronhaus, D. (2008 forthcoming) Global musical
structure and the attribution of affect Manuscript in preparation
Cross, Ian & Morley, Iain (2008) The evolution of music: theories,
definitions and the nature of the evidence in Communicative Musicality (eds Malloch
& Trevarthen) 61-82
Full text
Cross, Ian & Morley, Iain (2002) Music and evolution: the nature of
the evidence in Proceedings
of the 7th ICMPC Sydney 2002 (eds Stevens, Burnham,
McPherson, Schubert & Renwick)
Full text
Cross, Ian & Tolbert, Elizabeth D. (2008 in press) Music and meaning
in The Oxford Handbook of Music Psychology (eds Hallam, Cross & Thaut) OUP
Full text
Cross, Ian & Watson, A. (2005) Acoustics and the human experience of
socially organised sound in Acoustics, space and intentionality: identifying
intentionality in the ancient use of acoustic spaces and structures (eds Scarre
& Lawson) McDonald Institute for Archaeological Research
Full text
Cross, Ian & Woodruff, Ghofur Eliot (2008 in press) Music as a
communicative medium to appear in The prehistory of language, Vol 1 (eds C.
Knight & C. Henshilwood) OUP
Full text
Cross, Ian, Zubrow, Ezra & Cowan, Frank (2002) Musical behaviours
and the archaeological record: A preliminary study in Experimental Archaeology:
British Archaeological Reports International Series 1035 25-34 (Ed Mathieu)
Full text
Csikszentmihalyi, Mihaly (1990) Flow: The Psychology of Optimal
Experience Harper & Row
Appears to be out of print (Harper & Row is no longer). See the 'Flow'
entry on the Wikipedia website. National Library of Australia
details.
Csikszentmihalyi, Mihaly & Rathunde, Kevin (1993) The measurement of
flow in everyday life: Toward a theory of emergent motivation in Nebraska
Symposium on Motivation, 1992, Volume 40: Developmental Perspectives on
Motivation (ed J. E. Jacobs) University of Nebraska Press 57-97
Publisher's book description
Cuddy, Lola L., Balkwill, Laura-Lee, Peretz, Isabelle & Holden, Ronald
R. (2005) Musical Difficulties Are Rare: A Study of 'Tone Deafness' among
University Students in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 311-324
Abstract
Cuddy, Lola L. & Duffin, Jacalyn (2005) Music, memory, and
Alzheimer's disease: is music recognition spared in dementia, and how can it be
assessed? in Medical Hypotheses 64(2) 229-235
Abstract
Curtis, Sandra L. & Mercado, Chesley Sigmon (2004) Community Music
Therapy for Citizens with Developmental Disabilities in the Voices: A World Forum for Music Therapy
Full text
Cutler, Anne (1994) The perception of rhythm in language in Cognition
50(1) 79-81
Abstract
D'Errico, Francesco, Henshilwood, Christopher, Lawson, Graeme, Vanhaeren,
Marian, Tillier, Anne-Marie, Soressi, Marie, et al. (2003) Archaeological
evidence for the emergence of language, symbolism, and music - an alternative
multidisciplinary perspective in the Journal of World Prehistory 17(1) 1-70
Full text
D'Errico, Francesco & Villa, Paola (1997) Holes and grooves: the
contribution of microscopy and taphonomy to the problem of art origins in
Journal of Human Evolution 33(1) 1-31
Abstract
Dahl, S. & Friberg, A. (2004) Expressiveness of musician's body
movements in performances on marimba in Gesture-based Communication in
Human-Computer Interaction; Lecture Notes in Computer Science Vol 2915 (eds A.
Camurri & G. Volpe) Springer 479-86
Publisher's book description
Dalla Bella, Simone (2007) Singing out of tune: Disturbances of music
performance presented at the Warsaw
Workhop on Music and the Brain
Abstract
Dalla Bella, Simone & Bialunska, Anita (2007) Movement is more
strongly attracted to music than speech in the Supplement of the Journal of
Cognitive Neuroscience 150-151
Summary from author's site (not shown
on journal site).
Dalla Bella, Simone, Giguere, Jean-Francois & Peretz, Isabelle
(2/2007) Singing proficiency in the general population in the Journal of the Acoustical Society of America
121(2) 1182-9
Full text
Dalla Bella, Simone, Giguere, Jean-Francois & Peretz, Isabelle
(2005) Singing in tune: Perceptual determinants of accuracy in the Supplement
of the Journal of Cognitive Neuroscience 40-41
Summary from author's site (not shown
on journal site).
Dalla Bella, Simone & Peretz, Isabelle (2005) To differentiate
Western musical styles we require rhythm, not musical education from the
Proceedings of the XXXIInd Scientific Congress of the Polish Psychological
Association 191
Summary (in Polish) from author's
site.
Dalla Bella, Simone, Peretz, Isabelle & Giguere, Jean-Francois
(2007) Singing in tune is a matter of time presented at 'Singing' CIM07 3rd Conference on
Interdisciplinary Musicology 40-41
Summary
Dalla Bella, Simone, Peretz, Isabelle, Rousseau, L. Gosselin, N., Ayotte, J.
& Lavoie, A. (2001) Development of the HappyÐSad Distinction in Music
Appreciation: Does Tempo Emerge Earlier Than Mode? in the Annals of the New
York Academy of Sciences: The
Biological Foundations of Music (eds Zatorre & Peretz)
930(1) 436-438
Summary
Dalla Bella, Simone, Rousseau, L. & Gosselin, N. (2001) A
developmental study of the affective value of tempo and mode in music in
Cognition 80(3) B1-B10
No direct web source for abstract; Journal site
Damasio, Antonio R. (2003) Looking for Spinoza: Joy, Sorrow and the
Feeling Brain Harcourt
Publisher's book description
Damasio, Antonio R. (2001) Fundamental Feelings in Nature 413(6858)
Citation
only; no abstract
Damasio, Antonio R. (1999) The Feeling of What Happens: Body and Emotion
in the Making of Consciousness Harcourt Brace
Publisher's book description
Damasio, Antonio R. (1994) Descartes' Error: Emotion, Reason and the
Human Brain Penguin
Publisher's book description
Darwin, Charles (1872) The Expression of the Emotions in Man and Animals
John Murray
Full text
Darwin, Charles (1871) The Descent of Man, and Selection in Relation to
Sex John Murray
Full text
Darwin, Charles (1858) Letter 2373 - Darwin, C. R. to Spencer, Herbert,
25 Nov Darwin Correspondence Project
Full text
Dauvois, M. (1989) Son et musique paleolithiques in Les Dossiers
D'Archeologie 142 2-11
Issue's table of contents; one sentence description
Davidson, Jane W. (2/2008) Singing for self-healing, health and
wellbeing in Music Forum
14(2) 29-33
Full text
Davidson, Jane W. (2005) Bodily communication in musical performance in Musical communication
(eds Miell, MacDonald & Hargreaves)
Davidson, Jane W. (2004) Music as Social Behaviour in Empirical Musicology: Aims, Methods and Prospects
(eds Clarke & Cook)
Davidson, Jane W. (2004) What Can the Social Psychology of Music Offer
Community Music Therapy? Community
Music Therapy (eds Pavlicevic & Ansdell)
Davidson, Jane W. (2001) Music and the Body in Oxford Companion to the
Body (eds C. Blakemore & S. Jennett) OUP
Publisher's book description
Davidson, Jane W. & Burland, Karren (2006) Musician identity
formation in The Child as
Musician: A handbook of musical development (ed G. E.
McPherson) Oxford University Press
Publisher's book description
Davidson, Jane W. & Malloch, Stephen N. (2008 in press) Expressive
body movement in performance as communicative musicality in Communicative Musicality (eds Malloch
& Trevarthen)
Davidson, L. (1994) Song Singing by Young and Old: A Developmental
Approach to Music in Music
Perceptions (eds Aiello & Sloboda)
Davidson, Richard J. (1995) On emotion, mood, and related affective
constructs in The Nature of Emotion: Fundamental questions (P. Ekman & R.
J. Davidson) Oxford University Press 51-55
Publisher's book description
Davidson, Richard J., & Schwartz, Gary E. (1977) The influence of
musical training on patterns of EEG asymmetry during musical and non-musical
self-generation tasks in Psychophysiology 14
Full text
Davies, Alison & Richards, Eleanor (eds) (2002) Music Therapy and
Group Work: Sound Company Jessica Kingsley
Publisher's book description
Davies, John Booth (1978) The Psychology of Music Stanford University
Press
Out of print; google book entry. National Library of
Australia details.
Davies, Stephen (2003) Themes in the Philosophy of Music Oxford
University Press
Publisher's book description
Davis, Pamela J., Zhang, Shi Ping, Winkworth, Alison, & Bandler, Richard
(1996) Neural control of vocalisation: respiratory and emotional influences in
the Journal of Voice
10(1) 23-38
Abstract
Dawe, Lloyd A., Platt, John R. & Racine, Ronald J. (1993) Harmonic
Accents in Inference of Metrical Structure and Perception of Rhythm Patterns in
Perception and Psychophysics 54 794-807
Full text
Day, Kingsley (21/10/2004) Music and the Mind: Turning the Cognition Key
in Observer online
General article from Northwestern
University's media department describing the thoughts of Gjerdingen and Ashley
Day, M. H. & Wickens, E. H. (1980) Laetoli Pliocene hominid
footprints and bipedalism in Nature 286(5771) 385-387
Abstract
de l'Etoile, Shannon K. (2006) Infant behavioral responses to
infant-directed singing and other maternal interactions in Infant Behavior and
Development 29(3) 456-470
Abstract
de Villeneuve, Poppy (18/3/2007) Rockin' Boffin in the Sunday Telegraph
General article on Levitin
Deacon, Terence (1998) The Symbolic Species: The Co-evolution of
Language and the Human Brain Norton
Publisher's book description
Dean, R. T., Byron, T. & Bailes, F. A. (2008 in press) The pulse of
symmetry: On the possible co-evolution of rhythm in music and dance to appear
in Musicae Scientiae,
special issue on music and evolution
Cannot find a web source.
Dean, Roger T. & Bailes, Freya (9/2006) Toward a Sociobiology of
Music in Music Perception
24(1) 83-84
Response inspired by papers from McDermott
& Hauser & Justus & Hutsler. See also,
responses by Cross,
Fitch, Livingstone & Thompson,
Merker, Patel & Trainor.
These were in turn responses to an earlier piece by McDermott & Hauser.Abstract
Deliege, Irene & Sloboda, John A. (eds) (1997) The Perception and
Cognition of Music Psychology Press
Publisher's
book description. Chapters: Patel & Peretz, Trehub, Schellenberg & Hill
Deliege, Irene & Sloboda, John A. (eds) (1996) Musical Beginnings: Origins
and Development of Musical Competence Oxford University Press
Publisher's book description.
Chapters: Papousek
Deliege, Irene & Wiggins, Geraint A. (eds) (2006) Musical
Creativity: Multidisciplinary Research in Theory and Practice Routledge
Publisher's book descriptionChapters: Brattico & Tervaniemi
Delogu, Franco, Lampis, Giulia, & Olivetti Belardinelli, Marta
(2006) Music-to-language transfer effect: may melodic ability improve learning
of tonal languages by native nontonal speakers? in Cognitive Processing 7(3)
203-207
Abstract
Demany, Laurent & Clement, Sylvain (1995) The perception of
frequency peaks and troughs in wide frequency modulations. II. Effects of
frequency register, stimulus uncertainty, and intensity in the Journal of the Acoustical Society of America
97(4) 2454-2459
Abstract
Demolin, Didier (2006 unpublished) The evolution of language and music
in comparative perspective 'Cradle
of Language Conference' Stellenbosch South Africa 7-10
November, 2006
Abstract
Demolin, Didier & Delvaux, Veronique (2006) A comparison of the
articulatory parameters involved in the production of sound of bonobos and
modern humans in the Proceedings of the 6th International Conference on the
Evolution of Language 67-74
Full text
DeNora, Tia (2007) Evidence and Effectivenss in Music Therapy in the British Journal of Music Therapy
20(2) 81-99
Abstract
DeNora, Tia (2007) Health Musicking in Everyday Life in Psyke &
Logos 28(1) 271-287
Publisher's site
DeNora, Tia (2004) Musical Practice and Social Structure: A Toolkit in Empirical Musicology: Aims,
Methods and Prospects (eds Clarke & Cook)
DeNora, Tia (2003) After Adorno: Rethinking Music Sociology Cambridge
University Press
Publisher's book description
DeNora, Tia (2003) Music sociology: getting the music into the action in
the British Journal of Music
Education 20(2) 165-177
Abstract
DeNora, Tia (2002) The role of music in intimate culture: A case study
in Feminism and Psychology 12(2) 176-181
Citation only
DeNora, Tia (2001) Aesthetic Agency and Musical Practice: New Directions
in the Sociology of Music and Emotion in Music and Emotion: Theory and Research
(eds Juslin & Sloboda)
DeNora, Tia (2000) Music in Everyday Life Cambridge University Press
Publisher's book description
Desain, Peter & Windsor, Luke (eds) (2000) Rhythm Perception and
Production Routledge
Publisher's book description. Abstract and table of contents
Deutsch, Diana (2006) The Enigma of Absolute Pitch in Acoustics Today 2
11-19
Full text
Deutsch, Diana (ed) (1999) The Psychology of Music (2nd ed) Academic
Press
Publisher's book description.
Chapters: Burns & Ward,
Carterette & Kendall,
Clarke, Gabrielsson, Sundberg; Fraisse (in
the first edition only); Review by Levitin
Deutsch, Diana, Henthorn, Trevor & Dolson, Mark (4/11/1999) Tone
Language Speakers Possess Absolute Pitch 138th Acoustical Society of America
(ASA) Meeting, Columbus, Ohio
Full text
Deutsch, Diana, Henthorn, Trevor, Marvin, Elizabeth & Xu, Hong Shuai (17/11/2004)
Perfect Pitch in Tone Language Speakers Carries Over to Music: Potential for
Acquiring the Coveted Musical Ability May be Universal at Birth presented at
the 148th Acoustical Society of America (ASA) Meeting, San Diego, CA
Full
text
Di Paolo, Ezequiel A. (2000) Behavioral coordination, structural
congruence and entrainment in a simulation of acoustically coupled agents in
Adaptive Behavior 8(1) 27-48
Abstract
di Pellegrino, G., Fadiga, Luciano, Fogassi, Leonardo, Gallese, Vittorio
& Rizzolatti, Giacomo (1992) Understanding motor events: a
neurophysiological study in Experimental Brain Research 91(1) 176-180
Abstract
Dibben, Nicola (2004) The Role of Peripheral Feedback in Emotional
Experience With Music in Music
Perception 22(1) 79-115
Abstract
Dibben, Nicola (2002) Gender identity and music in Musical Identities (eds MacDonald,
Hargreaves & Miell)
Dilley, Laura Christine (2005) The Phonetics and Phonology of Tonal
Systems a PhD thesis , MIT
Full text
Dillon, Steve (2007) Music, Meaning and Transformation: Meaningful Music
Making for Life Cambridge Scholars Press
Publisher's book description
Dillon, Steve (7/2006) Assessing the positive influence of music
activities in community development programs in Music Education Research 8/2
Abstract. CMV has an electronic copy
of this article
Dingfelder, Sadie (4/2008) Too discordant for the masses? in Monitor on
Psychology 39(4)
General article on consonance and dissonace referring to work by Koelsch, Trainor, Tramo and others. Full text
Dinsdale, Paul (7/2007) The Healing Power of Song in Nursing Standard
21(46) 20-21
Abstract
Dissanayake, Ellen (2008 in press) Root, leaf, blossom, or bole:
concerning the origin and adaptive function of music in Communicative Musicality (eds Malloch
& Trevarthen)
Dissanayake, Ellen (8/2006) Proto-music is the food of love: An
ethological view of sources of emotion in mother-infant interaction presented
at the Proceedings of ICMPC9
(eds M. Baroni, A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna
Abstract
Dissanayake, Ellen (20/11/2005) A review of The Singing Neanderthals (Mithen) in
Evolutionary Psychology 3 375-380
Dissanayake, Ellen (2001) An Ethological View of Music and its Relevance
to Music Therapy in the Nordic
Journal of Music Therapy 10(2) 159-175
Full text
Dissanayake, Ellen (2000) Art and Intimacy: How the Arts Began
University of Washington Press
Publisher's book description. Review: Vink
Dissanayake, Ellen (1999) Antecedents of the temporal arts in early
mother-infant interactions in The
Origins of Music (eds Wallin, Merker & Brown)
Dissanayake, Ellen (1995) Homo Aestheticus: Where Art Comes from and Why
University of Washington Press
Publisher's book description
Dissanayake, Ellen (1988) What Is Art For? University of Washington
Press
Publisher's book description
Dodenhoff, Danielle J., Stark, Robert D. & Johnson, Eric V. (2001)
Do woodpecker drums encode information for species recognition? in Condor 103(1)
143-150
Abstract
Dokter, Ditty (ed) (2000) Exile, Arts Therapists and Refugees: Research
collaboration with the Pharos Refugee Agency in the Netherlands Conference Proceedings,
University of Hertfordshire Press
Unable to find a web source. Publisher's site; author's website.
Donald, Merlin (1997) Precis of origins of the modern mind: three stages
in the evolution of culture and cognition in Behavioral and Brain Sciences
16(4) 737-791
Full text
Donald, Merlin (1991) Origins of the Modern Mind: Three Stages in the
Evolution of Culture and Cognition Harvard University Press
Publisher's book description
Donath, Thomas M., Natke, Ulrich & Kalveram, Karl Th. (2002) Effects
of frequency-shifted auditory feedback: A preliminary study F0 contours in
syllables in the Journal of
the Acoustical Society of America 111(1) 357-366
Abstract
Dooley H. & Judge D. (5/2007) Vocal Responses of Captive Gibbon
Groups to a Mate Change in a Pair of White-Cheeked Gibbons (Nomascus
leucogenys) in Folia Primatologica 78(4) 228-239
Abstract
Dorrell, Philip (2005) What is Music?: Solving a Scientific Mystery from
the author's site
Full text
Dorter, K. (2004) The fusion and diffusion of musical traditions in The
European Legacy (9)2 163-172
Abstract
Dos Santos, Andeline (2005) The Role of Culture in Group Music Therapy
in South Africa in Voices: A
World Forum for Music Therapy
Full text
Dotinga, Randy (23/8/2006) Music Makes Your Brain Happy in Wired News
Interview transcript with Daniel Levitin
Douglas, Sheila & Willatts, Peter (1994) The relationship between
musical ability and literacy skills in the Journal of Research in Reading 17(2)
99-107
Abstract
Doupe, Allison J. & Kuhl, Patricia K. (1999) Birdsong and human
speech: Common themes and mechanisms in Annual Review of Neuroscience 22
567-631
Full text
Dowling, W. Jay & Harwood, Dane L. (1985) Music Cognition Academic
Press
Out of print; amazon reader has a file. National
Library of Australia details.
Dowling, W. Jay, Kwak, Seyeul & Andrews, Melinda W. (1995) The time
course of recognition of novel melodies in Perception and Psychophysics 57(2)
136-149
Full text
Doxey, Cynthia & Wright, Cheryl (1990) An exploratory study of
children's music ability in Early Childhood Research Quarterly 5(3) 425-440
Abstract
Drake, Carolyn & Bertrand, Daisy (2001) The quest for universals in
temporal processing in music in The
Cognitive Neuroscience of Music (eds Peretz & Zatorre)
Abstract
Drake, Carolyn & Heni, Jamel Ben El (2003) Synchronizing with Music:
Intercultural Differences in Annals of the New York Academy of Sciences: The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 429-437
Abstract
Drake, Carolyn, Jones, Mari Riess, & Baruch, Clarisse (2000) The
development of rhythmic attending in auditory sequences: attunement, referent
period, focal attending in Cognition 77(3)
Abstract
Drayna, Dennis, Manichaikul, Ani, de Lange, Marlis, Snieder, Harold &
Spector, Tim (2001) Genetic correlates of musical pitch recognition in
humans in Science 291(5510) 1969-1972
Abstract
Duffy, Joseph R. (2005) Motor speech disorders: Substrates, differential
diagnosis, and management (2nd ed) Elsevier Mosby
Publisher's book description
Dunbar, Robin I. M. (2004) The Human Story Faber
Publisher's book description
Dunbar, Robin I. M. (2004) Language, Music and Laughter in Evolutionary
Perspective in Evolution of Communication Systems: A Comparative Approach (eds
D. K. Oller & U. Griebel) MIT Press
Publisher's book description
Dunbar, Robin I. M. (2003) The origin and subsequent evolution of
language in Language
Evolution (eds M. H. Christiansen & S. Kirby) OUP
Publisher's book description
Dunbar, Robin I. M. (2003) The Social Brain: Mind, Language and Society
in Evolutionary Perspective in Annual Review of Anthropology 32(163-181)
Publisher's book description
Dunbar, Robin I. M. (1998) Theory of mind and the evolution of language
in Approaches to the Evolution of Language (eds J. R. Hurford, M.
Studdert-Kennedy & C. Knight) Cambridge University Press
Publisher's book description
Dunbar, Robin I. M. (1996) Grooming, Gossip and the Evolution of
Language Faber
Publisher's book description
Dunbar, Robin I. M. (1993) Coevolution of neocortical size, group size
and language in humans in Behavioral and Brain Sciences 16 681-735
Full text
Durham, William H. (1991) Coevolution: Genes, Culture and Human
Diversity Stanford University Press
Publisher's book description -
minimal; author's site may be more edifying.
Durrant, Colin (6/2005) Shaping Identity Through Choral Activity:
Singers' And Conductors' Perceptions in Research Studies in Music Education
24(1) 88-98
Abstract
Dutton, Denis (1994) Ellen Dissanayake in Philosophy and Literature 18
Full text
Edinburgh University student project (4/2001) Music and the Mind
The results are an accessible summary of ideas and
references concerning mind/music relationships up to 1991.
Edwards, Jane (ed) (2007) Music: Promoting Health and Creating Community
in Healthcare Contexts Cambridge Scholars Press
Publisher's book descriptionChapter:Bailey & Davidson
Edwards, Jane (2005) Possibilities and problems for evidence-based
practice in music therapy in The
Arts in Psychotherapy 32(4) 293-301
Citation only; no abstract
Egnor, S. E. Roian & Hauser, Marc D. (2004) A paradox in the
evolution of primate vocal learning in Trends in Neurosciences 27(11) 649-654
Abstract
Ehrenreich, Barbara (2006) Dancing in the Streets: A History of Collective
Joy Henry Holt
Publisher's book description
Eisner, Elliot W. (2002) The Arts and the Creation of Mind Yale
University Press
Publisher's book description
Eisner, Elliot W. (2002) What can education learn from the arts about
the practice of education? in The encyclopedia of informal education
Full text
Eisner, Elliot W. (1998) Does experience in the arts boost academic
achievement? in Art Education 51(1) 6-11
Publisher's
site; cannot find an abstract (available through JSTOR)
Eisner, Elliot W. (1998) Does experience in the arts boost academic
achievement? A response to Catterall in Art Education 51(4) 6-11
Publisher's
site; cannot find an abstract (available through JSTOR)
El-Sawad, Amal & Korczynski, Marek (2007) Management and Music: The
Exceptional Case of the IBM Songbook in Group and Organization Management 32(1)
79-108
Abstract
Elliot, Andrew J. & Covington, Martin V. (2001) Approach and
avoidance motivation in Educational Psychology Review 13(2) 73-92
Abstract
Elliott, Jane (11/2005) How singing unlocks the brain in BBC News
General article about Singing for the
Brain; see Montgomery-Smith
& Bannan
Ellis, Karen (undated) Educational CyberPlayground
Website with a great deal of material
on music, language and education
Emery, Charles F., Hsiao, Evana T., Hill, Scott M. & Frid, David J.
(2003) Short-term effects of exercise and music on cognitive performance among
participants in a cardiac rehabilitation program in Heart & Lung: The
Journal of Acute and Critical Care 32(6) 368-373
Abstract
Enard, Wolfgang, Przeworski, Molly, Fisher, Simon E., Lai, Cecilia S. L.,
Wiebe, Victor, Kitano, Tashi, Monaco, Anthony P. & Paabo, Svante (2002)
Molecular evolution of FOXP2, a gene involved in speech and language in Nature
418(6900) 869-872
Full text
Engineer, Navzer D., Percaccio, Cherie R., Pandya, Pritesh K., Moucha,
Raluca, Rathbun, Daniel L. & Kilgard, Michael P. (2004) Environmental
Enrichment Improves Response Strength, Threshold, Selectivity, and Latency of
Auditory Cortex Neurons in the Journal of Neurophysiology 92 73-82
Abstract
Epstein, Charles M., Meador, Kimford J., Loring, David W., Wright, Randall
J., Weissmann, Joseph D., Sheppard, Scott, Lah, James J., Puhalovich, Frank,
Gaitan, Luis & Davey, Kent R. (1999) Localization and characterization
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Neurophysiology 110(6) 1073-1079
Abstract
Epstein, J. L. & McPartland, J. M. (1976) The concept and
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Journal site; cannot find abstract
Evers, Stefan & Suhr, Birgit (2000) Changes of the neurotransmitter
serotonin but not of hormones during short time music perception in the
European Archives of Psychiatry and Clinical Neuroscience 250(3) 144-147
Abstract
Fadiga, Luciano, Craighero, Laila, Buccino, Giovanni & Rizzolatti,
Giacomo (2002) Speech listening specifically modulates the excitability of
tongue muscles: a TMS study in the European Journal of Neuroscience 15(2)
399-402
Abstract
Faienza, Carmine & Cossu, Giuseppe (2003) Introductory Remarks on
Musical Beginnings: Ten Years Later in Annals of the New York Academy of
Sciences: The Neurosciences
and Music (eds Avanzini, Faienza & Minciacchi) 999
392-396
Abstract
Falk, Dean (14/5/2006) Our Mother Tongue in The New York Times
General article
Falk, Dean (8/2004) Prelinguistic evolution in early hominids: whence
motherese? in Behavioral and Brain Sciences 27(4) 491-541
Full textSee general commentary by Wong
Falk, Dean (1999) Hominid Brain Evolution and the Origins of Music in The Origins of Music
(eds Wallin, Merker & Brown)
Farabaugh, S. (1982) The ecological and social significance of duetting in
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Ouellet) 1982 Academic Press 85-124
Out of print; amazon has a description. National
Library of Australia details.
Faulkner, Robert (2003) For the love of the amateur singer in
Proceedings of the Phenomenon of Singing Symposium IV at the Festival 500 Sharing the Voices
Festival sales site
Faulkner, Robert & Davidson, Jane W. (2006) Men in chorus:
collaboration and competition in homo-social vocal behaviour in Psychology of Music 34(2) 219-237
Abstract
Faulkner, Robert & Davidson, Jane W. (2005) Men's vocal behaviour
and the construction of self in Musicae
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Abstract
Fay, Warren H. & Colleman, Ralph O. (1977) A human sound
transducer/reproducer: Temporal capabilities of a profoundly echolalic child in
Brain and Language 4(3) 396-402
Abstract
Feld, Steven (2003) A Rainforest Acoustemology in The Auditory Culture
Reader (eds M. Bull & L. Black) Berg Publishers
Publisher's book description
Feld, Steven (2000) A Sweet Lullaby for World Music in Public Culture
12(1) 145-171
Abstract
Feld, Steven (1996) Pygmy POP. A genealogy of schizophonic mimesis in
the Yearbook for Traditional Music 28 1-35
Abstract available thru JSTOR. Citation only. Table of contents can be viewed on the
International Council for Traditional Music (ICTM)
site.
Feld, Steven (1994) Aesthetics as iconicity of style (uptown title); or,
(downtown title) "Lift-up-over Sounding": Getting into the Kaluli
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of Chicago Press 109-150
Publisher's book description
Feld, Steven (1982, 1990) Sound and Sentiment: Birds, Weeping, Poetics
and Song in Kaluli Expression (2nd edition) University of Pennsylvania Press
Publisher's book description
Feld, Steven & Brenneis, Donald (2004) Doing anthropology in sound
in American Ethnologist 31(4) 461-474
Abstract
Feld, Steven & Fox, Aaron A. (1994) Music and language in the Annual
Review of Anthropology 23 25-53
First page
Feld, Steven, Fox, Aaron A., Porcello, Thomas & Samuels, David
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in A Companion to Linguistic Anthropology (ed A. Duranti) Blackwell
Publisher's book description
Fernald, Anne (1992) Human maternal vocalizations to infants as
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(eds J. Barkow, L. Cosmides & J. Tooby) Oxford University Press 391-428
Publisher's book description
Fernald, Anne (1992) Meaningful melodies in mothers' speech in Nonverbal
Vocal Communication: Comparative and Developmental Approaches (eds Papousek,
Jurgens & Papousek) Cambridge University Press
Publisher's book description
Fernald, Anne (1991) Prosody in speech to children: prelinguistic and
linguistic functions in Annals of Child Development Vol 8 (ed R. Vasta) Jessica
Kingsley 43-80
Website of the Center for Infant
Studies at Stanford University where AF is Director; Vol 8 of the ACD is out of
print. National Library of Australia details
Fernald, Anne (1989) Intonation and communicative intent in mothers'
speech to infants: is the melody the message? in Child Development 60 1497-510
Publisher's
site; no abstract available.
Fernald, Anne & Mazzie, Claudia (3/1991) Prosody and focus in speech
to infants and adults in Developmental Psychology 27
Abstract
Fink, Robert (2004) On Music Origins: THE NATURAL FORCE BRINGING THE
"DO, RE, MI, SCALE" INTO EXISTENCE in the Origin of Music
Personal
site
Fink, Robert (3/2003) Essays & Readings: On the Origin of Music an
Integrated Overview of the Origin and Evolution of Music Greenwich-Meridian
Full
text
Fink, Robert (1/1974) Continuum: The Evolution of Matter into Humankind
a Case for the Arts, Ecology and Revolution Greenwich-Meridian
Full
text
Fisher, Steven M. (2006) Why We Need Choral Music - Ubuntu: The African
tradition of ubuntu teaches us what we may be missing in The Voice of Chorus
America Winter 2006-0730(2)
Full text
Fishman, Yonatan I., Volkov, Igor O., Noh, M. Daniel, Garell, P. Charles,
Bakken, Hans, Arezzo, Joseph C., Howard, Matthew A. & Steinschneider,
Mitchell (2001) Consonance and dissonance of musical chords: neural
correlates in auditory cortex of monkeys and humans in the Journal of
Neurophysiology 86(1) 2761-2788
Abstract
Fiske, E. B. (ed) (1999) Champions of Change: The Impact of the Arts on
Learning Arts Education Partnership
Summaries and access to full text.
Chapters: Burton, Horowitz
& Abeles, Caterall,
Chapleau & Iwanga
Fitch, W. Tecumseh (2007 in press) Functional Evolution of the Vocal
Production System in The MIT Encyclopedia of Communication Sciences and
Disorders (ed R. D. Kent) MIT Press
Publisher's book description
Fitch, W. Tecumseh (2007) Evolution of Language: A Comparative
Perspective in Oxford Handbook of Psycholinguistics (ed G. Gaskell) OUP
Publisher's book description
Fitch, W. Tecumseh (2007) Evolving Meaning: The Roles of Kin Selection,
Allomothering and Paternal Care in Language Evolution in Emergence of
Communication and Language (eds C. Lyon, C. Nehaniv, & A. Cangelosi)
Springer
Publisher's book description
Fitch, W. Tecumseh (2007) Nano-Intentionality: A Defense of Intrinsic
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Full text
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Response inspired by papers from McDermott
& Hauser & Justus & Hutsler. See also,
responses by Cross,
Dean & Bailes,
Livingstone & Thompson,
Merker, Patel & Trainor.
These were in turn responset to by McDermott & Hauser.Full text
Fitch, W. Tecumseh (2006) Production of vocalizations in mammals in
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115-121
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Fitch, W. Tecumseh (2005) Computation and Cognition: Four distinctions
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Cornerstones (ed A. Cutler) Lawrence Erlbaum
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Fitch, W. Tecumseh (17/11/2005) Dancing to Darwin's tune; a review of The Singing Neanderthals
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Full text
Fitch, W. Tecumseh (2005) The evolution of language: A comparative
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Fitch, W. Tecumseh (12/2005) The Evolution of Music in Comparative
Perspective in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to Performance
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Fitch, W. Tecumseh (2005) Protomusic and protolanguage as alternatives
to protosign in Behavioral and Brain Sciences 28(2) 132-133
Abstract
Fitch, W. Tecumseh (2004) The evolution of language in The cognitive
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Fitch, W. Tecumseh (2004) Evolving Honest Communication Systems: Kin
Selection and 'Mother Tongues' in Evolution of Communication Systems: A
Comparative Approach (eds D. K. Oller & U. Griebel) MIT Press
Full text
Fitch, W. Tecumseh (2004) The search for meaning: Review of Barbara
King's The Dynamic Dance: Nonvocal Communication in African Great Apes Harvard
UP 2004 in Nature 432 804-805
Full text
Fitch, W. Tecumseh (2002) Comparative Vocal Production and the Evolution
of Speech: Reinterpreting the Descent of the Larynx in The Transition to
Language (ed A. Wray) Oxford University Press
Full text
Fitch, W. Tecumseh (2002) The evolution of language comes of age in
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Full text
Fitch, W. Tecumseh (2002) The Evolution of Spoken Language: A
Comparative Approach in International Conference on Spoken Language Processing
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Abstract
Fitch, W. Tecumseh (2002) Primate Vocal Production and its Implications
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Ghazanfar) CRC Press
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Fitch, W. Tecumseh (2000) The evolution of speech: A comparative review in
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Full text
Fitch, W. Tecumseh (2000) Evolution of speech: Reply to Skoyles in
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Full text
Fitch, W. Tecumseh (2000) The phonetic potential of nonhuman vocal
tracts: Comparative cineradiographic observations of vocalizing animals in
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Full text. This is a 4MB file (it is
scanned).
Fitch, W. Tecumseh (2000) Skull dimensions in relation to body size in nonhuman
mammals: The causal bases for acoustic allometry in Zoology 103 40-58
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Fitch, W. Tecumseh (1997) Vocal tract length and formant frequency
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Fitch, W. Tecumseh (1994) Vocal tract length perception and the
evolution of language UMI Dissertation Services
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Fitch, W. Tecumseh & Fritz, J. B. (2006) Rhesus macaques
spontaneously perceive formants in conspecific vocalizations in the Journal of the Acoustical
Society of America 120 2132-2141
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the human vocal tract: A study using MRI in the Journal of the Acoustical Society of America
106 1511-1522
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377-380
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Fitch, W. Tecumseh & Hauser, Marc D. (2002) Unpacking 'Honesty':
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Fitch, W. Tecumseh, Hauser, Marc D. & Chomsky, Noam (2005) The
Evolution of the Language Faculty: Clarifications and Implications in Cognition
97(2)
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resonances by whooping cranes, Grus Americana in Ethology 106(6) 559-574
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Fitch, W. Tecumseh, Neubauer, J., & Herzel, H. (2002) Calls out of
chaos: The adaptive significance of nonlinear phenomena in mammalian vocal
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uniquely human in Proceedings of the Royal Society B 268(1477) 1669-1675
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Fitch, W. Tecumseh & Rosenfeld, Andrew J. (2007) Perception and
Production of Syncopated Rhythms in Music Perception 25(1) 43Ð58
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abilities presented at 'Music,
Language and Human Evolution', European Science Foundation
Exploratory Workshop
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perspective Blackwell
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Foxton, Jessica M., Dean, Jennifer L., Gee, Rosemary, Peretz, Isabelle &
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Studies 4(67-71)
Full text
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Friberg, Anders & Sundberg, Johan (1999) Does music performance
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Fujioka, Takako, Ross, Bernhard, Kakigi, Ryusuke, Pantev, Christo &
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Full text; see general article: 'First evidence
...'
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Gagnon, Lise & Peretz, Isabelle (2003) Mode and tempo relative
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Gardiner, Martin F. (2005) Capacities for Civil Society: Music and
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List of conference papers
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509-514
Publisher's book description
Gardiner, Martin F. (1998) Study of Arts, Music May Enhance Young
Pupils' Math and Reading Skills Brown University
Unable to find a web source. Author's site
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Citation
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Gardner, Howard (25/5/2005) Multiple Lenses on The Mind presented at the
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Full text
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Full text
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Publisher's book description
Gardner, Howard (1983) Frames of Mind: The Theory of Multiple
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Publisher's book description
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Gaser, Christian & Schlaug, Gottfried (2003) Brain Structures Differ
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Abstract
Gaser, Christian & Schlaug, Gottfried (2003) Gray Matter Differences
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Geissmann, Thomas (2000) Duet songs of the siamang, Hylobates
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Ghazanfar, Asif A., Flombaum, Jonathan I., Miller, Cory T. & Hauser,
Marc D. (2001) The units of perception in the antiphonal calling behavior
of cotton-top tamarins (Saginus oedipus): Playback experiments with long calls
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Gilbert, Shirli (6/2007) Singing Against Apartheid: ANC Cultural Groups
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Abstract
Ginsborg, Jane (2004) Singing by heart: memorisation strategies for the
words and music of songs in The Music Practitioner: Exploring Practices and
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Ginsborg, Jane (2004) Strategies for memorising music in Enhancing
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Publisher's book description
Ginsborg, Jane & Sloboda, John A. (2007) Singers' recall for the
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Giordano, Bruno & Bresin, Roberto (8/2006) Walking and playing:
What's the origin of emotional expressiveness in music? presented at the Proceedings of ICMPC9
(eds M. Baroni, A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna
Abstract
Glausiusz, Josie (8/2001) The Genetic Mystery of Music: Does a mother's
lullaby give an infant a better chance for survival? in Discover Magazine 22(8)
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Gold, C., Wigram, Tony & Elefant, C. (2006) Music therapy for
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Goldhahn, Joakim (2002) Roaring rocks: An audio-visual perspective on
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Goldstein, Avram (1980) Thrills in response to music and other stimuli
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Gomart, Emilie & Hennion, Antoine (1999) A sociology of attachment:
music amateurs, drug users in Actor Network Theory and After (J. Law & J.
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Gomez, Patrick & Danuser, Brigitta (2007) Relationships between
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377-387
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Gonet, Sarah (29/4/2008) Music is vital part of child development in
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Gordon, Edwin E. (2003) Improvisation in the Music Classroom: Sequential
Learning GIA Publications
Publisher's book description
Gordon, Edwin E. (1987) The nature, description, measurement, and
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Gordon, Edwin E. (1986) Primary Measures of Music Audiation and the
Intermediate Measures of Music Audiation: Music aptitude tests for kindergarten
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Gorges, Susanne, Alpers, Georg W. & Pauli, Paul (2007) Musical
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Gotell, Eva, Brown, Steven & Ekman, Sirkka-Liisa (2008 in press) The
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Gotell, Eva, Brown, Steven & Ekman, Sirkka-Liisa (2003) The
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Abstract
Gotell, Eva, Brown, Steven & Ekman, Sirkka-Liisa (2002) Caregiver
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Gotell, Eva, Brown, Steven & Ekman, Sirkka-Liisa (2000)
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Summary
Grewe, Oliver, Nagel, Frederik, Kopiez, Reinhard & Altenmuller, Eckart
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Grewe, Oliver, Nagel, Frederik, Kopiez, Reinhard & Altenmuller, Eckart
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(2005) How Does Music Arouse 'Chills'? Investigating Strong Emotions, Combining
Psychological, Physiological, and Psychoacoustical Methods in Annals of the New
York Academy of Sciences: The
Neurosciences and Music II: From Perception to Performance
(eds Avanzini, Koelsch, Lopez & Majno) 1060 446-449
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Griffiths, Timothy D., Johnsrude, Ingrid, Dean, Jennifer L. & Green, G.
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duration pattern in segmented sound? in NeuroReport 10(18) 3825-3830
Abstract
Grinde, Bjorn (2000) A Biological Perspective on Musical Appreciation in
the Nordic Journal of Music
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Full text
Grocke, Denise, Bloch, Sidney & Castle, David (2007) Music therapy
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Report on a research project
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Relationships in Children's Aural Perception and Symbol Use in the Journal of Research in Music
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Citation only; no abstract
Gromko, Joyce E. & Poorman, A. S. (1998) The effect of music
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Citation only; no abstract
Gromko, Joyce E. & Walters, Karen (1999) The development of musical
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12(1) 24-29
Abstract
Grossmann, Tobias, Striano, T., & Friederici, Angela D. (2005)
Infants electric brain responses to emotional prosody in Neuroreport 16
1825-1828
Full text
Gruhn, Wilfried (2008) The relevance of audio-vocal acoustic feedback
during music and language acquisition in Music That Works (eds Haas &
Brandes)
Gruhn, Wilfried, Galley, Niels & Kluth, Christine (2003) Do Mental
Speed and Musical Abilities Interact? in Annals of the New York Academy of
Sciences: The Neurosciences
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Gunji, Atsuko, Ishii, Ryouhei, Chau, Wilkin, Kakigi, Ryusuke, & Pantev,
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Neuroimage 34(1) 426-34
Abstract
Gunter, Thomas C., Friederici, Angela D. & Schriefers, Herbert
(2000) Syntactic gender and semantic expectancy: ERPs reveal early autonomy and
late interaction in the Journal of Cognitive Neuroscience 12(4) 556-568
Abstract
Gupta, Uma & Gupta, B. S. (2005) Psychophysiological responsivity to
Indian instrumental music in Psychology
of Music 33(4) 363-372
Abstract
Gussenhoven, Carlos (2002) Intonation and interpretation: phonetics and
phonology in the Proceedings of Speech Prosody 2002 Conference (eds B. Bel
& I. Marlien) Laboratoire Parole et Langage
Full text
Haack, Paul A. (2005) The Uses and Functions of Music as a Curricular
Foundation for Music Education in Sounds
of Learning
Full text
Haas, Roland & Brandes, Vera (eds) (6/2008) Music that works:
Biology, Neurophysiology, Psychology, Sociology, Medicine and Musicology
Springer
Collection of essays arising from the 2006 Mozart and Science Congress.
Table of contents; Chapters: Baier & Hermann,
Georgi, Gruhn, Huther, Koelsch, Lemmer, Menzen, Parncutt, Roederer, Trevarthen, Verres
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(2006) Mental health and arts participation: the state of the art in England in
the Journal of the Royal
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Hain, Timothy C., Burnett, Theresa A. & Kiran, Swathi, Larson, Charles
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Hannon, Erin E. & Trehub, Sandra E. (6/2004) Metrical Categories in
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(8/2006) Musical communication in a social world presented at the Proceedings of ICMPC9
(eds M. Baroni, A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna
Abstract
Hargreaves, David J., MacDonald, Raymond A. R. & Miell, Dorothy E.
(2005) How do People Communicate Using Music in Musical Communication (eds Miell,
MacDonald & Hargreaves)
Hargreaves, David J., Marshall, N. A. & North, Adrian C. (2003)
Music education in the 21st century: a psychological perspective in the British Journal of Music
Education 20(2) 147-163
Abstract
Hargreaves, David J. & Marshall, Nigel A. (2003) Developing
identities in music education in Music
Education Research 5(3) 263-273
Abstract
Hargreaves, David J., Miell, Dorothy E. & MacDonald, Raymond A. R.
(2002) What are musical identities and why are they important? in Musical Identities
(eds MacDonald, Hargreaves & Miell)
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development and learning: the international perspective (eds
Hargreaves & North) Continuum
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Hargreaves, David J. & North, Adrian C. (2000-2001) Effects of
stimulus transformation mode on 'music conservation' responses in
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Abstract
Hargreaves, David J. & North, Adrian C. (1997) The social psychology
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psychology of music (eds Hargreaves & North) Oxford
University Press
Hargreaves, David J. & North, Adrian C. (eds) (1997) The social
psychology of music Oxford University Press
Publisher's book description
Hargreaves, David J., North, Adrian C. & Tarrant, Mark (2006)
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musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Hargreaves, David J., Purves, Ross M., Welch, Graham F. & Marshall,
Nigel A. (2007) Developing identities and attitudes in musicians and
classroom music teachers in the British Journal of Educational Psychology 77(3)
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Proceedings of the Phenomenon of Singing Symposium V at the Festival 500 Sharing the Voices
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Abstract
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1998.
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Full text
Harvey, Alan R. (8/7/2006) History of language and music in humans on
The Science Show, ABC Radio National
Transcript
Harvey, Alan R. (11/5/2006) In Conversation with Robin Williams on ABC
Radio National
Interview transcript
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Nu Hou (Hawaiian Music Educators Association Bulletin)
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Hasegawa H., Uozumi T. & Ono, K. (5/2004) Psychological and
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Igaku Zasshi 79(3) 225-35
Article in JapaneseAbstract
Haueisen, Jens & Knosche, Thomas R. (2001) Involuntary motor
activity in pianists evoked by music perception in the Journal of Cognitive
Neuroscience 13(6) 786-92
Abstract
Hauser, Marc D. (1999) The Sound and the Fury: Primate Vocalizations as
Reflections of Emotion and Thought in The Origins of Music (eds Wallin,
Merker & Brown)
Hauser, Marc D. (1997) The Evolution of Communication MIT Press
Publisher's book description
Hauser, Marc D., Chomsky, Noam & Fitch, W. Tecumseh (2002) The
faculty of language; what is it, who has it and how did it evolve? in Science
298
Full text
Hauser, Marc D. & Fitch, W. Tecumseh (2003) What are the uniquely
human components of the language faculty? in Language Evolution (eds M. H.
Christiansen & S. Kirby) OUP
Full text
Hauser, Marc D. & McDermott, Josh (2003) The evolution of the music
faculty: a comparative perspective in Nature Neuroscience: Focus on Music and
the Brain (intro Spiro)
6(7) 663-668
Full text
Hays, Terrence & Minichiello, Victor (2005) The meaning of music in
the lives of older people: a qualitative study in Psychology of Music 33(4) 437-451
Abstract
He, Chao, Hotson, Lisa & Trainor, Laurel J. (2007) Mismatch
Responses to Pitch Changes in Early Infancy in the Journal of Cognitive
Neuroscience 19 878-892
Full text
Hebert, Sylvie & Cuddy, Lola L. (2006) Music-reading deficiencies
and the brain in Advances in Cognitive Psychology 2(2-3) 199-206
Abstract
Hedden, Steven K. (1982) Prediction of music achievement in the
elementary school in the Journal
of Research in Music Education 30(1) 61-68
Citation only; no abstract
Hein, Ethan (2007) Language probably evolved from music
Full text
Helmbold, Nadine, Rammsayer, Thomas & Altenmuller, Eckart (2005)
Differences in primary mental abilities between musicians and nonmusicians in
the Journal of Indidual Differences 26(2) 74-85
Abstract
Henderson, Shannon D. & Hodges, Stan H. (1/2007) Music, Song, and
the Creation of Community and Community Spirit by a Gay Subculture in
Sociological Spectrum 27(1) 57-8
Abstract
Henshilwood, Christopher S., D'Errico, Francesco, Yates, Royden, Jacobs,
Zenobia, Tribolo, Chantal, Duller, Geoff A. T, Mercier., Norbert, Sealy, Judith
C., Valladas, Helene, Watts, Ian & Wintle, Ann G. (2002) Emergence of
modern human behaviour: Middle Stone Age engravings from South Africa in
Science 295(5558) 1278-1280
Abstract
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modern human behavior: critique of the models and their test implications in
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Abstract
Henthorn, Trevor & Deutsch, Diana (2007) Ethnicity Versus Early
Environment: Comment on 'Early childhood music education and predisposition to
absolute pitch: Teasing apart genes and environment' by Peter K. Gregersen,
Elena Kowalsky, Nina Kohn, and Elizabeth West Marvin (2000) in the American
Journal of Medical Genetics 143A 102-103
Full
text
Hetland, Lois (2000) Learning to make music enhances spatial reasoning
in the Journal of Aesthetic Education; special issue: The Arts and Academic
Achievement: What The Evidence Shows 34(3-4) 179-238
Table of contents
Hetland, Lois (2000) Listening to music enhances spatial-temporal reasoning:
Evidence for the 'Mozart Effect' in the Journal of Aesthetic Education; special
issue: The Arts and Academic Achievement: What The Evidence Shows 34(3-4)
105-148
Table of contents
Hetland, Lois & Winner, Ellen (2004) Cognitive Transfer from Arts
Education to Non-arts Outcomes: Research Evidence and Policy Implications in
Handbook on Research and Policy in Art Education (eds E. Eisner & M. Day)
National Art Education Association
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Hickok, Gregory, Buchsbaum, Bradley, Humphries, Colin & Muftuler, Tugan
(2003) Auditory - Motor Interaction Revealed by fMRI: Speech, Music, and
Working Memory in Area Spt in the Journal of Cognitive Neuroscience 15(5)
673-682
Full text
Hillman, Sue (2002) Participatory singing for older people: a perception
of benefit in Health Education 102(4) 163-171
Abstract
Himberg, Tommi (2008, forthcoming) Cognitive Foundations of Interaction
in Musical Time Cambridge University Press
No web source found.
Himberg, Tommi (2006) Co-operative Tapping and Collective Time-keeping -
differences of timing accuracy in duet performance with human or computer
partner in Proceedings of
ICMPC9 (eds M. Baroni, A. R. Addessi, R. Caterina & M.
Costa), 'Music in the Mind -
The Mind in Music' conference, Bologna 377
580Abstract
Himberg, Tommi & Cross, Ian (2004) Interaction in Musical Time in
Proceedings of ICMPC8
Evanston, Illinois (eds Lipscomb, Ashley, Gjerdingen & Webster) Causal
Productions 90
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abstracts.
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Hancox & Bailey
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into the temporal dimension of the Mozart effect: Evidence from the attentional
blink task in Acta Psychologica 125(1) 117-128
Abstract
Ho, Yim-Chi, Cheung, Mei-Chun & Chan, Agnes S. (2003) Music Training
Improves Verbal but Not Visual Memory: Cross-Sectional and Longitudinal
Explorations in Children in Neuropsychology 17(3)
Full text
Hodges, Donald A. (2006) The musical brain in The Child as Musician: A handbook of
musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Hodges, Donald A. (2005) The Sounds of Learning Project in Sounds of Learning
Full text
Hodges, Donald A. & O'Connell, Debra S. (2005) The impact of music
education on academic achievement in Sounds of Learning
Full text
Hoffman, Susan (2006) Music Together as a Research-based Program from
Music Together
Introduction to the work of Guilmartin
and Levinowitz at Music Together, an early childhood music program.Holmes,
Clive, Knights, Andrew, Dean Christine, Hodkinson, Sarah & Hopkins,
Vivienne (2006 in press) Keep music live: music and the alleviation of apathy
in dementia subjects in International Psychogeriatrics
Abstract
Holy, Timothy E. & Guo, Zhongsheng (2005) Ultrasonic songs of male
mice in PLoS Biology 3(12) 110
Abstract
Horden, Peregrine (ed) (2000) Music and Medicine: The History of Music
Therapy since Antiquity Ashgate
Publisher's book description
Hough, Allan Voice and the Alexander Technique in Direction 1(3)
Journal site with issue's table of contents
House, Jill (2006) Constructing a context with intonation in the Journal
of Pragmatics 38(10) 1542-1558
Abstract
Houston, David & Haddock, Geoffrey (2007) On auditing auditory
information: the influence of mood on memory for music in Psychology of Music 35(2) 201-212
Abstract
Howard, Alisha A. (1997) The Effects of Music and Poetry Therapy on the
Treatment of Women and Adolescents with Chemical Addictions in the Journal of
Poetry Therapy 11(2) 81-102
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singing pitching strategies of 8 to 11 year olds and trained adult singers in
Logopedics Phoniatrics Vocology 22(4) 169-176
Full text
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Talents: Reality Or Myth? in Behavioral and Brain Sciences 21(3) 399-407
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Hunt, Meagan (2005) Action Research and Music Therapy: Group Music
Therapy with Young Refugees in a School Community in Voices: A World Forum for Music Therapy
Full text
Hunter, Patrick G., Schellenberg, E. Glenn & Schimmack, Ulrich (2008
in press) Mixed affective responses to music with conflicting cues in Cognition
and Emotion 22
Full text
Huron, David (2008) Science
& Music: Lost in the music in Nature 453(7194) 456-457
Third in a ninefold set of essays from various writers. Abstract
Huron, David (2006) Sweet Anticipation: Music and the Psychology of
Expectation MIT Press
Publisher's book descriptionReview: Aiello
Huron, David (2003) Is music an evolutionary adaptation? in The Cognitive Neuroscience of
Music (eds Peretz & Zatorre)
Full text
Huron, David (2001) Tone and voice: A derivation of the rules of
voice-leading from perceptual principles in Music Perception 19(1) 1-64
Abstract
Huron, David (9-12/1999) Music and Mind: Foundations of Cognitive
Musicology The 1999 Ernest Bloch Lectures
Full text
Huron, David, Kinney, Daryl & Precoda, Kristin (2006) Influence of
pitch height on the perception of submissiveness and threat in musical passages
in the Empirical Musicology
Review 1(3) 170-177
Full text
Husain, Gabriela, Thompson, William Forde & Schellenberg, E. Glenn
(2002) Effects of musical tempo and mode on arousal, mood, and spatial
abilities: re-examination of the 'Mozart Effect' in Music Perception 20(20) 151-171
Full text
Husler, Frederick & Rodd-Marling, Yvonne (1976) Singing: The
Physical Nature of the Vocal Organ Hutchinson
Book description. Text much used by
Alexander Technique practitioners
Hutchinson, Susan L. & Wexler, Blair (2007) Is 'Raging' Good for
Health?: Older Women's Participation in the Raging Grannies in Health Care for
Women International 28(1) 88-118
Abstract
Huther, Gerald (2008) The relevance of musical experience in the
development and stabilization of complex neuronal behavior patterns in the
human brain: Implications of the salutogenesis effects of music therapy
intervention in Music That
Works (eds Haas & Brandes)
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Abstract
Hyde, Krista L., Lerch, Jason P., Zatorre, Robert J., Griffiths, Timothy D.,
Evans, Alan C. & Peretz, Isabelle (2007) Cortical thickness in
congenital amusia: When less is better than more in the Journal of Neuroscience
27(47) 13028-13032
Abstract
Hyde, Krista L. & Peretz, Isabelle (2004) Brains that are out of
tune but in time in Psychological Science 15(5) 356-360
Abstract
Hyde, Krista L. Zatorre, Robert J., Griffith, Timothy D., Lerch, Jason P.
& Peretz, Isabelle (2006) Morphometry of the amusic brain: a two-site
study in Brain 129(10) 2562-2570
Full text
Iacoboni, Marco, Woods, Roger P., Brass, Marcel, Bekkering, Harold,
Mazziotta, John C. & Rizzolatti, Giacomo (1999) Cortical mechanisms of
human imitation in Science 286(5449) 2526-2528
Abstract
Ilie, Gabriela & Thompson, William Forde (2006) A comparison of
acoustic cues in music and speech for three dimensions of affect in Music Perception
23(4) 319-329
Full text
Ilie, Gabriela & Thompson, William Forde (8/2006) A comparison of
the effects of music and speech prosody on three dimensions of affective
experience presented at the Proceedings
of ICMPC9 (eds M. Baroni, A. R. Addessi, R. Caterina &
M. Costa), 'Music in the Mind -
The Mind in Music' conference, Bologna
Full text
Imberty, Michel (1999) The Question of Innate Competencies in Musical
Communication in The Origins
of Music (eds Wallin, Merker & Brown)
Ireland, Dulcie (20/2/2006) No Such Thing as the Mozart Effect
General article on Youth Music /
Northumbria University research
Iversen, John R., Patel, Aniruddh D. & Ohgushi, Kengo (2006) How the
Mother Tongue Influences the Musical Ear presented at the 4th ASA/ASJ Joint
Meeting, Honolulu, Hawaii
Full text
Ivry, Richard B. & Richardson, Thomas C. (2000) Temporal Control and
Coordination: The Multiple Timer Model in Brain and Cognition; special issue on
Timing
48(1) 117-132
Full text
Iyer, Vijay (2002) Embodied mind, situated cognition, and expressive
microtiming in African-American music in Music Perception 19(3) 387-414
Abstract
Jackendoff, Ray (2006 in progress) Language, culture, consciousness:
Essays on mental structure MIT Press
Excerpts and Publisher's book description
Jackendoff, Ray (2002) Foundations of Language; Brain, Meaning, Grammar,
Evolution Oxford University Press
Publisher's book description
Jackendoff, Ray (1992) Languages of the Mind: Essays on Mental
Representation MIT Press
Publisher's book description
Jackendoff, Ray (1987) Consciousness and the Computational Mind MIT Press
Publisher's book description
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(ed I. Peretz) 100(1) 33-72
Full text
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cognition: A critique in Trends in Cognitive Sciences 9(1) 21-25
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Janata, Petr (2001) Neurophysiological mechanisms underlying auditory
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Publisher's book description
Janata, Petr & Grafton, Scott T. (2003) Swinging in the brain:
shared neural substrates for behaviors related to sequencing and music in
Nature Neuroscience: Focus on Music and the Brain (intro Spiro) 6(7) 682-687
Abstract
Janata, Petr, Tillmann, Barbara & Bharucha, Jamshed J. (2002)
Listening to polyphonic music recruits domain-general attention and working
memory circuits in Cognitive, Affective and Behavioral Neuroscience 2(2)
121-140
Abstract
Janata, Petr, Tomic, Stefan T. & Rakowski, Sonja K. (2007)
Characterization of music-evoked autobiographical memories in Memory 15(8)
845-860
Abstract
Janik, V. M. & Slater, P. B. (1997) Vocal learning in mammals in
Advances in the Study of Behavior Academic Press 26 59-99
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Janik, Vincent M. & Slater, Peter J. B. (2000) The different roles of
social learning in vocal communication in Animal Behaviour 60(1) 1-11
Abstract
Jarvis, Erich (2004) Learned birdsong and the neurobiology of human
language in the Annals of the New York Academy of Sciences: Behavioral
Neurobiology of Birdsong 1016 749-777
Abstract
Jarvis, Erich D. (2004) Learned birdsong and the neurobiology of human
language in Annals of the New York Academy of Sciences: Behavioral Neurobiology
of Birdsong 1016 749-777
Full text
Jarvis, Erich D. & Nottebohm, Fernando (4/1997) Motor-driven gene
expression (birdsong / vocalizations / perception / immediate early genes/
ZENK) in Proceedings of the National Academy of Sciences 94 4097-4102
Full text
Jellison, Judith A. (2006) Including everyone in The Child as Musician: A handbook of
musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Jentschke, Sebastian, Koelsch, Stefan & Friederici, Angela D. (2005)
Investigating the Relationship of Music and Language in Children: Influences of
Musical Training and Language Impairment in Annals of the New York Academy of
Sciences: The Neurosciences
and Music II: From Perception to Performance (eds Avanzini,
Koelsch, Lopez & Majno) 1060 231-242
Full text
Jentschke, Sebastian, Koelsch, Stefan, Sallat, Stephan & Friederici,
Angela D. (2008(?)) Children with Specific Language Impairment also show
impairment of music-syntactic processing in the Journal of Cognitive
Neuroscience (accepted but not yet published)
Full text
Jeong, Seonghee & Kim, Miyong T. (8/2007) Effects of a theory-driven
music and movement program for stroke survivors in a community setting in
Applied Nursing Research 20(3) 125-131
Abstract
Jeppe, Zelide (2006) Dance/movement and music in improvisational
concert: A model for psychotherapy in The Arts in Psychotherapy 33(5)
371-382
Abstract
Jerison, H. (1999) Paleoneurology and the biology of music in The Origins of Music
(eds Wallin, Merker & Brown)
Joffe, Tracey H. (1997) Social pressures have selected for an extended
juvenile period in primates in the Journal of Human Evolution 32(6) 593-605
Abstract
Johnson, P. R. (1977) Dichotically-stimulated ear differences in
musicians and non-musicians in Cortex 13
Publisher's
site; on-line archives begin with 1997 issues. (Cited in Mithen's The Singing Neanderthals)
Johnson, Steven (2004) Mind Wide Open: Your Brain and the Neuroscience
of Everyday Life Scribner
Publisher's book description
Jones, Carolyn, Baker, Felicity & Day, T. (2004) From healing
rituals to music therapy: bridging the cultural divide between therapist and
young sudanese refugees in The
Arts in Psychotherapy 31(2) 89-100
Abstract
Jones, Mari R. (1976) Time, our lost dimension: towards a new theory of
perception, attention and memory in Psychological Review 83(5) 323-355
Abstract
Jones, Mari R. & Boltz, Marilyn G. (1989) Dynamic attending and
responses to time in Psychological Review 96(3)
Abstract
Jordania, Joseph (2006) Who Asked the First Question?: The Origins of
Human Choral Singing, Intelligence, Language and Speech Logos
Full text
Jourdain, Robert (1997) Music, the Brain, and Ecstasy: How Music
Captures our Imagination William Morrow
Publisher's book description. Review: Zatorre
Judd, T. (1988) The varieties of musical talent in The Exceptional
Brain: Neuropsychology of Talent and Special Abilities (eds L. K. Obler &
D. Fein) (pp. 127-155) Guilford Press
Publisher's book description
Jurgens, Uwe (1992) On the neurobiology of vocal communication in
Nonverbal vocal communication: Comparative and developmental approaches (eds
H.Papousek & U.Jurgens) Cambridge University Press 31-42
Publisher's book description
Jusczyk, Peter W. & Krumhansl, Carol L. (1993) Pitch and rhythmic
patterns affecting infants' sensitivity to musical phrase structure in the
Journal of Experimental Psychology: Human Perception and Performance 19(3)
627-640
Abstract
Juslin, Patrik N. (2008 in press) Emotion and Music in The Oxford Companion to the Affective Sciences
(eds Scherer & Sander) OUP
No web source yet
Juslin, Patrik N. (2008 in press) Emotional responses to music in The Oxford Handbook of Music
Psychology (eds Hallam, Cross & Thaut) OUP
Juslin, Patrik N. (2005) From mimesis to catharsis: expression,
perception and induction of emotion in music in Musical Communication (eds Miell,
MacDonald & Hargreaves)
Juslin, Patrik N. (2001) Communicating emotion in music performance: a
review and a theoretical performer in Music and Emotion: Theory and Research
(eds Juslin & Sloboda) 249-274
Juslin, Patrik N. (1997) Emotional communication in music performance: A
functionalist perspective and some data in Music Perception 14 383-418
No abstracts before 2001. Cannot find a web source.
Juslin, Patrik N. & Laukka, Petri (2004) Expression, Perception, and
Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday
Listening in the Journal of
New Music Research 33(3) 217-238
Abstract
Juslin, Patrik N. & Laukka, Petri (2003) Communication of emotions
in vocal expression and music performance: Different channels, same code? in
Psychological Bulletin 129(5) 770-814
Abstract
Juslin, Patrik N. & Laukka, Petri (2003) Emotional Expression in
Speech and Music: Evidence of Cross-Modal Similarities in the Annals of the New
York Academy of Sciences: Emotions Inside Out: 130 Years after Darwin's The
expression of the Emotions in Man & Animals (eds Campos, Davidson & de
Waal) 1000 279-282
Citation only
Juslin, Patrik N., Liljestrom, Simon, Laukka, Petri, Vastfjall, Daniel &
Lundqvist, Lars-Olov (8/2006) A survey study of emotional reactions to
music in everyday life presented at the Proceedings of ICMPC9 (eds M. Baroni,
A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna
Abstract
Juslin, Patrik N. & Sloboda, John A. (eds) (2008 in press) Handbook
of Music and Emotion: Theory, Research, Applications Oxford University Press
No web source yet
Juslin, Patrik N. & Sloboda, John A. (eds) (2001) Music and Emotion:
Theory and Research Oxford University Press
Publisher's book description. Chapters:
Becker, Bunt & Pavlicevic,
Cohen, Cook & Dibben,
DeNora, Gabrielsson, Gabrielsson & Lindstrom,
Juslin, Meyer, Peretz, Persson, Scherer & Zentner,
Sloboda & Juslin,
Sloboda & O'Neill,
Steptoe
Juslin, Patrik N. & Vastfjall, D. (2008 in press) Emotional
responses to music: The need to consider underlying mechanisms in Behavioral
and Brain Sciences
No web source yetPublisher's site; no web source yet.
Justus, Timothy & Hutsler, Jeffrey J. (9/2005) Fundamental Issues in
the Evolutionary Psychology of Music: Assessing Innateness and Domain
Specificity in Music
Perception 23(1) 1-27
Abstract; see commentary by Cross, Dean & Bailes,
Fitch, Livingstone & Thompson,
Merker, Patel & Trainor to
which McD&H
later responsed.
Kaczmarek, Katie 'We are the music makers, We are the dreamers of
dreams' (Arthur O'Shaughnessy)
Accessible student essay on music and
evolutionary theory.
Kalakoski, K. (2001) Musical imagery and working memory in Musical
Imagery (eds R. I. Godoy & H. Jorgensen) Routledge 43-56
Publisher's book description
Kalmus, H. & Fry, D. B. (1980) On tune deafness (dysmelodia):
Frequency, development, genetics and musical background in the Annals of Human
Genetics 43(4) 369-382
Abstract
Kanwal, Jagmeet S. & Rao, P. D. Prasada (2002) Oxytocin within
auditory nuclei: a neuromodulatory function in sensory processing? in
Neuroreport 13(17) 2193-2197
Abstract
Kaplan, Ronna S. & Steele, Anita Louise (2005) An Analysis of Music
Therapy Program Goals and Outcomes for Clients with Diagnoses on the Autism
Spectrum in the Journal of
Music Therapy 42(1) 2-19
Abstract
Karmiloff-Smith, Annette (1992) Beyond modularity: A Developmental
Perspective on Cognitive Science MIT Press
Publisher's book description
Karpf, Anne (2006) The Human Voice: The Story of a Remarkable Talent
Bloomsbury
Publisher's book description
Katok, Danya (2007) Learning to Sing: A Cultural & Educational
Perspective on her personal website
General articel; Full text
Kazez, Daniel (1985) The myth of tone deafness in the Music Educators Journal 71(8) 46-47
Abstracts direct from journal are inaccessible. ERIC has an abstract
Keil, Charles (1987) Participatory discrepancies and the power of groove
in Cultural Anthropology 2 275-283
Online abstracts start in 1997. Journal site
Keil, Charles & Campbell, Patricia (undated) Born To Groove
Website on participatory music-making
with children
Keller, Peter (2007) Hearing is moving: Relations between auditory
imagery and motor control in musicians presented at the Warsaw Workhop on Music and the Brain
Abstract
Keltner, Dacher & Ekman, Paul (2003) Introduction: Expression of
Emotion in Handbook of Affective Sciences (eds R. J. Davidson, K. R. Scherer
& H. H. Goldsmith) Oxford University Press 411-414
Out of print. National Library of Australia details.
Kendon, Adam (2004) Gesture: Visible Action as Utterance Cambridge
University Press
Publisher's book description
Kendrick, Keith (15/12/2005) Music, Art and the Brain Gresham College
Full text
Kennair, Leif Edward Ottesen (2001) Origins - Investigations into
Biological Human Musical Nature; a review of The Origins of Music (eds Wallin,
Merker & Brown) in the Nordic
Journal of Music Therapy 10(1)
Kennedy, Mary A. (2002) 'It's cool because we like to sing': Junior High
School Boys' Experience of Choral Music as an Elective in Research Studies in Music Education
18(1) 26-36
Abstract
Kennedy, Roy & Scott, Amanda (2005) A pilot study: the effects of
music therapy interventions on middle school students' ESL skills in the Journal of Music Therapy
42(4) 244-261
Abstract
Kenny, Carolyn (2006) Music and Life in the Field of Play: An Anthology
Barcelona Publishers
Publisher's book description
Kenny, Carolyn & Stige, Brynjul (eds) (2002) Contemporary voices in
music therapy: Communication, Culture and Community Unipub Forlag
Stige's introduction
Kenny, Dianna T. & Ackermann, B. (2008) Physical and mental health
issues in musicians: Physical demands and risks, occupational stress and
anxiety in public performance in The
Oxford Handbook of Music Psychology (eds Hallam, Cross &
Thaut) OUP
Kenny, Dianna T. & Faunce, Gavin (2004) The impact of group singing
on mood, coping and perceived pain in chronic pain patients attending a
multidisciplinary pain clinic in the Journal of Music Therapy 41(3)
Full text
Kerkhofs, Roel, Vonk, Wietske, Schriefers, Herbert & Chwilla, Dorothee
J. (2007) Discourse, syntax, and prosody: The brain reveals an immediate
interaction in the Journal of Cognitive Neuroscience 19(9) 1421-1434
Abstract
Kerman, Joseph (1985) Musicology Fontana
Out of print; google book entry. National Library of
Australia details.
Keysers, Christian, Kohler, Evelyne, Umilta, M. Alessandra, Nanetti, L.,
Fogassi, Leonardo & Gallese, Vittorio (2003) Audiovisual mirror neurons
and action recognition in Experimental Brain Research 153(4) 628-636
Abstract
Khalfa, Stephanie, Dalla Bella, Simone, Roy, Mathieu, Peretz, Isabelle &
Lupien, Sonia J. (2003) Effects of Relaxing Music on Salivary Cortisol
Level after Psychological Stress in Annals of the New York Academy of Sciences:
The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 374-376
Abstract
Khalfa, Stephanie, Peretz, Isabelle, Blondin, Jean-Pierre & Manon,
Robert (2002) Event-related skin conductance responses to musical emotions
in humans in Neuroscience Letters 328(2) 145-149
Abstract
Khalfa, Stephanie, Schon, Daniele, Anton, Jean-Luc & Liegeois-Chauvel,
Catherine (2005) Brain regions involved in the recognition of happiness and
sadness in music in Neuroreport 16(18) 1981-1984
Abstract
Khamsi, Roxanne (24/8/2005) Brain cells tune in to music: Neurons
respond selectively to distinct pitches in Nature
General article recording McDermott's
comments on the discovery of pitch-sensitive neurons by Bendor & Wang.
Kilgour, A. R., Jakobson, L. S. & Cuddy, Lola L. (2000) Music
training and rate of presentation as mediator of text and song recall in Memory
and Cognition 28
Abstract
Kim, Hong, Lee, Myoung-Hwa, Chang, Hyun-Kyung, Lee, Taeck-Hyun, Lee, Hee-Hyuk,
Shin, Min-Chul, Shin, Mal-Soon, Won, Ran, Shin, Hye-Sook & Kim, Chang-Ju
(2006) Influence of prenatal noise and music on the spatial memory and
neurogenesis in the hippocampus of developing rats in Brain and Development
28(2) 109-114
Abstract
Kim, Sunah, Kverno, Karan, Lee, Eun Mi, Park, Jeong Hwa, Lee, Hyun Hwa &
Kim, Hyun Lye (2006) Development of a Music Group Psychotherapy
Intervention for the Primary Prevention of Adjustment Difficulties in Korean
Adolescent Girls in the Journal of Child and Adolescent Psychiatric Nursing
(19)3 103-111
Abstract
King, Barbara J. (10/2005) A review of The Singing Neanderthals (Mithen)
Bookslut
Kirzinger, A. & Jurgens, Uwe (1982) Cortical lesion effects and
vocalization in the squirrel monkey in Brain Research 233(2) 299-315
Abstract
Kivy, Peter (2007) Music, Language, and Cognition: And Other Essays in
the Aesthetics of Music Oxford University Press
Publisher's book description
Kivy, Peter (2007) Music, Language, and Cognition And Other Essays in
the Aesthetics of Music Oxford University Press
Publisher's book description
Kivy, Peter (2002) Introduction to a Philosophy of Music Oxford
University Press
Publisher's book description
Kivy, Peter (2001) New Essays on Musical Understanding Oxford University
Press
Publisher's book description
Kivy, Peter (1991) Music alone: Philosophical reflections on the purely
musical experience Cornell University Press
Publisher's book description
Knight, S. (2001) Exploring a cultural myth: What adult non-singers may
reveal about the nature of singing in Proceedings of the Phenomenon of Singing
Symposium III at the Festival
500 Sharing the Voices
Festival sales site
Knobloch, Ferdinand (1995, 2000) The Interpersonal Meaning of Music and
Ethology in ASCAP 6(7)
Full text (republished on CogWeb with
permission)
Knosche, Thomas R., Neuhaus, Christiane, Haueisen, Jens, Alter, Kai, Maess,
Burkhard, Witte, Otto W. & Friederici, Aangela D. (2005) Perception of
phrase structure in music Human Brain Mapping 24(4) 259-273
Abstract
Koch, Marc E., Kain, Zeev N., Ayoub, Chakib & Rosenbaum, Stanley H.
(1998) The Sedative and Analgesic Sparing Effect of Music in Anesthesiology
89(2) 300-306
Full text
Koelsch, Stefan (2008) Music processing in the brain in Music That Works (eds Haas &
Brandes)
Koelsch, Stefan (2006) Significance of Broca's Area and Ventral Premotor
Cortex for Music Syntactic Processing in Cortex 42(4) 518-520
Full text
Koelsch, Stefan (2005) Investigating Emotion with Music: Neuroscientific
Approaches in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
412-418
Full text
Koelsch, Stefan (2005) Neural substrates of processing syntax and
semantics in music in Current Opinion in Neurobiology 15 1-6
Full text
Koelsch, Stefan & Friederici, Angela D. (2003) Toward the Neural
Basis of Processing Structure in Music: Comparative Results of Different
Neurophysiological Investigation Methods in Annals of the New York Academy of
Sciences: The Neurosciences
and Music (eds Avanzini, Faienza & Minciacchi) 999 15-28
Abstract
Koelsch, Stefan, Fritz, Thomas, Schulze, Katrin, Alsop, David & Schlaug,
Gottfried (2005) Adults and children processing music: An fMRI study in
NeuroImage 25 1068-1076
Full text
Koelsch, Stefan, Fritz, Thomas, von Cramon, D. Yves, Muller, Karsten &
Friederici, Angela D. (2006) Investigating emotion with music: An fMRI
study in Human Brain Mapping 27(3) 239-250
Full text
Koelsch, Stefan, Grossmann, Tobias, Gunter, Thomas C., Hahne, Anja,
Schroger, Erich & Friederici, Angela D. (2003) Children Processing
Music: Electric Brain Responses Reveal Musical Competence and Gender
Differences in the Journal of Cognitive Neuroscience 15(5) 683-693
Full text
Koelsch, Stefan, Gunter, Thomas C., Friederici, Angela D. & Schroger,
Erich (2000) Brain indices of music processing: 'Non-musicians' are musical
in the Journal of Cognitive Neuroscience 12 520-541
Full text
Koelsch, Stefan, Gunter, Thomas C., Schroger, Erich & Friederici, Angela
D. (2003) Processing tonal modulations: An ERP study in the Journal of
Cognitive Neuroscience 15(8) 1149-1159
Abstract
Koelsch, Stefan, Gunter, Thomas C., von Cramon, D. Yves, Zysset, Stefan,
Lohmann, Gabriele & Friederici, Angela D. (2002) Bach speaks: A cortical
'language-network' serves the processing of music in NeuroImage 17 956-966
Full text
Koelsch, Stefan, Gunter, Thomas C., Wittfoth, Matthias & Sammler,
Daniela (2005) Interaction between Syntax Processing in Language and in
Music: An ERP Study in the Journal of Cognitive Neuroscience 17(10) 1565Ð1577
Full text
Koelsch, Stefan & Jentschke, Sebastian (10/2008) Short-term effects
of processing musical syntax: An ERP study in Brain Research 1212 55-62
Full text
Koelsch, Stefan, Jentschke, Sebastian, Sammler, Daniela & Mietchen,
Daniel (5/2007) Untangling syntactic and sensory processing: An ERP study
of music perception in Psychophysiology 44(3) 476-490
Full text
Koelsch, Stefan, Kasper, Elisabeth, Sammler, Daniela, Schultze, Katrin,
Gunter, Thomas C. & Frederici, Angela D. (2004) Music, language and
meaning: brain signatures of semantic processing in Nature Neuroscience 7(3)
Full text
Koelsch, Stefan & Mulder, Juul (2002) Electric brain responses to
inappropriate harmonies during listening to expressive music in Clinical
Neurophysiology 113(6) 862-869
Abstract
Koelsch, Stefan, Schroger, Erich & Gunter, Thomas C. (2002) Music
matters: preattentive musicality of the human brain in Psychophysiology 39(1)
38-48
Abstract
Koelsch, Stefan, Schroger, Erich & Tervaniemi, Mari (1999) Superior
pre-attentive auditory processing in musicians in Neuroreport 10(6) 1309-1313
Abstract
Koelsch, Stefan & Siebel, Walter A. (2005) Towards a neural basis of
music perception in Trends in Cognitive Sciences 9(12)
Full text
Koen, Benjamin D. (ed) (2008) The Oxford Handbook of Medical
Ethnomusicology Oxford University Press
Publisher's book description
Kogan, Nathan (1997) Reflections on aesthetics and evolution in Critical
Review 11(2) 193-210
Abstract
Kohler, Evelyne, Keysers, Christian, Umilta, M. Alessandra, Fogassi,
Leonardo, Gallese, Vittorio & Rizzolatti, Giacomo (2002) Hearing
sounds, understanding actions: action representation in mirror neurons in
Science 297(5582) 846-848
Abstract
Kokotsaki, Dimitra & Hallam, Susan (3/2007) Higher education music
students' perceptions of the benefits of participative music making in Music Education Research
9(1) 93-109
Abstract
Kopiez, Reinhard, Lehmann, Andreas, Wolther, Irving & Wolf, Christian
(eds) (9/2003) Proceedings of the 5th Triennial ESCOM Conference epOs-music
Documentation of presentations.
Papers: Bailey & Davidson,
Bannan, Cordes, Kreutz, Bongard, Rohrmann,
Grebe, Bastian & Hodapp, Merker, Miell & MacDonald, Oelman & Loeng, Ridder & Aldridge, Yannou, Baloyiannis et al, Young
Kotz, Sonja. A., & Paulmann, Silke (2007) When emotional prosody and
semantics dance cheek to cheek: ERP evidence in Brain Research 1151 107-118
Abstract
Kreutz, Gunter & Bongard, Stephan (8/2007) Singing and health: A
psychophysiological perspective presented at 'Singing' CIM07 3rd Conference on
Interdisciplinary Musicology
Can't find a web reference other than the conference program
Kreutz, Gunter, Bongard, Stephan, Rohrmann, Sonja, Grebe, Dorothee, Bastian,
Hans Gunther & Hodapp, Volker (9/2003) Does Singing Provide Health
Benefits? in Proceedings of
the 5th Triennial ESCOM Conference (eds Kopiez, Lehmann,
Wolther & Wolf)
Full text
Kreutz, Gunter, Bongard, Stephan, Rohrmann, Sonja, Hodapp, Volker &
Grebe, Dorothee (12/2004) Effects of Choir Singing or Listening on Secretory
Immunoglobulin A, Cortisol, and Emotional State in the Journal of Behavioural
Medicine 27(6) 623-35
Abstract
Kreutz, Gunter, Bongard, Stephan & von Jussiss, Julia (2002)
Cardiovascular effects of music listening: the influence of musical expertise
and emotion in Musicae
Scientiae 6(2)
Abstract
Kreutz, Gunter, Bongard, Stephan, von Jussiss, Julia & Hodapp, Volker
(2002) Cardiovascular responses to music listening in musicians and
nonmusicians in Proceedings
of the 7th ICMPC Sydney 2002 (eds Stevens, Burnham,
McPherson, Schubert & Renwick)
Kreutz, Gunter, Ginsborg, Jane, & Williamon, Aaron (2008 in press)
Health-promoting behaviours in conservatoire students in Psychology of Music
No web source yet.
Kreutz, Gunter, Ott, Ulrich, Teichmann, Daniel, Osawal, Patrick & Vaitl,
Dieter (2008) Using music to induce emotions: Influences of musical
preference and absorption in Psychology
of Music 36(1) 101-126
Abstract
Krings, Matthias, Stone, Anne, Schmitz, Ralf W., Krainitzki, Heike,
Stoneking, Mark & PSSbo, Svante (1997)
Neandertal DNA sequences and the origin of modern humans in Cell 90 19-30
Abstract
Krumhansl, Carol L. (2005) The cognition of tonality - as we know it
today in the Journal of New
Music Research 33(3) 253-268
Abstract
Krumhansl, Carol L. (2005) The Geometry of Musical Structure: A Brief
Introduction and History in ACM Computers in Entertainments 3(4)
Full text
Krumhansl, Carol L. (2005) Part I: Ethology/Evolution-Do Animals Have
Music or Something Else?: Introduction in Annals of the New York Academy of
Sciences: The Neurosciences
and Music II: From Perception to Performance (eds Avanzini,
Koelsch, Lopez & Majno) 1060 1-2
Table of contents; no abstract
available
Krumhansl, Carol L. (2003) Experimental Strategies for Understanding the
Role of Experience in Music Cognition in Annals of the New York Academy of
Sciences: The Neurosciences
and Music (eds Avanzini, Faienza & Minciacchi) 999
414-428
Abstract
Krumhansl, Carol L. (2002) Music: A link between cognition and emotion
in Current Directions in Psychological Science 11(2) 45-50
Abstract
Krumhansl, Carol L. (2002) The psychology of music: from basic abilities
to special skills presented at The
Musical Brain conference hosted by The Royal Institution of
Great Britain
Site on which abstracts of all
presentations can be viewed
Krumhansl, Carol L. (2001) Cognitive Foundations of Musical Pitch Oxford
University Press
Publisher's book description
Krumhansl, Carol L. & Schenck, Diana Lynn (1997) Can dance reflect the
structural and expressive qualities of music? A perceptual experiment on
Balanchine's choreography of Mozart's Divertimento No. 15 in Musicae Scientiae 1 63-85
Abstract
Krumhansl, Carol L., Toivanen, Pekka, Eerola, Tuomas, Toiviainen, Petri,
Jarvinen, Topi & Louhivuori, Jukka (2000) Cross-cultural music
cognition: cognitive methodology applied to North Sami yoiks in Cognition 76(1)
13-58
Publisher's book description
Krumhansl, Carol L. & Toiviainen, Petri (2001) Tonal cognition in The Cognitive Neuroscience of
Music (eds Peretz & Zatorre)
Abstract
Kuck, Helen, Grossbach, Michael, Bangert, Marc & Altenmuller, Eckart
(2003) Brain Processing of Meter and Rhythm in Music: Electrophysiological
Evidence of a Common Network in Annals of the New York Academy of Sciences: The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 244-253
Abstract
Kugiumutzakis, Giannis (1998) Neonatal imitation in the intersubjective
companion space in Intersubjective communication and emotion in early ontogeny
(ed S. Braten) 63-88 Cambridge University Press
Out of print. National Library of Australia details.
Kuhl, Ole (2006) Making sense of music presented at 'Music in the Brain - Experience & Learning'
conference hosted by the Aarhus Royal Academy of Music, 21-22 April 2006
Abstract
Kuhl, Patricia K. & Meltzoff, Andrew N. (1996) Infant vocalizations
in response to speech: Vocal imitation and developmental change in the Journal of the Acoustical
Society of America 100(4) 2425-2438
Abstract
Kuhn, Dawn (2002) The effects of active and passive participation in
musical activity on the immune system as measured by salivary immunoglobulin A
(sIgA) in the Journal of Music
Therapy 39(1)
Abstract
Kumar, Adarsh M., Tims, Frederick, Cruess, Dean G., Mintzer, Michael J.,
Ironson, MD, Gail, Loewenstein, David, Cattan, Rogelio, Fernandez, J. B.,
Eisdorfer, Carl & Kumar, Mahendra (1999) Music Therapy Increases Serum
Melatonin Levels In Patients With Alzheimer's Disease in Alternative Therapies
in Health and Medicine 5(6)
Abstract
Kunej, Drago & Turk, Ivan (1999) New perspectives on the beginnings
of music: Archaeological and musicological analysis of a middle Paleolithic
bone 'flute' in The Origins
of Music (eds Wallin, Merker & Brown)
Kunst, Jaap (1959, 1974) Ethnomusicology: A study of its nature, its
problems, methods and representative personalities to which is added a
bibliography (3rd ed) Martinus Nijhoff
Out of print. National Library of Australia details
Kunst, Jos (1986) Social Cognitions and Musical Emotions in
Communication and Cognition; special issue: Reason, emotion and music (eds
Apostel, Vandamme & Sabbe) 19(2) 221-240
Full text
Kunst, Jos (1978) Music and communication: on musicology as a
behavioural science in Interface 7 189-204
Full text
Labov, William (1994) Principles of linguistic change. Vol 1: Internal
factors Blackwell
Publisher's book description
Lahav, Amir, Boulanger, Adam, Schlaug, Gottfried & Saltzman, Elliot
(2005) The Power of Listening: Auditory-Motor Interactions in Musical Training
in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
189-184
Abstract
Lamont, Alexandra (2003) Toddlers' Musical Preferences: Musical
Preference and Musical Memory in the Early Years in Annals of the New York
Academy of Sciences: The
Neurosciences and Music (eds Avanzini, Faienza &
Minciacchi) 999 518-519
Abstract
Lamont, Alexandra (2002) Music Psychology and the Secondary Music
Teacher in Teaching Music in Secondary Schools: A Reader (ed G.J. Spruce)
Routledge/Falmer
Publisher's book description
Lamont, Alexandra (2002) Musical identities and the school environment
in Musical Identities
(eds MacDonald, Hargreaves & Miell)
Lamont, Alexandra (2001) The Effects of Participating in Musical
Activities Department of Psychology, Keele University
Full text
Lamont, Alexandra (1998) Music, Education, and the Development of Pitch
Perception: The Role of Context, Age, and Musical Experience in Psychology of Music 26(1) 7-25
Abstract
Lamont, Alexandra & Cross, Ian (1994) Children's Cognitive
Representations of Musical Pitch in Music Perception 12 27-55
Publisher's
site; abstracts from this period unavailable on line
Lamont, Alexandra & Dibben, Nicola (2001) Motivic Structure and the
Perception of Similarity in Music
Perception 18(3) 245-274
Abstract
Lamont, Alexandra & Greasley, Alinka E. (2008 in press) Musical
Preference in The Oxford
Handbook of Music Psychology (eds Hallam, Cross & Thaut)
OUP
Lamont, Alexandra, Hargreaves, David J., Marshall, Nigel A. & Tarrant,
Mark (2003) Young people's music in and out of school in the British Journal of Music Education
20(3) 229-241
Abstract
Langer, Susanne K. (1957) Philosophy in a New Key: A Study in the
Symbolism of Reason, Rite, and Art (3rd ed) Harvard University Press
Publisher's book description
Large, Edward W. (2004) Nonlinear resonance: A musical universal? -
commentary on 'Music in time:
the concept of entrainment and its significance for ethnomusicology by
M.Clayton, R. Sager, & U. Will in ESEM CounterPoint 1
Unable to find a web source.
Large, Edward W., Fink, Philip & Kelso, Scott J. (2002) Tracking
simple and complex sequences in Psychological Research 66(1) 3-17
Abstract
Large, Edward W. & Jones, Mari Riess (1999) The dynamics of
attending: How people track time-varying events in the Psychological Review
106(1) 121-156
Abstract
Larson, Charles R. (1998) Cross-modality influences in speech control:
The use of pitch-shifting for the study of f0 control in the Journal of
Communicative Disorders 31(6) 489-503
Abstract
Laukka, Petri & Juslin, Patrik N. (2007) Similar patterns of
age-related differences in emotion recognition from speech and music in
Motivation and Emotion 31(3) 182-191
Abstract
Lavy, M. (2001) Emotion and the experience of listening to music: a
framework for empirical research an unpublished PhD thesis , University of
Cambridge
Abstract available on the author's
site.
le Roux, Gordon Marc (2005) 'Whistle While You Work': A Historical
Account of Some Associations Among Music, Work, and Health in the American
Journal of Public Health 95(7) 1106-1109
Abstract
Leardi, S., Pietroletti, R., Angeloni, G., Necozione, S., Ranalletta, G.
& Del Gust, B. (2007) Randomized clinical trial examining the effect of
music therapy in stress response to day surgery in the British Journal of
Surgery 94(8) 943-947
Abstract
Ledger, Alison J. & Baker Felicity A. (5/2007) An investigation of
long-term effects of group music therapy on agitation levels of people with
Alzheimer's Disease in Aging and Mental Health 11(3) 330-338
Abstract
Lehmann, Christian (10/11/2005) Perspectives of Evolutionary Musicology
extended version of a talk given at the Max-Planck-Institut for Evolutionary
Anthropology (EVA), Leipzig
Full text
Leighton, Geraldine & Lamont, Alexandra (11/2006) Exploring
children's singing development: do experiences in early schooling help or
hinder? in Music Education
Research 8(3) 311-330
Abstract
Leino, Sakari, Brattico, Elvira, Tervaniemi, Mari & Vuust, Peter
(2007) Representation of harmony rules in the human brain: Further evidence
from event-related potentials in Brain Research 1142 169-177
Abstract
Leman, Marc (9/2007) Embodied Music Cognition and Mediation Technology
MIT Press
Publisher's book description
Lemmer, Bjorn (2008) Does the music of Mozart and Ligeti have an effect
on the cardiovascular system? in Music
That Works (eds Haas & Brandes)
Lems, Kristin (2005) Music works: Music for adult English language
learners in New Directions for Adult and Continuing Education; Special Issue:
Artistic Ways of Knowing: Expanded Opportunities for Teaching and Learning (ed
Randee Lipson Lawrence) 2005(107) 13-21
Abstract
Lerch, Donna & Anderson, Thomas (2000) The Mozart Effect: A Closer
Look on the University of Illinois, College of Education website
Full text
Lerdahl, Fred & Jackendoff, Ray (1983) A Generative Theory of Tonal
Music MIT Press
Publisher's book description
Lerdahl, Fred & Krumhansl, Carol L. (2007) Modelling Tonal Tension
in Music Perception
24(4) 329-366
Abstract
Leroi, Armand & Swire, Jonathan (2006) The recovery of the past The
World of Music 48(3) 43-54
Issue's table of contents with abstracts.
Lesta, Barnetta & Petocz, Peter (2006) Familiar group singing:
Addressing mood and social behaviour of residents with dementia displaying
sundowning in the Australian
Journal of Music Therapy 17
Full text
Leutwyler, Kristin (22/1/2001) Exploring the Musical Brain in Scientific
American
Response to essays on music, nature
and the brain by Gray et al
and Tramo
in '01 Science. Peretz's
work is mentioned. See also Angier
& Cromie
Levinowitz, Lili M. (1998) The Importance of Music in Early Childhood from
the Music Together website
From the co-founder of Music Together
Levitin, Daniel J. (2006) This Is Your Brain on Music: The Science of a
Human Obsession Dutton Adult
Publisher's book description;
Commentary: Brink,
Dotinga
Levitin, Daniel J. (2000) In Search of the Musical Mind from Cerebrum:
The Dana Forum on Brain Science 2/4
Full text
Levitin, Daniel J. (1999) Review of The Psychology of Music (ed Deutsch),
2nd edition in Music
Perception 16(4) 495-506
Full text
Levitin, Daniel J. & Rogers, Susan E. (2005) Absolute pitch:
perception, coding, and controversies in Trends in Cognitive Sciences 9(1)
26-33
Full text
Levman, Bryan G. (2000) Western theories of music origin, historical and
modern in Musicae Scientiae
4(2)
Abstract
Levman, Bryan G. (1992) The genesis of music and language in Ethnomusicology
36 147-170
Online abstracts start in 1997. Citation only; abstracts online from
1997 from Journal site
Lewis, Matthew & Wolfson, Sandy (2006) We're still singing in
Nursing Standard 20(42) 32-3
Publisher's site; no abstract
available
Lewkowicz, David J. & Marcovitch, Stuart (2006) Perception of
audiovisual rhythm and its invariance in 4- to 10-month-old infants in
Developmental Psychobiology 48(4) 288-300
Abstract
Li, Ho Cheung William, Lopez, Violeta & Lee, Tin Loi Isabel (5/2007)
Effects of preoperative therapeutic play on outcomes of school-age children
undergoing day surgery in Research in Nursing and Health 30(3) 320-332
Abstract
Lieberman, Philip H., Klatt, Dennis H. & Wilson, William H. (1969)
Vocal tract limitations on the vowel repertoires of rhesus monkey and other
nonhuman primates in Science 164(3884) 1185-1187
Abstract
Limb, Charles J. (2006) Structural and functional neural correlates of music
perception in The Anatomical Record Part A: Discoveries in Molecular, Cellular,
and Evolutionary Biology 288A(4) 435-446
Abstract
Limb, Charles J. & Braun, Allen R. (2008) Neural Substrates of Spontaneous
Musical Performance: An fMRI Study of Jazz Improvisation in PLoS One 3(2) e1679
Full text
Linstead, Stephen (2006) Exploring culture with The Radio Ballads: using
aesthetics to facilitate change in Management Decision 44 (4) 474-485
Abstract
Lints, Taivo (2004?) Revitalizing the Folk Music, Singing & Dancing
- Spoken Language Is Not Enough from his website
Full text
Lipscomb, S. (2005) The perception of audio-visual composites: Accent
structure alignment of simple stimuli in Selected Reports in Ethnomusicology:
Perspectives in Systematic Musicology (Vol 12) (eds R. Kendall & R. Savage)
37-67
Publisher's book description
Livingstone, Frank B. (1973) Did the Australopithecines sing? in Current
Anthropology 14(1-2) 25-29
Abstract & comment in the
Anthropology Archive Project; summary from the Lehman &
Bernstein site; publisher's website; no abstract
available
Livingstone, Steven Robert, Brown, Andrew R. & Muhlberger, Ralf
(2005) Influencing the Perceived Emotions of Music with Intent presented to the
3rd International Conference on Generative Systems
Full text
Livingstone, Steven Robert & Thompson, William Forde (2008 in press)
The emergence of music from the Theory of Mind in Musicae Scientiae, special issue on
music and evolution
Full text
Livingstone, Steven Robert & Thompson, William Forde (9/2006)
Multi-modal affective interaction: A comment on musical origins in Music Perception
24(1) 89-94
Response inspired by papers from McDermott
& Hauser & Justus & Hutsler. See also,
responses by Cross,
Dean & Bailes,
Fitch, Merker, Patel & Trainor.
These were in turn responset to by McDermott & Hauser.Abstract
Lohmann, Heidimarie, Tomasello, Michael & Meyer, Sonya (2005)
Linguistic communication and social understanding in Why language matters for
theory of mind (eds J. W. Astington & J. A. Baird) Oxford University Press
245-265
Publisher's book description
Lohrey, Amanda (1997) The clear voice suddenly singing in Secrets Pan
Macmillan
Essay on why people sing. Publisher's site
Lomax, Alan (1968) Folk song style and culture in Transaction Books
google book entry.
London, Justin (2004) Hearing in Time: Psychological Aspects of Musical
Meter Oxford University Press
Publisher's book description
London, Justin, Himberg, T. & Cross, Ian (2006) The effect of tempo
on the perception of anacrusis in Proceedings of ICMPC9 (eds M. Baroni, A. R.
Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna 641-647
Full text
Longhi, Elena & Karmiloff-Smith, Annette (2004) In the beginning was
the song: The complex multimodal timing of mother-infant musical interaction in
Behavioral and Brain Sciences 27(4) 516-517
Abstract
Longhi, Elena & Pickett, Nick (2008) Music and well-being in
long-term hospitalized children in Psychology of Music 36(2) 247-256
Abstract
Lopez, Luisa, Jurgens, Reinhart, Diekmann, Volker, Becker, Wolgang, Ried,
Sybille, Grozinger, Berta & Erne, Nicola (2003) Musicians versus
Nonmusicians: A Neurophysiological Approach in Annals of the New York Academy
of Sciences: The
Neurosciences and Music (eds Avanzini, Faienza &
Minciacchi) 999 124-130
Abstract
Lotter, Carol Barbara (2005) Circles of Courage: Music Therapy with adolescents
in conflict with the law at a community based setting University of Pretoria
Full text of Masters thesis
Lowenstein, Marisa (5/2005) Make a joyful noise: keep singing in the
shower-no matter what the neighbors say It could reduce your pain and prolong
your life in Natural Health
Short general article citing research
Lundqvist, L-O., Carlsson, F., Hilmersson, P. & Juslin, Patrik N.
(2008 in press) Emotional responses to music: Experience, expression, and
physiology in Psychology of
Music
No web source yet
Luo, Hao, Ni, Jing-Tian, Li, Zhi-Hao, Li, Xiao-Ou, Zhang, Da-Ren, Zeng,
Fan-Gang, & Chen, Lin (19/12/2006) Opposite patterns of hemisphere
dominance for early auditory processing of lexical tones and consonants in
Proceedings of the National Academy of Sciences 103(51) 19558-19563
Full text (see general article by Caoren)
Ma'anit, Adma (8/2003) Politics with Soul in the New Internationalist
359
'Rhythms of resistance can be heard all over the world'. Full text
MacDonald, Raymond A. R. (2008) The Universality of Musical
Communication in Promoting Social Interaction with Individuals with
Communication Impairments: Making Contact (ed M. S. Zeedyk) Jessica Kingsley
Publisher's book description
MacDonald, Raymond A. R. & Hallam, Susan (2008 in press) The effects
of music in educational and community settings in The Oxford Handbook of Music Psychology
(eds Hallam, Cross & Thaut) OUP
MacDonald, Raymond A. R., Hargreaves, David J. & Miell, Dorothy E. (eds)
(2002) Musical Identities Oxford University Press
Publisher's book description.
Chapters: Dibben,
Folkestad,
Hargreaves,
Lamont, MacDonald & Miell,
Magee, Tarrant, North & Hargreaves,
Trevarthen
MacDonald, Raymond A. R. & Miell, Dorothy E. (2005) Musical
collaboration in Learning to Collaborate, Collaborating to Learn: Understanding
and promoting educationally productive collaborative work (eds Littleton, Miell
& Faulkner) Nova Publishers
Publisher's book description
MacDonald, Raymond A. R. & Miell, Dorothy E. (2002) Music for
individuals with special needs: a catalyst for developments in identity,
communication and musical ability in Musical Identities (eds MacDonald,
Hargreaves & Miell)
MacDonald, Raymond A. R. & Miell, Dorothy E. (2000) Collaborating on
a creative task: a study of friends and non-friends composing music together in
Rethinking Collaborative Learning (eds Joiner, Littleton, Faulkner & Miell)
Free Association Books
Out of print. National Library of Australia details.
MacDonald, Raymond A. R., Miell, Dorothy E. & Hargreaves David J.
(2008 in press) Musical Identity in The Oxford Handbook of Music Psychology
(eds Hallam, Cross & Thaut) OUP
MacDonald, Raymond, Miell, Dorothy E. & Wilson, Graeme B. (2005)
Talking about music: a vehicle for identity development in Musical communication (eds Miell,
MacDonald & Hargreaves)
Mache, Francois-Bernard (1999) The Necessity of and Problems with a
Universal Musicology in The
Origins of Music (eds Wallin, Merker & Brown)
Machover, T. (2004) Shaping Minds Musically in the BT Technology Journal
22(4) 172-179
Abstract
Mackenzie, Janeen & Hamlett, Karen (2005) The Music Together
Program: Addressing the Needs of 'Well' Families with Young Children in the Australian Journal of Music
Therapy 16
Full text
MacLarnon, Ann & Hewitt, Gwen (2004) Increased breathing control: Another
factor in the evolution of human language in Evolutionary Anthropology 13(5)
181-197
Abstract
MacLarnon, Ann & Hewitt, Gwen (1999) The evolution of human speech:
The role of enhanced breathing control in the American Journal of Physical
Anthropology 109(3) 341-363
Abstract
Madison, Guy (2001) Variability in isochronous tapping: higher order
dependencies as a function of intertap interval in the Journal of Experimental
Psychology: Human Perception and Performance 27(2) 411-422
Abstract
Madura Ward-Steinman, Patrice (2006) The development of an after-school
music program for at-risk children: student musical preferences and pre-service
teacher reflections in the International
Journal of Music Education 24(1) 85-96
Abstract
Maess, Burkhard, Koelsch, Stefan, Gunter, Thomas C. & Friederici, Angela
D. (2001) Musical syntax is processed in Broca's area: An MEG study in
Nature Neuroscience 4(5) 540-545
Abstract
Magee, Wendy (2002) Disability and identity in music therapy in Musical Identities
(eds MacDonald, Hargreaves & Miell)
Magee, Wendy L. & Davidson, Jane W. (2004) Music Therapy in Multiple
Sclerosis: Results of a Systematic Qualitative Analysis in Music Therapy
Perspectives 22(1) 39-51
Abstract
Magee, Wendy L. & Davidson, Jane W. (2004) Singing in therapy:
monitoring disease procedd in chronic degenerative illness in the British Journal of Music Therapy 18(2)
65-77
Abstract
Magee, Wendy L. & Davidson, Jane W. (2002) The Effect of Music
Therapy on Mood States in Neurological Patients: A Pilot Study in the Journal of Music Therapy
39(1) 20Ð29
Abstract
Magill, J. M. & Pressing, Jeff L. (1997) Asymmetric cognitive clock
structures in West African rhythms in Music Perception 15 189-221
No abstracts before 2001. Pressing's contribution is remembered by UNESCO.
Magne, Cyrille, Astesano, Corine, Lacheret-Dujour, Anne, Morel, Michel,
Alter, Kai & Besson, Mireille (2005) On-line processing of "Pop-Out"
words in spoken French dialogues in the Journal of Cognitive Neuroscience 17(5)
740-756
Abstract
Magne, Cyrille, Schon, Daniele & Besson, Mireille (2006) Musician
Children Detect Pitch Violations in Both Music and Language Better than
Nonmusician Children: Behavioral and Electrophysiological Approaches in the
Journal of Cognitive Neuroscience 18(2) 199-211
Abstract
Magne, Cyrille, Schon, Daniele & Besson, Mireille (2003) Prosodic
and Melodic Processing in Adults and Children: Behavioral and
Electrophysiologic Approaches in Annals of the New York Academy of Sciences: The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 461-476
Abstract
Maldon & South Chelmsford Primary Care Trust (7/3/2006) Huff &
Puff Tots Club
General article
Malloch, Stephen N. (2005) Why Do We Like to Dance and Sing? in Thinking
in Four Dimensions: Creativity and Cognition in Contemporary Dance (eds Grove,
Stevens & McKechnie)
Abstract
Malloch, Stephen N. (1999/2000) Mothers and infants and communicative
musicality in Musicae
Scientiae Special Issue, 1999-2000: Rhythm, Musical
Narrative, and Origins of Human Communication 29-58
Abstract
Malloch, Stephen N., Shoemark, Helen, Newnham, Carol, Campbell, Paul, Prior,
Margot & Burnham, Denis (2006) The Art of Intersubjectivity: Music
Therapy with Hospitalised Infants AMPS 2006 Presentation
Abstract
Malloch, Stephen N. & Trevarthen, Colwyn (eds) (2008 in press)
Communicative Musicality: Narratives of Expressive Gesture and Being Human
Oxford University Press
Unable to find web reference. Chapters: Cross & Morley, Davidson & Malloch, Dissanayake, Pavlicevic & Ansdell
Mandell, J., Schulze, K. & Schlaug, Gottfried (2007) Congenital
amusia: An auditory-feedback disorder? in Restorative Neurology and
Neuroscience 25(3-4) 323-334
Abstract
Mann, Nigel I., Marshall-Ball, Lorraine & Slater, Peter J. B. (2003)
The complex song duet of the Plain Wren in Condor 105(4) 672-682
Abstract
Maratos, Anna (2004) Whatever Next? Community Music Therapy for the
Institution Community Music
Therapy (eds Pavlicevic & Ansdell)
Marcus, Greil (1989) Lipstick Traces: A Secret History of the Twentieth
Century Harvard University Press
Publisher's book description
Margulis, Elizabeth Hellmuth, Mlsna, Lauren M., Uppunda, Ajith K., Parrish,
Todd B. & Wong, Patrick. C. M. (10/12/2007) Selective Neurophysiologic
Responses to Music in Instrumentalists with Different Listening Biographies in
Human Brain Mapping (online only)
Full text
Marks, Paul (19/2/2000) Blast from the past: We've got our fish
ancestors to thank for our love of music in New Scientist
General article about Todd et al's research
Marler, Peter (2004) Bird Calls: Their Potential for Behavioral
Neurobiology
in Annals of the New York Academy of
Sciences: Behavioral Neurobiology of Birdsong 1016 31-44
Abstract
Marler, Peter (1999) Origins of Music and Speech: Insights from Animals
in The Origins of Music
(eds Wallin, Merker & Brown)
Marler, Peter (1984) Song Learning: Innate species differences in the
learning process in Dahlem Workshops on the Biology of Learning (eds P. Marler
& H. S. Terrace) Springer 289-309
Out of print. National Library of Australia details.
Marler, Peter (1976) An ethological theory of the origin of vocal
learning in Annals of the New York Academy of Sciences 280 386-395
Journal
site; no abstract available
Marler, Peter (1970) Birdsong and speech development: could there be
parallels? in American Scientist 58 669-673
Journal site; no abstract available
Marler, Peter & Slabbekoorn, Hans (eds) (2004) Nature's Music: The
Science of Birdsong Elsevier
Publisher's book description
Marques, Carlos, Moreno, Sylvain, Castro, Sao Luis & Besson, Mireille
(2007) Musicians detect pitch violation in a foreign language better than
nonmusicians: Behavioral and electrophysiological evidence in the Journal of
Cognitive Neuroscience 19(9) 1453-1463
Abstract
Marrett, Allan (2005) Songs, Dreamings, and Ghosts: the Wangga of North
Australia Wesleyan University Press
Publisher's
book description
Marsh, Kathryn & Young, Susan (2006) Musical play in The Child as Musician: A handbook of
musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Marslen-Wilson, William (1973) Linguistic structure and speech shadowing
at very short latencies in Nature 244 522-523
Abstract
Martin, Peter J. (2006) Music, Identity and Social Control in Music and Manipulation:
On the Social Uses and Social Control of Music (eds Brown & Volgsten)
Martinez, Michael E., Peterson, Matthew, Bodner, Mark, Coulson, Andrew,
Vuong, Sydni, Hu, Wenjie, Earl, Tina, Hanse, Jill S. & Shaw, Gordon L.
(2005) Music Training and Mathematics Achievement: A Multi-Year, Iterative
Project Designed to Enhance Student Learning presented at the Annual Conference
of the American Psychological Association Washington DC August 2005; to appear
in Handbook of design research in mathematics, science and technology education
(eds Kelly, A.E. & Lesh, R. A.)
Full text
Masataka, Nobuo (2008 in press) The origins of language reconsidered Springer
Cannot find a web reference. Cited in recent publication by author.
Masataka, Nobuo (2007) Music, evolution and language in Developmental
Science 10(1) 35-39
Full text
Masataka, Nobuo (2006) Preference for consonance over dissonance by
hearing newborns of deaf parents and of hearing parents in Developmental
Science 9(1) 46-50
Abstract
Masataka, Nobuo (1992) Pitch characteristics of Japanese maternal speech
to infants in the Journal of Child Language 19 213-223
Journal site only; doesn't go further
back than 1997
Masataka, Nubuo (2003) The Onset of Language Cambridge University Press
Publisher's book description
Maslow, Abraham Harold (1968, 1998) Toward a psychology of being (3rd ed)
John Wiley & Sons
Publisher's book description
Mates, Jiri (1994) A model of synchronization of motor acts to a
stimulus sequence in Biological Cybernetics 70(5) 463-473
Abstract
Mates, Jiri, Radil, Tomas & Poppel, Ernst (1992) Cooperative
tapping: time control under different feedback conditions in Perception and
Psychophysics 52 691-704
Full text
Mathews, R. Mark, Clair, Alicia Ann & Kosloski, Karl (2001) Keeping
the beat: Use of rhythmic music during exercise activities for the elderly with
dementia in the American Journal of Alzheimer's Disease and Other Dementias
16(6) 377-380
Abstract
May Day Group (undated) Bibliographies from their website
McAllester, David P. (1971) Some thoughts on 'universals' in world music
in Ethnomusicology
15(3) 379-380
Abstracted on JSTOR. Citation only.
McAuley, J. Devin, Jones, Mari Riess, Holub, Shayla, Johnston, Heather M.
& Miller, Nathaniel S. (2006) The time of our lives: Life span
development of timing and event tracking in the Journal of Experimental
Psychology: General 135(3) 348-367
Abstract
McCoy, K. A., Levenson, R. W. & Krumhansl, Carol L. (1996)
Physiological responses to the emotional qualities of music presented at the
36th Annual Meeting of the Society for Psychophysiological Research. Abstracted
in Psychophysiology 33(s1) S60-S60
Citation only
McDermott, Josh (2008) Science
& Music: The evolution of music in Nature 453(7193)
287-288
Second in a ninefold set of essays from various writers. Full text
McDermott, Josh (2008) Exploring music's links to language in Nature
Neuroscience 11(4) 377
Review of Patel's
Music, Language, and the
Brain; citation only.
McDermott, Josh & Hauser, Marc D. (2006) Nonhuman primates prefer
slow tempos but dislike music overall in Cognition
Full text
McDermott, Josh & Hauser, Marc D. (9/2006) Thoughts on an Empirical
Approach to the Evolutionary Origins of Music in Music Perception 24(1) 111-116
Their response to papers by Cross,
Dean & Bailes,
Fitch, Livingstone & Thompson,
Merker, Patel & Trainor which
in turn were responses to McD&H's
& Justus & Hutsler's
earlier papers. Abstract.
McDermott, Josh & Hauser, Marc D. (9/2005) The Origins of Music:
Innateness, Uniqueness and Evolution in Music Perception 23(1) 29-59
Full text; see commentary by Cross, Dean & Bailes,
Fitch, Livingstone & Thompson,
Merker, Patel & Trainor to
which McD&H
later responsed.
McDermott, Josh & Hauser, Marc D. (2005) Probing the Evolutionary
Origins of Music Perception in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 6-16
Abstract
McDermott, Josh & Hauser, Marc D. (2004) Are consonant intervals
music to their ears? Spontaneous acoustic preferences in a nonhuman primate in
Cognition 94 B11-B21
Full text
McEwen, Bruce S. (2001) From molecules to mind: Stress, individual
differences and the social environment in the Annals of the New York Academy of
Sciences: Unity of Knowledge: The convergence of natural and human science (ed
A. R. Damasio) 935 42-49
Out of print. Publisher's site; author's site. National Library of
Australia details
McFerran, Katrina (2005) A review of Community Music Therapy (eds
Pavlicevic & Ansdell) in the Nordic
Journal of Music Therapy
Full text
McFerran, Katrina & Wigram, Tony (2005) Articulating the Dynamics of
Music Therapy Group Improvisations in the Nordic Journal of Music Therapy 14(1)
Abstract
McKay, Cory (undated) Emotion and Music: Inherent Responses and the
importance of Empirical Cross-Cultural Research
Full text
McKelvie, P. & Low. J. (2002) Listening to Mozart does not improve
children's spatial ability: Final curtains for the Mozart effect in the British
Journal of Developmental Psychology 20(2) 241-258
Abstract
McMullen, Erin & Saffran, Jenny R. (2004) Music and Language: A
Developmental Comparison in Music
Perception 21(3) 289-311
Full text
McNair, Janis & Powles, John (2005) Hippies vs Hip-hop heads: an
exploration of music's ability to communicate an alternative political agenda
from the perspective of two divergent musical genres in Musical communication (eds Miell,
MacDonald & Hargreaves)
McNeil, William H. (1995) Keeping Together in Time: Dance & Drill in
Publisher's book description
McPherson, Fiona (undated) Music and language on memory-key.com
A website devoted to memory
McPherson, Gary E. (ed) (1/6/2006) The Child as Musician: A Handbook of
Musical Development Oxford University Press
Publisher's book description.
Chapters: Bamberger,
Bunt, Burnard, Campbell, Cox, Davidson & Burland,
Hallam, Hargreaves, North & Tarrant,
Hodges, Jellison, Marsh & Young,
McPherson & Davidson,
O'Neill, Parncutt, Schellenberg,
Schubert & McPherson,
Trehub, Walker, Welch
McPherson, Gary E. & Davidson, Jane W. (2006) Playing an instrument
in The Child as Musician:
A handbook of musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Meader, Martin (ongoing) Personal website
Perth-based singing leader Martin Meader is working with the Hurricane Choir
(part of the New Orleans reconstruction) and many other wellbeing/singing
projects; ABC coverage
Meizel, Katherine (12/2006) A Singing Citizenry: Popular Music and Civil
Religion in America in the Journal for the Scientific Study of Religion 45(4)
497-503
Abstract
Melis, Alicia P., Hare, Brian & Tomasello, Michael (2005)
Chimpanzees recruit the best collaborators in Science 311(5765) 1297-1300
Abstract
MENC-The National Association for Music Education (2007) Why Music
Education? on their website
Full text
Menon, V. & Levitin, Daniel J. (2005) The rewards of music
listening: Response and physiological connectivity of the mesolimbic system in
NeuroImage 28(1) 175-184
Abstract
Menzen, K-H. (2008) Historical foundation for the systematic therapeutic
application of imagery in healthcare in Music That Works (eds Haas &
Brandes)
Mercer, Michelle (16/1/2006) Community Choruses: Singing and Happiness
Commentary from All Things Considered
on National Public Radio
Mergell, P., Fitch, W. Tecumseh & Herzel, H. (1999) Modeling the
role of non-human vocal membranes in phonation in the Journal of the Acoustical Society of America
105(3) 2020-2028
Full text
Merker, Bjorn (9/2006) The Uneven Interface Between Culture and Biology
in Human Music in Music
Perception 24(1) 95-98
Response inspired by papers from McDermott
& Hauser & Justus & Hutsler. See also,
responses by Cross,
Dean & Bailes,
Fitch, Livingstone & Thompson,
Patel
& Trainor.
These were in turn responset to by McDermott & Hauser.Abstract
Merker, Bjorn (2005) The Conformal Motive in Birdsong, Music, and
Language: An Introduction in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 17-28
Abstract
Merker, Bjorn (9/2003) Is there a biology of music and why does it
matter? in Proceedings of the
5th Triennial ESCOM Conference (eds Kopiez, Lehmann, Wolther
& Wolf)
Full text
Merker, Bjorn (2002) Music: the missing Humboldt system in Musicae Scientiae 6(1) 3-21
Abstract
Merker, Bjorn (1999) Synchronous chorusing and human origins in The Origins of Music
(eds Wallin, Merker & Brown)
Merker, Bjorn (1999) Synchronous chorusing and the origins of music in Musicae Scientiae
Special issue, 1999-2000: Rhythm, Musical Narrative, and Origins of Human
Communication
Publisher's site from which abstracts
can be sourced
Merriam, Alan P. (1964) The Anthropology of Music Northwestern
University Press
Publisher's book description
Meyer, Leonard B. (2001) Music and emotion: distinctions and
uncertainties in Music and
Emotion: Theory and Research (eds Juslin & Sloboda)
Meyer, Leonard B. (1956) Emotion and Meaning in Music University of
Chicago Press
Publisher's book description
Miall, David. S. & Dissanayake, Ellen (2003) The Poetics of Babytalk
in Human Nature 14(4) 337-364
Abstract
Miell, Dorohy E. & Littleton, Karen (eds) (2004) Collaborative
Creativity: Socio-cultural accounts Free Association Books
Publisher's
book description
Miell, Dorothy E. & MacDonald, Raymond A. R. (9/2003) Music Matters:
Musical Identities as Fundamental Markers of Personal Identities in Proceedings of the 5th Triennial
ESCOM Conference (eds Kopiez, Lehmann, Wolther & Wolf)
Abstract
Miell, Dorothy E., MacDonald, Raymond A. R. & Hargreaves, David J. (eds)
(2005) Musical Communication Oxford University Press
Publisher's book description.
Chapters: Ansdell &
Pavlicevic, Barrett(1),
Barrett(2),
Cross, Hargreaves, MacDonald &
Miell, Juslin,
Thaut, Welch
Milius, Susan (12/2001) Face the Music: Why are we such a musical
species - and does it matter? in Natural History Magazine
General article including interviews
with Huron, Cross, Peretz, Miller, Dissanayake, Brown & Wilson.
Millard K. A. & Smith J. M. (1989) The influence of group singing on
the behavior of Alzheimer's disease patients in the Journal of Music Therapy 26 58-70
Journal site: on-line archives begin
in 1998
Miller, Geoffrey F. (2001) The mating mind: How sexual choice shaped the
evolution of human nature Doubleday
Publisher's book description
Miller, Geoffrey F. (1999) Evolution of human music through sexual
selection in The Origins of
Music (eds Wallin, Merker & Brown)
Full text
Miller, Geoffrey F. (1997) Protean primates: the evolution of adaptive
unpredictability in competition and courtship in Machiavellian Intelligence II:
extensions and evaluations, (eds A. Whiten & R. W. Byrne) Cambridge
University Press 312-340
Publisher's book description
Milligan, K., Atkinson, L., Trehub, Sandra E., Benoit, D., & Poulton, L.
(2003) Maternal attachment and the communication of emotion through song in
Infant Behavior and Development 26 1-13
Full text
Millikan, Ruth Garrett (2004) Varieties of meaning: The 2002 Jean Nicod
Lectures MIT Press
Publisher's book description
Mitani, John C. & Gros-Louis, Julie (1998) Chorusing and call
convergence in chimpanzees: Tests of three hypotheses in Behaviour 135(8-9)
1041-1064
Vol 135 has not been onlined; there is an abstract in the cat.inist database,
and it is cited on the first author's site. The journal site
gives no reason why 1998 has been overlooked.
Mithen, Steven J. (2006) The co-evolution of music and language
presented at 'Cradle of
Language Conference' Stellenbosch South
Abstract
Mithen, Steven J. (7/12/2005) The Cognitive Origins of Music and
Language on the site of the The Music Cognition Group, University of Amsterdam
Quicktime lecture
Mithen, Steven J. (2005) The Singing Neanderthals: The Origins of Music,
Language, Mind and Body Harvard University Press
Abstract & excerpts. Reviews: Begley, Benzon, Bispham, Cambridge Archaeological Journal,
Dissanayake,
Fitch, King, Wong
Mithen, Steven J. (1998) The Prehistory of the Mind: A Search for the
Origin of Art, Science and Religion Orion
Publisher's book description
Mitterschiffthaler, Martina T., Fu, Cynthia H.Y., Dalton, Jeffrey A.,
Andrew, Christopher M. & Williams, Steven C.R. (2007) A functional MRI
study of happy and sad affective states induced by classical music in Human Brain
Mapping 28(11) 1150-1162
Abstract
Molinari, Marco, Leggio, Maria G., De Martin, Martina, Cerasa, Antonio &
Thaut, Michael H. (2003) Neurobiology of Rhythmic Motor Entrainment in
Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 313-321
Abstract
Molnar-Szakacs, Istvan & Overy, Katie (2006) Music and mirror
neurons: from motion to 'e'motion in Social Cognitive and Affective
Neuroscience 1(3) 235-241
Abstract
Moloney, Orla (2005) Evaluation of the Music in Healthcare Project 2000
- 2004 from the Music Network website
Evaluation of a five year
participative music program with old people in Ireland
Moloney, Orla (2005) Music in Healthcare / Mental Health from the Music
Network website
Evaluation of a participative music
program in St. Stephen's Hospital, Glanmire and the Carrigmore Centre,
Monks, Susan (2003) Adolescent singers and perceptions of vocal identity
in the British Journal of
Music Education 20(3) 243-256
Abstract
Monnot, Marilee (2002) Affective Prosody & Infant-directed Speech:
Evidence for a New 'Basic' Emotion presented at the 14th Annual Meeting of The
Human Behavior and Evolution Society, Rutgers University 19-23 June 2002
Conference
report (including abstracts of all presentations)
Monnot, Marilee (1999) Function of infant-directed speech in Human
Nature 10(4)
Table of contents of V10(4)
Montgomery-Smith, Chreanne (2006) Singing for the Brain
Full text; also appears in 'Sing for Your Life'; see also Bannan & Elliott
Moreno, Sylvain & Besson, Mireille (2006) Musical training and
language-related brain electrical activity in children Psychophysiology 43(3) 287-291
Abstract
Moreno, Sylvian & Besson, Mireille (2005) Influence of Musical
Training on Pitch Processing: Event-Related Brain Potential Studies of Adults
and Children in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
93-97
Abstract
Morley, Iain (10/2003) The Evolutionary Origins and Archaelogy of Music
Darwin College Research Report DCRR-002
Full text
Morley, Iain (10/2002) Evolution of the Physiological and Neurological Capacities
for Music in the Cambridge Archaeological Journal 12(2)
Abstract
Morton, B. A., Trehub, Sandra E., & Zelazo, P. D. (2003) Sources of
inflexibility in 6-year-olds' understanding of emotion in speech in Child
Development 74 1857-1868
Full text
Morton, C. (2001) Singing in unison, singing in harmony: civic
mentorship and choral communities in Proceedings of the Phenomenon of Singing
Symposium III at the Festival
500 Sharing the Voices
Festival sales site
Morton, J. Bruce & Trehub, Sandra E. (2007) Children's judgements of
emotion in song in Psychology
of Music 35(4) 629-639
Abstract
Munte, Thomas F, Altenmuller, Eckart, & Janke, Lutz (2002) The
musician's brain as a model of neuroplasticity in Nature Reviews Neuroscience 3
473-8
Abstract
Murdock, Ron (1996) Born to Sing from Curiosity Recaptured Mornum Time
Press
Publisher's book description
Murray, Michael & Tilley, Neil (2006) Promoting safety awareness in
fishing communities through community arts: An action research project in
Safety Science 44(9) 797-808
Abstract
Musacchia, Gabriella, Sams, Mikko, Skoe, Erika & Kraus, Nina (2007)
Musicians have enhanced subcortical auditory and audiovisual processing of
speech and music in the Proceedings of the National Academy of Sciences 104(40)
15894-15898
Abstract
Music Manifesto (2006) Making every child's music matter Report No 2 A
consultation for action
Full text
Myers, C. S. (1913) The beginnings of music in Essays and studies
presented to William Ridgway on his sixtieth birthday (ed E. C. Quiggin)
Cambridge University Press
Out ofprint; JSTOR records two review of the book - Citation only; and Citation only
Myers, C. S. (1905) A study of rhythm in primitive peoples in British
Journal of Psychology 1 397
Abstracts this early unavailable; Journal site
Nagel, Frederik, Grewe, Oliver, Kopiez, Reinhard & Altenmuller, Eckart
(2005) The relationship of psycho-physiological responses and self-reported
emotions while listening to music from the Proceedings of the 30th Gottingen
Neuro Biology Conference, University of Gottingen, Germany, 17-20 February
Full text
Nagel, Frederik, Kopiez, Reihard, Grewe, Oliver & Altenmuller, Eckart
(2008) Psychoacoustic correlates of musically induced chills in Musicae Scientiae 12(1) 101-113
Full text
Nagel, Frederik, Kopiez, Reinhard, Grewe, Oliver & Altenmuller, Eckart
(2007) EMuJoy: Software for continuous measurement of perceived emotions in
music in Behavior Research Methods 39(2) 283-290
Abstract
Nakata, Takayuki & Trehub, Sandra E. (2004) Infants' responsiveness
to maternal speech and singing in Infant Behavior and Development 27(4) 455-464
Full text
Nan, Yyun, Knosche, Thomas R. & Friederici, Angela D. (2006) The
perception of musical phrase structure: a cross-cultural ERP study in Brain
Research 1094(1) 179-191
Abstract
Nantais, Kristin M. & Schellenberg, E. Glenn (1999) The Mozart
Effect: An Artifact of Preference in Psychological Science 10(4) 370-373
Abstract
Nathan, Jesse (14/2/2006) Singing Over the Walls: Blue Thoughts From a
Red State in BeyondChron
General article
Natke, Ulrich & Kalveram, Karl Yheodor (2001) Fundamental frequency
under frequency shifted auditory feedback of long and unstressed syllables in
the Journal of Speech, Language, and Hearing Research 44(3) 577-584
Abstract
Nattiez, Jean-Jacques (1999) Inuit throat-games and Siberian throat
singing: A comparative, historical, and semiological approach in Ethnomusicology 43(3) 399-418
Table of contents of the issue.
Nawrot, Elizabeth S. (2003) The Perception of Emotional Expression in
Music: Evidence from Infants, Children and Adults in Psychology of Music 31(1) 75-92
Abstract
Nazzi, T., Jusczyk, P. & Johnson, E. (2000) Language discrimination
by English-learning 5-month-olds: Effects of rhythm and familiarity in the
Journal of Memory and Language 43(1) 1-19
Abstract
Neergaard, Lauran (10/5/2004) Scientists singing creativity's praises:
Research looking at effects on aging brains in Milwaukee Journal Sentinel
General article describing Cohen's
research on aged choir in Washington DC.
Negus, Keith (2007) Living, Breathing Songs: Singing Along with Bob Dylan
in Oral Tradition 22(1) 71-83
Full text
Nelissen, Koen, Luppino, Giuseppe, Vanduffel, Wim, Rizzolatti, Giacomo,
Orban, Guy, A. (2005) Observing Others: Multiple Action Representation in
the Frontal Lobe in Science 310(5746) 332-336
Abstract
Nelson, Deborah G. Kelmer, Hirsh-Pasek, K., Jusczyx, Peter W. & Cassidy,
K. W. (1989) How the prosodic cues in motherese might assist language
learning in the Journal of Child Language 16
Journal site only; doesn't go further
back than 1997
Nelson, S. (2002) Melodic improvisation on a twelve-bar blues model: an
investigation of physical and historical aspects, and their contribution to
performance an unpublished PhD thesis , City University London
Cannot find a web source
Nettl, Bruno (2006) The Study of Ethnomusicology: Thirty-one Issues and
Concepts (rev ed) University of Illinois Press
Publisher's book description
Nettl, Bruno (2005) The concept of evolution in the history of
ethnomusicology presented at the International Symposium on Evolutionary
Musicology, Max Planck Institute of Ornithology Seewiesen bei Starnberg
17-19/6/2005
Website shows the program in German;
it also includes presentations from Cross, Fitch & Trehub
Nettl, Bruno (1999) An Ethnomusicologist Contemplates Universals in
Musical Sound and Musical Culture in The Origins of Music (eds Wallin,
Merker & Brown)
Nettl, Bruno (1995) Heartland excursions: Ethnomusicological reflections
on schools of music University of Illinois Press
Publisher's book description
Nettl, Bruno (1956) Music in primitive culture Harvard University Press
Out of print; google book entry. National Library of
Australiadetailsdetails.
Nettl, Bruno & Bohlman, Philip Vilas (eds) (1991) Comparative
Musicology and Anthropology of Music: Essays on the History of Ethnomusicology
University of Chicago Press
Publisher's book description
Nettle, Daniel (1999) Language variation and the evolution of societies
in The Evolution of Culture (eds R. Dunbar, C. Knight & C. Power) Edinburgh
University Press 214-227
Publisher's book description
Nettle, Daniel & Clegg, Helen (7/3/2006) Schizotypy, creativity and
mating success in humans in Proceedings of the Royal Society B: Biological
Sciences 273(1586) 611-615
Full text
Newport, E. L. (1991) Contrasting concepts of the critical period for
language in Epigenesis of mind: Essays on biology and cognition (eds S. Carey
& R. Gelman) Lawrence Erlbaum Associates 113-141
Publisher's book description
Newton, Douglas & Newton, Lynn (2006) Could elementary textbooks
serve as models of practice to help new teachers and non-specialists attend to
reasoning in music? in Music
Education Research 8(1) 3-16
Abstract
Nilsson, Ulrica (2008) The Anxiety- and Pain-Reducing Effects of Music
Interventions: A Systematic Review in the AORN Journal 87(4) 780-807
Abstract & Full text
Norman, Donald A. & Shallice, Tim (1980) Attention to action: Willed
and automatic control of behavior Center for Human Information Processing
(CHIP), University of California San Diego Report 99
CHIP is now the Center for Brain and Cognition (CBC)
@UCSD and doesn't appear to have put past CHIP reports online. There is an abstract on a US Defense research
website. Also appears in Cognitive Neuroscience: A Reader (ed M. Gazzaniga)
2000 Blackwell. Publisher's book description
North, Adrian C. & Hargreaves, David J. (eds) (2008) The Social and
Applied Psychology of music Oxford University Press
Publisher's book description
North, Adrian C. & Hargreaves, David J. (2007) Lifestyle correlates
of musical preference: 1. Relationships, living arrangements, beliefs and crime
in Psychology of Music
35(1) 58-87
Abstract
North, Adrian C. & Hargreaves, David J. (2007) Lifestyle correlates
of musical preference: 2. Media, leisure time & music in Psychology of Music 35(2) 179-200
Abstract
North, Adrian C. & Hargreaves, David J. (2007) Lifestyle correlates
of musical preference: 3. Travel, money, education, employment and health in Psychology of Music
35(3) 473-497
Abstract
North, Adrian C. & Hargreaves, David J. (2006) Problem music and
self-harming in Suicide and Life-Threatening Behavior 36(5) 582-590
Abstract
North, Adrian C. & Hargreaves, David J. (2005) Labelling effects on
the perceived deleterious consequences of pop music listening in the Journal of
Adolescence 28(3) 433-440
Abstract
North, Adrian C. & Hargreaves, David J. (2005) Musical communication
in commercial contexts in Musical
communication (eds Miell, MacDonald & Hargreaves)
North, Adrian C. & Hargreaves, David J. (2003) Is music important?
in The Psychologist 16(8) 406-410
Abstract
North, Adrian C. & Hargreaves, David J. (2001) Complexity,
prototypicality, familiarity & the perception of musical quality in Psychomusicology
17 77-80
Can't find a web source
North, Adrian C. & Hargreaves, David J. (2000) Collative variables
versus prototypicality in Empirical
Studies of the Arts 18(1) 13-17
Abstract
North, Adrian C. & Hargreaves, David J. (2000) Musical preferences
during and after relaxation and exercise in American Journal of Psychology 113
43-67
Online abstracts start in 2003. Journal site
North, Adrian C. & Hargreaves, David J. (1999) Can music move
people? The effects of musical complexity and silence on waiting time in
Environment and Behavior 31(1) 136-149
Abstract
North, Adrian C. & Hargreaves, David J. (1999) Music and adolescent
identity in Music Education
Research 1(1) 75-92
Abstract
North, Adrian C. & Hargreaves, David J. (1999) Music and driving
game performance in the Scandinavian Journal of Psychology 40(4) 285-292
Abstract
North, Adrian C. & Hargreaves, David J. (1998) Affective and evaluative
responses to pop music in Current Psychology 17(1) 102-108
Abstract
North, Adrian C. & Hargreaves, David J. (1998) The effect of music
on atmosphere and purchase intentions in a cafeteria in the Journal of Applied
Social Psychology 28(24) 2254-2273
Abstract
North, Adrian C. & Hargreaves, David J. (1997) Experimental
aesthetics in everyday life in The
social psychology of music (eds Hargreaves & North)
Oxford University Press
North, Adrian C. & Hargreaves, David J. (1997) Liking, arousal
potential and the emotions expressed by music in the Scandinavian Journal of
Psychology 38(1) 45-53
Abstract
North, Adrian C. & Hargreaves, David J. (1997) Liking for musical
styles in Musicae Scientiae
1(1) 109-128
Abstract
North, Adrian C. & Hargreaves, David J. (1997) Music and consumer
behaviour in The social
psychology of music (eds Hargreaves & North) Oxford
University Press
North, Adrian C. & Hargreaves, David J. (1997) The musical milieu:
studies of listening in everyday life in The Psychologist 10 309-312
Online abstracts start in 1998. Journal site
North, Adrian C. & Hargreaves, David J. (1996) Affective and
evaluative responses to the arts in Empirical Studies of the Arts 14(2)
207-222
Abstract
North, Adrian C. & Hargreaves, David J. (1996) The effects of music
on responses to a dining area in the Journal of Environmental Psychology 16(1)
55-64
Abstract
North, Adrian C. & Hargreaves, David J. (1996) Responses to music in
a dining area in the Journal of Applied Social Psychology 26(6) 491-501
Abstract
North, Adrian C. & Hargreaves, David J. (1996) Responses to music in
aerobic exercise and yogic relaxation classes in the British Journal of
Psychology 87 535-547
Online abstracts start in 1999. Journal site
North, Adrian C. & Hargreaves, David J. (1996) Responses to music in
the real world in Cultural research in Europe 1996 (eds van Hamersveld &
van der Wielen) Boekman Foundation and Circle
Out of print; publisher's book list
North, Adrian C. & Hargreaves, David J. (1996) Situational
influences on reported musical preferences in Psychomusicology 15 30-45
Can't find a web source
North, Adrian C. & Hargreaves, David J. (1995) Subjective
complexity, familiarity and liking for popular music in Psychomusicology 14 77-93
Can't find a web source
North, Adrian C., Hargreaves, David J. & Heath, S. J. (1998) Musical
tempo and time perception in a gymnasium in Psychology of Music 26(1) 78-88
Abstract
North, Adrian C., Hargreaves, David J. & McKendrick, J. (1997)
In-store music affects product choice in Nature 390 132
Abstract
North, Adrian C., Hargreaves, David J. & McKendrick, Jennifer (2000)
The effects of music on atmosphere in a bank and a bar in the Journal of
Applied Social Psychology 30(7) 1504-1522
Abstract
North, Adrian C., Hargreaves, David J. & McKendrick, Jennifer (1999)
The influence of in-store music on wine selections in the Journal of Applied
Psychology 84(2) 271-276
Abstract
North, Adrian C., Hargreaves, David J. & McKendrick, Jennifer (1999)
Music and on-hold waiting time in the British Journal of Psychology 90(1)
161-164
Abstract
North, Adrian C., Hargreaves, David J.& O'Neill, S. A. (2000) The
importance of music to adolescents in the British Journal of Educational
Psychology 70(2) 255-272
Abstract
North, Adrian C., Linley, P. A. & Hargreaves, David J. (2000) Social
loafing in a co-operative classroom task in Educational Psychology 20(4)
389-392
Abstract
North, Adrian C., MacKenzie, Liam C., Law, Ruth M. & Hargreaves, David
J. (2004) The effects of musical and voice 'fit' on responses to
advertisements in the Journal of Applied Social Psychology 34(8) 1675-1708
Abstract
North, Adrian C., Shilcock, Amber & Hargreaves, David J. (2003) The
effect of musical style on restaurant customers' spending in Environment and
Behavior 35(5) 712-718
Abstract
North, Adrian C., Tarrant, Mark & Hargreaves, David J. (2004) The
effects of music on helping behaviour: A field study in Environment and
Behavior 36(2) 266-275
Abstract
Norton, Andrea Winner, Ellen., Kronin, Karl, Overy, Katie, Lee, Dennis J.
& Schlaug, Gottfried (2005) Are there neural, cognitive, or motoric
markers for musical ability prior to instrumental training? Brain and Cognition
59(2) 124-34
Abstract
Nottebohm, F. (1976) Vocal tract and brain: A search for evolutionary
bottlenecks in Annals of the New York Academy of Sciences 280 643-649
Journal
site; no online abstracts this far back
O'Connell, Debra S. (2005) The Impact of Music Education on the Child's
Self in Sounds of Learning
Full text
O'Donnell, T. J., Hauser, Marc D., & Fitch, W. Tecumseh (2005) Using
mathematical models of language experimentally in Trends in Cognitive Sciences
9(6) 284-289
Full text
O'Grady, Lucy (1/7/2008) The Role of Performance in Music-Making: An
Interview with Jon Hawkes in Voices:
A World Forum for Music Therapy 8(2)
Full text
O'Grady, Lucy & McFerran, Katrina (2007) Community Music Therapy and
its Relationship to Community Music: Where Does It End? in the Nordic Journal of Music Therapy 16(1)
14-26
Abstract; CMV has a hard copy.
O'Neill, Colleen T., Trainor, Laurel J. & Trehub, Sandra E. (2001)
Infants' responsiveness to fathers' singing in Music Perception 18(4) 409-425
Full text
O'Neill, Nicky & Pavlicevic, Mercedes (2003) What am I doing here?
Exploring a role for music therapy with children undergoing bone marrow
transplantation in the British
Journal of Music Therapy 17(1) 8-16
Abstract
O'Neill, Susan (2006) Positive youth musical engagement in The Child as Musician:
A handbook of musical development (ed G. E. McPherson) Oxford University Press
Publisher's book description
Oakes, Steve & North, Adrian C. (2006) The impact of background
musical tempo and timbre congruity upon ad content recall and affective
response in the Applied Cognitive Psychology 20(4) 505-520
Abstract
Ockelford, Adam (2008 in press) Beyond music psychology in The Oxford Handbook of Music
Psychology (eds Hallam, Cross & Thaut) OUP
Ockelford, Adam (2008 in press) Music for Children and Young People with
No web source yet
Ockelford, Adam (2007) A music module in working memory? Evidence from
the performance of a prodigious musical savant in Musicae Scientiae Special Issue, 2007:
Performance Matters
Abstract
Odell-Miller, Helen (2005) Why Provide Music Therapy in the Community
for Adults With Mental Health Problems? in Voices: A World Forum for Music Therapy
Full text
Odell-Miller, Helen, Hughes, P. & Westacott, M. (2006) An
investigation into the effectiveness of the arts therapies for adults with
continuing mental health problems in Psychotherapy Research 16(1) 122-139
Abstract
Oelman, Hella & Loeng, Bruno (2003) A validation of the emotional
meaning of single intervals according to classical Indian music theory in Proceedings of the 5th Triennial
ESCOM Conference (eds Kopiez, Lehmann, Wolther & Wolf)
Full text
Oerter, Rolf (2003) Biological and Psychological Correlates of
Exceptional Performance in Development in Annals of the New York Academy of
Sciences: The Neurosciences
and Music (eds Avanzini, Faienza & Minciacchi) 999
451-460
Abstract
Oller, D. K. & Eilers, R. (1988) The role of audition in infant
babbling in Child Development 59 441-449
Publisher's site; abstracts from this
period unavailable
Olson, Eric R. (28/2/2008) Music and Medicine: How one woman brought two
worlds together in Scienceline
General piece Connie Tomaino and the Institute for Music and Neurologic Function.
Full text
Olson, Kevin (2005) Music for community education and emancipatory
learning in New Directions for Adult and Continuing Education; Special Issue:
Artistic Ways of Knowing: Expanded Opportunities for Teaching and Learning (ed
Randee Lipson Lawrence) 2005(107) 55-64
Abstract
Olsson, B. (1997) The Social Psychology of Music Education in The social psychology of music
(eds Hargreaves & North) Oxford University Press
Osterhout, Lee & Holcomb, Phillip J. (1993) Event-related potential
and syntactic anomaly: Evidence of anomaly detection during the perception of
continuous speech in Language and Cognitive Processes 8(4) 413-437
Abstract
Overy, Katie (2003) Dyslexia and music: From timing deficits to music
intervention in Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 497-505
Abstract
Overy, Katie (1998) Can music really 'improve' the mind? in Psychology of Music
26(1) 97-99
Citation only; no abstract
Overy, Katie, Norton, Andrea, Cronin, K., Winner, Ellen & Schlaug,
Gottfried (2005) Examining Rhythm and Melody Processing in Young Children
Using fMRI in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
210-218
Abstract
Owings, Donald H. & Morten, Eugene S. (1998) Animal Vocal
Communication: A New Approach Cambridge University Press
Publisher's book description
Owren, Michael. J. & Rendall, Drew (2001) Sound on the rebound:
bringing form and function back to the forefront in understanding nonhuman
primate vocal signaling in Evolutionary Anthropology 10(2) 58-71
Abstract
Pacchetti, Claudio,ÊMancini, Francesca,ÊAglieri, Roberto, Fundaro, Cira,
Martignoni, Emilia & Nappi, Giuseppe (2000) Active Music Therapy in
ParkinsonÕs Disease: An Integrative Method for Motor and Emotional
Rehabilitation in Psychosomatic Medicine 62 386-393
Quoted in detail on Abstract
Palmer, Caroline (1997) Music performance in the Annual Review of
Psychology 48 115-138
Abstract
Palmer, Caroline & Hutchins, Sean (2006) What is musical prosody? in
Psychology of Learning and Motivation, vol 46, (ed B. H. Ross) Elsevier
Full text
Palmer, Caroline, Jungers, Melissa K. & Jusczyk, Peter W. (2001)
Episodic Memory for Musical Prosody in the Journal of Memory and Language 45
526-545
Full text
Panksepp, Jaak (1995) The emotional sources of 'chills' induced by music
in Music Perception
13 171-207
Journal
site; on-line archives only begin in 2001
Panksepp, Jaak & Bekkedal, M. Y. V. (1997) Effect of emotional music
on the human EEG in the International Journal of Art Medicine 5 18-27
A web connection to this journal cannot be found; it may have been published by
MMB Music who have ceased all publication activities. Author's site
Panksepp, Jaak & Bernatzky, Gunther (2002) Emotional Sounds and the Brain:
The Neuro-Affective Foundations of Musical Appreciation in Behavioural
Processes 60(2)
Abstract
Pantev, Christo, Ross, Bernhard, Fujioka, Takako, Trainor, Laurel J.,
Schulte, Michael & Schulz, Matthias (2003) Music and Learning-Induced
Cortical Plasticity in Annals of the New York Academy of Sciences: The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 438-450
Abstract
Papousek, Hanus (1996) Musicality in infancy research:: biological and
cultural origins of early musicality in Musical Beginnings (eds Deliege &
Sloboda)
Papousek, Mechthild (1996) Intuitive parenting: a hidden source of
musical stimulation in infancy in Musical Beginnings (eds Deliege & Sloboda)
Papousek, Mechthild & Papousek, Hanus (1981) Musical Elements in the
Infant's Vocalization: Their Significance for Communication, Cognition, and
Creativity in Advances in Infancy Research 1 163-224
Publisher's book description
Papousek, Mechthild, Papousek, Hanus, & Symmes, David (1991) The
meanings of melodies in motherese in tone and stress languages in Infant
Behavior and Development 14(4) 415-440
Abstract
Parncutt, Richard (undated) Psychology of music website
Parncutt, Richard (2008 in press) Prenatal and infant conditioning, the
mother schema, and the origins of music and religion to appear in Musicae Scientiae, special issue on
music and evolution
Cannot find a web source.
Parncutt, Richard (2008 in press) Prenatal development and the phylogeny
and ontogeny of musical behaviour in The Oxford Handbook of Music Psychology
(eds Hallam, Cross & Thaut) OUP
Full text
Parncutt, Richard (2008) Prenatal experience and the phylogenesis and
ontogenesis of music in Music
That Works (eds Haas & Brandes)
Parncutt, Richard (2006) Prenatal development in The Child as Musician: A handbook of
musical development (ed G. E. McPherson)
Publisher's book description
Parncutt, Richard (1989) Harmony: A Psychoacoustical Approach Springer
Out of print; preface and table of contents.
National Library of Australia details.
Parsons, Lawrence (2006 unpublished) New functional and structural brain
evidence apropos the evolution of language, deduction, and music faculties 'Cradle of Language Conference'
Stellenbosch South Africa 7-10 November, 2006
Abstract
Parsons, Lawrence M. (2003) Exploring the functional anatomy of music
performance, perception and comprehension in The Cognitive Neuroscience of Music
(eds Peretz & Zatorre)
Abstract
Parsons, Lawrence M. (2002) The brain basis of music experiences and
skills presented at The Musical
Brain conference hosted by The Royal Institution of Great
Britain
Site on which abstracts of all
presentations can be viewed
Pascale, Louise M. (2005) Dispelling the Myth of the Non-Singer:
Embracing Two Aesthetics for Singing in the Philosophy of Music Education Review
13(2) Fall 165-175
Abstract
Pascale, Louise M. (2003) Recognizing the value of two aesthetics of
singing in Proceedings of the Phenomenon of Singing Symposium IV at the Festival 500 Sharing the Voices
Festival sales site
Pascale, Louise M. (2001) Deconstructing the meaning of singing in Proceedings
of the Phenomenon of Singing Symposium III at the Festival 500 Sharing the Voices
Festival sales site
Pascale, Louise M. (1999) The power of simply singing together in the
classroom in Proceedings of the Phenomenon of Singing Symposium II at the Festival 500 Sharing the Voices
Festival sales site
Patel, Aniruddh D. (2008) Science
& Music: Talking of Tone in Nature 453(7196) 726-727
Fifth in a ninefold set of essays from various writers. Abstract
Patel, Aniruddh D. (2008) Music and the brain: three links to language
in The Oxford Handbook of
Music Psychology (eds Hallam, Cross & Thaut) OUP
Full text
Patel, Aniruddh D. (2007) Language, music, and the brain: A
resource-sharing framework Keynote paper for Language and Music as Cognitive
Systems, May 11-13, 2007, Cambridge University
Full text
Patel, Aniruddh D. (2007) Music, Language, and the Brain Oxford
University Press
Publisher's book description. Reviewed by McDermott.
Patel, Aniruddh D. (8/2/2006) Music and the mind from Grey
Matters
50 minute videoed lecture from the Neurosciences Institute for this UCSD series
on neuroscience for the public. Can be watched on YouTube
Patel, Aniruddh D. (9/2006) Musical rhythm, linguistic rhythm, and human
evolution in Music Perception
24(1) 99-104
Response inspired by papers from McDermott
& Hauser & Justus & Hutsler. See also,
responses by Cross,
Dean & Bailes,
Fitch, Livingstone & Thompson,
Merker,
& Trainor.
These were in turn responset to by McDermott & Hauser.Full text
Patel, Aniruddh D. (2005) The Relationship of Music to the Melody of
Speech and to Syntactic Processing Disorders in Aphasia in Annals of the New
York Academy of Sciences: The
Neurosciences and Music II: From Perception to Performance
(eds Avanzini, Koelsch, Lopez & Majno) 1060 59-70
Abstract
Patel, Aniruddh D. (2003) Language, music, syntax and the brain in Nature
Neuroscience: Focus on Music and the Brain (intro Spiro) 6(7) 674-681
Abstract
Patel, Aniruddh D. (2003) Rhythm in Language and Music: Parallels and
Differences in Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 140-143
Abstract
Patel, Aniruddh D. & Daniele, Joseph R. (2003) An empirical
comparison of rhythm in language and music in Cognition 87 B35-B45
Full text
Patel, Aniruddh D. & Iversen, John R. (2007) The linguistic benefits
of musical abilities in Trends in Cognitive Sciences 11(9) 369-372
Full text
Patel, Aniruddh D., Iversen, John R., Chen, Yanqing & Repp, Bruno H.
(2005) The influence of metricality and modality on synchronization with a beat
in Experimental Brain Research 163
Full text
Patel, Aniruddh D., Iversen, John R., Wassenaar, M. & Hagoort, P.
(in press) Musical syntactic processing in agrammatic BrocaÕs aphasia in
Aphasiology
No abstract available yet; cited on author's site.
Patel, Aniruddh D. & Peretz, Isabelle (1997) Is Music Autonomous
from Language? A Neurophysiological Appraisal in The Perception and Cognition of Music
(eds Deliege & Sloboda)
Patel, Aniruddh D., Peretz, Isabelle, Tramo, Mark, & Labreque, Raymonde
(1998) Processing prosodic and musical patterns: a neuropsychological
investigation in Brain and Language 61(1) 123-144
Abstract
Patel, Aniruddh D., Wong, Meredith, Foxton, Jessica, Lochy, Aliette &
Peretz, Isabelle (in press) Speech intonation perception deficits in
musical tone deafness (congenital amusia) in Music Perception
Full text
Patel, Anirudh D., Gibson, Edward, Ratner, Jennifer, Besson, Mireille &
Holcomb, Phillip (1998) Processing syntactic relations in language and
music: An event-related potential study in the Journal of Cognitive
Neuroscience 10(6) 717-733
Abstract
Paton, Aaron (21/6/2005) Music therapy the key to breaking through in
the Abbostford Mission Times
General article
Paulmann, Silke, Pell, Marc D. & Kotz, Sonja A. (2008 in press)
Functional contributions of the basal ganglia to emotional prosody: Evidence
from ERPs in Brain Research
Abstract
Pavlicevic, Mercedes (2006) Between Sense and Sensibility: Listening to
Context in Music Therapy Practice in the Japanese Journal of Music Therapy 6(2)
97-108
Citation
only; no abstract
Pavlicevic, Mercedes (2006) Music Performance as Social Action: a case
for Music Research in Shifting Boundaries of Knowledge: a view on social
science, law and humanities (Marcus & Hoffmaener) University of Kwa-Zulu
Natal Press Chapter 13
Publisher's book description: table of contents
Pavlicevic, Mercedes (2006) Worksongs, playsongs: Communication,
collaboration, culture and community in the Australian Journal of Music Therapy 17
85-99
Abridged version of address to 11th World Congress of Music Therapy Brisbane
22/7/05; Full text
Pavlicevic, Mercedes (ed) (2005) Music Therapy in Children's Hospices -
Jessie's Fund in Action Jessica Kingsley
Publisher's book description.
Pavlicevic, Mercedes (2005) Towards Straight Talking: multiple
narratives in multi-lingual, multi-disciplinary work (or: I shot the dog, then
I shot my mother) in The Arts
in Psychotherapy 32 346-357
Abstract
Pavlicevic, Mercedes (2004) Learning from Thembalethu: Towards
Responsive and Responsible Practice in Community Music Therapy Community Music Therapy (eds
Pavlicevic & Ansdell)
Pavlicevic, Mercedes (2003) Groups in Music: Strategies from Music
Therapy Jessica Kingsley
Publisher's book description. Review: Amir
Pavlicevic, Mercedes (2002) Fragile rhythms and violent listenings:
Music therapy with South African children in Music, Music Therapy, and Trauma
(ed Sutton) Jessica Kingsley
Publisher's book description. Table of contents
Pavlicevic, Mercedes (9/9/2002) Other Music: Community Sounds in Voices: a World Forum for Music
Therapy
Full text
Pavlicevic, Mercedes (25/3/2002) With Sound and Silence in Voices: a World Forum for Music Therapy
Full text
Pavlicevic, Mercedes (2001) A Child in Time and Health: Guiding Images
in Music Therapy in the British
Journal of Music Therapy 15(1) 14-21
Abstract
Pavlicevic, Mercedes (2001) Beyond listening: music therapy with
children in a violent societ in Working with children and young people in
violently divided societies (eds Smyth & Thomson) CCIC & University of
Belfast
Table of contents
Pavlicevic, Mercedes (1999) Music Therapy: Intimate Notes Jessica
Kingsley
Publisher's book description.
Pavlicevic, Mercedes (ed) (1997) Music Therapy in Context: Music,
Meaning and Relationship Jessica Kingsley
Publisher's book description.
Pavlicevic, Mercedes & Ansdell, Gary (2008 in press) From
Communicative Musicality Towards Collaborative Musicing: Perspectives from
Community Music Therapy in Communicative
Musicality (eds Malloch & Trevarthen)
Pavlicevic, Mercedes & Ansdell, Gary (eds) (2004) Community Music
Therapy Jessica Kingsley
Publisher's book description.
Chapters: Aasgaard,
Aigen, Amir, Ansdell, Bunt, Davidson, Maratos, Pavlicevic, Pavlicevic & Ansdell,
Pavlicevic, Mercedes & Ansdell, Gary (2004) Introduction: The Ripple
Effect Community Music
Therapy (eds Pavlicevic & Ansdell)
Payne, Katharine (2000) The progressively changing songs of humpback
whales: a window on the creative process in a wild animal in The Origins of Music (eds Wallin,
Merker & Brown) 135-150
Pearl, Jonathan C. Secora (29/5/2006) Rhythm in Music and Speech on his musiclanguage.net website
Pearl, Jonathan C. Secora (2001) Music & Language: Parallels &
Divergences on his musiclanguage.net website
Abstract
Penhune, Virginia, Watanabe, Donald & Savion-Lemieux, Tal (2005) The
Effect of Early Musical Training on Adult Motor Performance: Evidence for a
Sensitive Period in Motor Learning in Annals of the New York Academy of
Sciences: The Neurosciences
and Music II: From Perception to Performance (eds Avanzini,
Koelsch, Lopez & Majno) 1060 265-268
Abstract
Peperkamp, Sharon (2003) Phonological acquisition: Recent attainments
and new challenges in Language and Speech 46(2/3) 87-113
Abstract
Peretz, Isabelle (2007) When the brain is out of tune presented at the Warsaw Workhop on Music and the
Brain
Abstract
Peretz, Isabelle (2006) The Nature of Music from a Biological
Perspective presented at 'Music
in the Brain - Experience & Learning' conference hosted
by the Aarhus Royal Academy of Music, 21-22 April 2006
Abstract
Peretz, Isabelle (2006) The Nature of Music from a Biological
Perspective in Cognition; special issue: The Nature of Music (ed I. Peretz)
100(1) 1-32
Abstract
Peretz, Isabelle (8/2006) The nature of music from a neuropsychologist's
perspective presented at the Proceedings
of ICMPC9 (eds M. Baroni, A. R. Addessi, R. Caterina &
M. Costa), 'Music in the Mind -
The Mind in Music' conference, Bologna
Abstract
Peretz, Isabelle (ed) (5/2006) The Nature of Music: special edition of
Cognition 100(1)
Table of contentsEssays: Bharucha, Curtis & ParooBigand & Poulin-Charronnat
Fitch, Jackendoff & Lerdahl,
Peretz, Trehub & Hannon
Peretz, Isabelle (2003) Brain specialization for music: new evidence
from congenital amusia in The
Cognitive Neuroscience of Music (eds Peretz & Zatorre)
192-203
Abstract
Peretz, Isabelle (7/10/2003) The Nature of Music for the International Society for Music Education
website
Full text
Peretz, Isabelle (2001) Listen to the brain: towards a cognitive
neuroscience of musical emotions in Music and Emotion: Theory and Research
(eds Juslin & Sloboda)
Peretz, Isabelle (2001) Music perception and recognition in The handbook
of cognitive neuropsychology: What deficits reveal about the human mind (ed. B.
Rapp) Psychology Press
Publisher's
book description
Peretz, Isabelle (1993) Auditory atonalia for melodies in Cognitive
Neuropsychology 10(1) 21-56
Abstract
Peretz, Isabelle, Ayotte, Julie, Zatorre, Robert J., Mehler, Jacques, Ahad,
Pierre,
Full text
Peretz, Isabelle, Champod, Sophie & Hyde, Krista L. (2003) Varieties
of Musical Disorders: The Montreal Battery of Evaluation of Amusia in Annals of
the New York Academy of Sciences: The Neurosciences and Music (eds Avanzini, Faienza
& Minciacchi) 999 58-75
Abstract
Peretz, Isabelle & Coltheart, Max (2003) Modularity of music
processing in Nature Neuroscience: Focus on Music and the Brain (intro Spiro) 6(7)
688-691
Abstract
Peretz, Isabelle, Cummings, Stephanie & Dube, Marie-Pierre (2007)
The genetics of congenital amusia (or tone-deafness): A family aggregation
study in the American Journal of Human Genetics 81(3) 582-588
Abstract
Peretz, Isabelle, Gagnon, Lise & Bouchard, Bernard (1998) Music and
emotion: perceptual determinants, immediacy, and isolation after brain damage
in Cognition 68(2) 111-141
Abstract
Peretz, Isabelle, Gaudreau, D. & Bonnel, A. M. (1998) Exposure
effects on music preference and recognition in Memory and Cognition 26(5)
884-902
Abstract
Peretz, Isabelle & Hyde, Krista L. (2003) What is specific to music
processing? Insights from congenital amusia in Trends in Cognitive Sciences
7(8) 336-362
Full text
Peretz, Isabelle & Morais, Jose (1989) Music and modularity in Contemporary Music Review
4(1) 279-293
Abstract
Peretz, Isabelle & Sloboda, John A. (2005) Part VII: Music and the Emotional
Brain. Introduction in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 409-411
Citation only; no abstract
Peretz, Isabelle & Zatorre, Robert J. (2005) Brain organization for
music processing in Annual Review of Psychology 56 89-114
Abstract
Peretz, Isabelle & Zatorre, Robert J. (eds) (10/7/2003) The
Cognitive Neuroscience of Music Oxford University Press
The OUP book description differs slightly in
its contents list from the Barnes & Noble version (chapters
20 & 21). Both superecede the now out of print The Biological Foundations of Music
(eds Zatorre & Peretz), although abstracts are still available for
download; Chapters: Altenmuller,
Besson & Schon,
Cross, Huron, Krumhansl & Toiviainen,
Parsons, Peretz, Saffran, Loman & Robertson,
Schellenberg,
Trainor & Schmidt,
Tramo, Trehub
Perlman, Marc (2004) Unplayed Melodies : Javanese gamelan and the
genesis of music
Publisher's book description
Perret, Daniel (2004) Roots of musicality: on neuro-musical thresholds
and new evidence for bridges between musical expression and 'inner growth' in Music Education Research
6(3) 327-342
Abstract
Perry, Cheryl L. (2004) Getting beyond technical rationality in
developing health behavior programs with youth in the American Journal of Health
Behavior 28(6) 558-568
Abstract
Persson, R. S. (2001) The subjective world of the performer in Music and Emotion: Theory and
Research (eds Juslin & Sloboda) 275-290
Peterson, David A. & Thaut, Michael H. (2007) Music increases
frontal EEG coherence during verbal learning in Neuroscience Letters 412(3)
217-221
Abstract
Petrides, M. & Pandya, D. N. (2002) Comparative cytoarchitectonic
analysis of the human and macaque ventrolateral prefrontal cortex and
corticocortical connection patterns in the monkey in the European Journal of
Neuroscience 16(2) 291-310
Abstract
Pfordresher, Peter Q. & Brown, Steven (2008 submitted) Linguistic
background influences the production and perception of musical intervals
Referred to on author's site
Pfordresher, Peter Q. & Brown, Steven (2007) Poor-pitch singing in
the absence of 'tone deafness' in Music
Perception 25 95-115
Full
text
Phillips-Silver, Jessica & Trainor, Laurel J. (2005) Feeling the
beat in music: Movement influences rhythm perception in infants in Science
308(5727)
Abstract
Pinker, S. (1994) The Language Instinct: How the Mind Creates Language
HarperCollins
Publisher's book description
Pinker, Steven (1997) How the Mind Works Allen Lane
Publisher's book description
Pinker, Steven & Jackendoff, Ray (2005) The faculty of language:
what's special about it? in Cognition 95(2) 201-236
Abstract
Pitt, Mark A. & Samuel, Arthur G. (1990) The use of rhythm in
attending to speech Journal of Experimental Psychology: Human Perception and
Performance 16(3) 564-573
Abstract
Plantinga, Judy & Trainor, Laurel J. (2005) Memory for melody:
Infants use a relative pitch code in Cognition 98(1)
Full text
Plantinga, Judy & Trainor, Laurel J. (2003) Long-Term Memory for
Pitch in Six-Month-Old Infants in Annals of the New York Academy of Sciences: The Neurosciences and Music
(eds Avanzini, Faienza & Minciacchi) 999 520-521
Abstract
Plotkin, Henry (1998) Evolution in mind: An Introduction to Evolutionary
Psychology Harvard University Press
Publisher's book description
Pollack, Gerald (2000) Who, what, where? Recognition and localization of
acoustic signals by insects in Current Opinion in Neurobiology 10 763-767
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Pollack N. J. & Namazi K. H. (1992) The effect of music participation
on the social behaviour of Alzheimer's disease patients in the Journal of Music Therapy 29(1) 54-67
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1998
Pollick, Amy S. & de Waal, Frans B. M. (2007) Ape gestures and
language evolution in Proceedings of the National Academy of Sciences 104(9)
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Pollock, Jon I. (1986) The song of the Indris (Indri Indri; Primates:
Lemuroidea): Natural history, form, and function in the International Journal
of Primatology 7(3) 225-267
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Popescu, Mihai, Otsuka, Asuka & Ioannides, Andreas A. (2004)
Dynamics of brain activity in motor and frontal cortical areas during music
listening: a magnetoencephalographic study in NeuroImage 21(4) 1622-1638
Abstract
Poppel, Ernst (1997) A hierarchical model of temporal perception in
Trends in Cognitive Sciences 1(2) 56-61
Abstract
Poppel, Ernst & Wittmann, Marc (1999) Time in the Mind in The MIT
Encyclopedia of the Cognitive Sciences (eds R. A. Wilson & F. C. Keil) MIT
Press 841-843
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vowel-vowel sequences: Evidence for a fast and direct acoustic-motor linkage in
speech in the Journal of Speech and Hearing Research 23(3) 593-602
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& Reeve, Lori (1991) Generalized vocal imitation in infants in the
Journal of Experimental Child Psychology 51(2) 267-279
Abstract
Povel, D. J. & Essens, P. (1985) Perception of Temporal Patterns in Music Perception
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No abstracts before 2001.
Powell, Harriet (2004) Powell, Harriet A Dream Wedding: From Community
Music to Community Music Therapy with a Community Community Music Therapy (eds
Pavlicevic & Ansdell)
Pratt, George, Henson, Michael & Cargill, Simon (1998) Aural
Awareness: Principles and
Publisher's book description
Pressing, Jeffrey (1999) The referential dynamics of cognition and
action in Psychological Review 106(4) 714-747
Abstract
Pressing, Jeffrey (1998) Cognitive complexity and the structure of
musical patterns in Noetica 3(8) 1-8
Full text
Preston, Stephanie D., Bechara, Antoine, Damasio, Hanna, Grabowski, Thomas
J., Stansfield, R. Brent, Mehta, Sonya & Damasio, Antonio R. (2007) The
neural substrates of cognitive empathy in Social Neuroscience 2(3-4) 254-275
Abstract
Preston, Stephanie D. & de Waal, Frans B. M. (2002) Empathy: Its
ultimate and proximate bases in Behavioral and Brain Sciences 25(1) 1-72
Abstract
Preti, A., De Biasi, F. & Miotto, P. (2001) Musical creativity and
suicide in Psychological Reports 89(3) 719-727
Abstract
Prickett, C. A. & Moore, R. S. (1991) The use of music to aid memory
of Alzheimer's patients in Journal
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Journal site: on-line archives begin
in 1998
Priesnitz, Wendy (2006) Music is Medicine for Body and Soul in the
Natural Life Magazine May/June 2006
General
article about current research
Procter, Simon (2006) Music therapy and social capital: What are we
playing at? in Assessing Social Capital: Concept, Policy and Practice (eds
Edwards, Franklin & Holland) Cambridge Scholars Press
Publisher's book description
Procter, Simon (2006) Music therapy: why not in education? in No Need
for Words: Special Needs in Music Education (eds Paterson & Zimmermann)
National Association of Music Educators
Publisher's book description
Procter, Simon (2004) Playing Politics: Community Music Therapy and the
Therapeutic Redistribution of Music Capital for Mental Health in Community Music Therapy (eds
Pavlicevic & Ansdell)
Procter, Simon (2001) Empowering and Enabling: Improvisational Music
Therapy in Non-medical Mental Health Provision in Voices: A World Forum for Music Therapy
1(2)
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Pulli, Kristiina, Karma, Kai, Norio, Reijo, Sistonen, Pertti, Goring, Harald
H. & Jarvela, Irma E. (18/4/2008) Genome wide linkage scan for loci of
musical aptitude in Finnish families: Evidence for a major locus at 4q22 in the
Journal of Medical Genetics (online only)
Abstract
Racette, Amelie, Bard, Celine & Peretz, Isabelle (2006) Making
non-fluent aphasics speak: sing along! in Brain 129(10) 2571-2584
Full text
Racette, Amelie & Peretz, Isabelle (2007) Learning lyrics: To sing
or not to sing? in Memory and Cognition 35(2) 242-253
Full text
Radulescu, Horatiu (2003) Brain and Sound Resonance: The World of
Self-Generative Functions as a Basis of the Spectral Language of Music in
Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 322-363
Abstract
Rameau, Jean-Philippe (1722/1971) Treatise on harmony
Publisher's book description
Ramus, F. (2002) Language discrimination by newborns: Teasing apart
phonotactic, rhythmic, and intonational cues in the Annual Review of Language
Acquisition 2(1) 85-115
Abstract
Ramus, Franck, Nespor, Marina & Mehler, Jacques (1999) Correlates of
linguistic rhythm in the speech signal in Cognition 73(3) 265-292
Abstract
Rana, Shabbir A. & North, Adrian C. (2007) The Role of Music in
Everyday Life Among Pakistanis in Music
Perception 25(1) 59-73
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Randall, Jan A. (1997) Species-specific footdrumming in kangaroo rats:
Dipodomys ingens, D. deserti, D. spectabilis in Animal Behaviour 54(5)
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Rao, Stephen M., Mayer, Andrew R. & Harrington, Deborah L. (2001)
The evolution of brain activation during temporal processing in Nature
Neuroscience 4(3) 317-323
Abstract
Rappaport, Roy A. (1999) Ritual and religion in the making of humanity
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Rasoloharijaona, Solofoniri, Randrianambinina, Blanchard, Braune, Pia &
Zimmermann, Elke (2006) Loud calling, spacing, and cohesiveness in a
nocturnal primate, the Milne Edwards' sportive lemur (Lepilemur edwardsi) in
the American Journal of Physical Anthropology 129(4) 591-600
Abstract
Ratliff, Ben (10/2/2008) Shared Song, Communal Memory in The New York
Times
Full text
Rauscher, Frances H. (9/2003) Can Music Instruction Affect Children's
Cognitive Development? in Eric Digest
Full text
Rauscher, Frances H. (2002) Mozart and the mind: Factual and fictional
effects of musical enrichment in Improving academic achievement: Impact of
psychological factors on education (ed J. Aronson) Academic Press 269-278
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Rauscher, Frances H. & Hinton, Sean C. (2006) The Mozart Effect:
Music Listening is Not Music Instruction in the Educational Psychologist 41(4)
233 - 238
Abstract
List of abstracts
Abstract
Rauscher, Frances H., Shaw, Gordon L. & Ky, Catherine N. (1995)
Listening to Mozart enhances spatial temporal reasoning: Towards a neurological
basis in Neuroscience Letters 185(1) 44-47
Abstract
Rauscher, Frances H., Shaw, Gordon L. & Ky, Catherine N. (1993)
Music and spatial task performance in Nature 365 611
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Rauscher, Frances H., Shaw, Gordon L., Levine, L. J., Wright, E. L., Dennis,
W. R. & Newcomb, R. L. (1997) Music training causes long-term
enhancement of preschool children's spatial-temporal reasoning in Neurological Research
19(1) 1-8
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Rauscher, Frances H., Spychiger, Maria, Lamont, Alexandra, Mills, Janet,
Waters, Andrew J. & Gruhn, Wilfried (1998) Responses to Katie Overy's
Paper, Can Music Really 'Improve' the Mind? in Psychology of Music 26(2) 197-210
Table of contents; no abstract
available
Rauscher, Frances H. & Zupan, M. (2000) Classroom keyboard
instruction improves kindergarten children's spatial-temporal performance: A
field experiment in the Early Childhood Research Quarterly 15(2) 215-228
Abstract
Ravel Jeffrey S. (8/1997) Review of Laura Mason's Singing the French
Revolution: Popular Culture and Politics, 1787-1799 Cornell University Press
1996 H-France
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Reeve, H. K., & Sherman, P. (1993) Adaptation and the goals of
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Rehding, Alexander (2000) The quest for the origins of music in Germany
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American Musicological Society 53(2) 345-385
Abstract
Remy, Jeannine (3/2006) The Panyard as a Model Space for Training
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Full text
Rendall, Drew, Owren, Michael J. & Rodman, Peter S. (1998) The role
of vocal tract filtering in identity cueing in rhesus monkey (Macaca mulatta)
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Abstract
Rentfrow, Peter J. & Gosling, Samuel D. (2007) The content and
validity of music-genre stereotypes among college students in Psychology of Music 35(2) 306-326
Abstract
Rentfrow, Peter J. & Gosling, Samuel D. (2006) Message in a Ballad:
The Role of Music Preferences in Interpersonal Perception in Psychological
Science 17(3)
Full text
Repp, Bruno H. (2007) Endogenous contributions to metrical perception
presented at the Warsaw
Workhop on Music and the Brain
Abstract
Repp, Bruno H. (2006) Musical Synchronization in Music, Motor Control
and the Brain (eds E. Altenmuller, M. Wiesendanger & J. Kesserling) Oxford
University Press 55-76
Publisher's book description
Repp, Bruno H. (2005) Sensorimotor synchronization: A review of the
tapping literature in the Psychonomic Bulletin and Review 12(6) 969-992
Abstract
Repp, Bruno H. (2004) Comments on 'Rapid motor adaptations to subliminal
frequency shifts during syncopated rhythmic sensorimotor synchronization' by
Michael H. Thaut & Gary P. Kenyon (Human Movement Science 22 [2003]
321-338) in Human Movement Science 23(1) 61-77
Abstract
Repp, Bruno H. (2001) Phase Correction, phase resetting, and phase
shifts after subliminal timing perturbations in sensorimotor synchronization in
the Journal of Experimental Psychology: Human Perception and Performance 27(3)
600-621
Abstract
Repp, Bruno H. (1998) Variations on a theme by Chopin: relations between
perception and production of timing in music in the Journal of Experimental
Psychology: Human Perception and Performance 24(3) 791-811
Abstract
Repp, Bruno H. (1993) Music as motion: A synopsis of Alexander Truslit's
(1938) Gestaltung und bewegung in der musik in Psychology of Music 21(1) 48-72
Abstract
Repp, Bruno H. (1992) Diversity and commonality in music performance: an
analysis of timing microstructure in Schumann's "Traumerei" in the Journal of the Acoustical
Society of America 92(5) 2546-2568
Abstract
Repp, Bruno H. & Keller, Peter (2004) Adaptation to tempo changes in
sensorimotor synchronization: Effects of intention, attention, and awareness in
The Quarterly Journal of Experimental Psychology 57(3) 499-521
Abstract
Repp, Bruno H., London, Justin & Keller, Peter K. (2005) Production
and synchronization of uneven rhythms at fast tempi in Music Perception 23(1) 61-78
Abstract
Repp, Bruno H. & Penel, Amandine (2002) Auditory dominance in
temporal processing: new evidence from synchronization with simultaneous visual
and auditory sequence in the Journal of Experimental Psychology: Human
Perception and Performance 28(5) 1085-1099
Abstract
Richards, Paul (2006) The emotions at war: a musicological approach to
understanding atrocity in Sierra Leone in Public Emotions (eds P. 6, S.
Radstone, C. Squire & A. Treacher) Palgrave-Macmillan
Publisher's book description
Richardson, Daniel C., Dale, Rick & Kirkham, Natasha Z. (2007) The
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Schafer, R. Murray (1986) The Thinking Ear: Complete Writings on Music
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book description
Small, Christopher (6/6/1995) Musicking: A Ritual in Social Space; A
Lecture presented at the
Full
text
Small, Christopher (1987, 1998) Music of the Common Tongue Wesleyan University
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book description
Small, Christopher (1977, 1996) Music, Society, Education Wesleyan
University Press
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book description
Smith, J. A. (1999) Identity development during the transition to
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No abstract. Issue's table of contents
Snyder, Bob (2001) Music and Memory: An Introduction MIT Press
Publisher's book description
Snyder, Joel S., Hannon, Erin E., Large, Edward W. & Christiansen,
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Evolution and Psychology of Unselfish Behavior Harvard University Press
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Sockol, Michael D., Raichlen, David A. & Pontzer, Herman (2007)
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Proceedings of the National Academy of Sciences 104(30) 12265-12269
Abstract
Sokhadze, EstateÊM. (2007) Effects of Music on the Recovery of Autonomic
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Applied Psychophysiology and Biofeedback 32(1) 31-50
Abstract
Sparing, R., Meister, I., Wienemann, M., Buelte, D., & Boroojerdi, B.
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singing in Clinical Neurophysiology 118(4) 98
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Sparks, John D. (2005) The Singing-Health Connection A growing body of
research demonstrates enhanced health and emotional benefits in The Voice of
Chorus America Winter 2004-05 28(2)
Chorus America article about the Gene D. Cohen study Creativity and
Aging: The Impact of Professionally Conducted Cultural Programs on Older Adults
Sparks, John D. & Allen, Robin Perry (2003) America's Performing
Art: A Study of Choruses, Choral Singers, and Their Impact Chorus America
Full text
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the Cognitive Sciences (eds R. A. Wilson & F. C. Keil) MIT Press 402-404
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Spencer, Herbert (1890) The origin of music in Mind os-XV(60) 449-468
Citation only
Spencer, Herbert (1858) Essays, Scientific, Political and Speculative
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Spencer, Herbert (1857) The origin and function of music in Fraser's
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No web source but the piece may have been included in Essays, Scientific, Political and Speculative
Sperber, Dan (1996) Explaining culture: A Naturalistic Approach
Blackwell
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Sperber, Dan & Hirschfield, Lawrence A. (1999) Culture, cognition
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Sperber, Dan & Wilson, Deirdre (1995) Relevance: Communication and
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Publisher's book description
Spiro, John (2003) Focus on Music and the Brain (Introduction to the
special issue) in Nature Neuroscience 6(7) 661
Papers by Hauser &
McDermott, Janata
& Grafton, Patel, Peretz & Coltheart, Trehub, Zatorre. Table of contents; no abstract
available
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Abstract
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health: an exploration of the issues in Health Education 102(4) 156-162
Abstract
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presented at the Proceedings
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M. Costa), 'Music in the Mind -
The Mind in Music' conference, Bologna
Full text
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mystery of the Mozart effect: Failure to replicate in Psychological Science
10(4) 366-369
Abstract
Stefanakis, Mandy (9/2005) How Music Might Impact on Us and the
Implications for Music Education in Action, Criticism & Theory for Music
Education 4(2)
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Steinbeis, Nikolaus & Koelsch, Stefan (9/2007) Shared Neural
Resources between Music and Language Indicate Semantic Processing of Musical
Tension-Resolution Patterns in Cerebral Cortex
Full text
Steinbeis, Nikolaus, Koelsch, Stefan & Sloboda, John A. (2005)
Emotional processing of harmonic expectancy violations in the Annals of the New
York Academy of Sciences: The
Neurosciences and Music II: From Perception to Performance
(eds Avanzini, Koelsch, Lopez & Majno) 1060 458-462
Abstract. A more recent and longer
version of this paper
appears in the Journal of Cognitive Neuroscience
Steinbeis, Nikolaus, Koelsch, Stefan & Sloboda, John A. (2005) The
Role of Harmonic Expectancy Violations in Musical Emotions: Evidence from
Subjective, Physiological and Neural Responses in Journal of Cognitive
Neuroscience 18(8) 1380Ð1393
Full text. This is a more recent and
longer version of a paper
appearing in The
Neurosciences and Music II: From Perception to Performance
(eds Avanzini, Koelsch, Lopez & Majno)
Stephan, K. M., Thaut, Michael H., Wunderlich, G., Schicks, W., Tian, B.,
Tellmann, L., Schmitz, T., Herzog, H., McIntosh, G. C., Seitz, R. J. & Homberg,
V. (2002) Conscious and subconscious sensorimotor synchronization -
prefrontal cortex and the influence of awareness in NeuroImage 15(2) 345-352
Abstract
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from psychoanalysis and developmental psychology Basic Books
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Stevens, C., Burnham, D., McPherson, Gary E., Schubert, E. & Renwick, J.
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& Morley, Kreutz,
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OUP
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and Systematics 36
Table of contents
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abstract available.
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Storr, Anthony (1993) Music and the Mind Ballantine Books
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Studdert-Kennedy, Michael (2000) Imitation and the emergence of segments
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Studdert-Kennedy, Michael & Goldstein, Louis (2003) Launching
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Sutoo, Denetsu & Akiyama, Kayo (2004) Music improves dopaminergic
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555-561
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Liking and Memory for Musical Stimuli as a Function of Exposure in the Journal
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Abstract
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Talwar, Nakul, Crawford, Mike J., Maratos, Anna, Nur, Ular, McDermott, Orii
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Abstract
Tarrant, Mark, North, Adrian C. & Hargreaves, David J. (2004)
Adolescents' intergroup attributions: A comparison of two social identities in
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Tarrant, Mark, North, Adrian C. & Hargreaves, David J. (2002) Youth
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Tarrant, Mark, North, Adrian C. & Hargreaves, David J. (2000)
English and American adolescents' reasons for listening to music in Psychology of Music
28(2) 166-173
Abstract
Teachout, David J. (2005) The impact of music education on a child's
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Temperley, David (2001) The cognition of basic musical structures MIT
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Ternstrom, Sten (1993) Perceptual evaluations of voice scatter in unison
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Abstract
Ternstrom, Sten (1991) Physical and acoustic factors that interact with
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Abstract
Tervaniemi, Mari & Hugdahl, Kenneth (2003) Lateralization of
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Tervaniemi, Mari, Just, Viola, Koelsch, Stefan, Widmann, Andreas &
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Abstract
Tervaniemi, Mari, Rytkonen, Mika, Schroger, Erich, Ilmoniemi, Risto J. &
Naatanen, Risto (2001) Superior formation of cortical memory traces for
melodic patterns in musicians in Learning and Memory 8(5) 295-300
Abstract
Tervaniemi, Mari, Szameitat, Andre J., Kruck, Stefanie, Schroger, Erich,
Alter, Kai, De Baene, Wouter & Friederici, Angela D. (2006) From air
oscillations to music and speech: functional magnetic resonance imaging
evidence for fine-tuned neural networks in audition in the Journal of
Neuroscience 26(34) 8647-8652
Abstract
Than, Ker (2008) In Search of Music's Biological Roots in DUKE Magazine
94(3) May-June
General article about the work of Dale Purves.Full text
Thaut, Michael H. (2005) The Future of Music in Therapy and Medicine in
Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
303-308
Abstract
Thaut, Michael H. (2005) Rhythm, human temporality and brain function in
Musical Communication
(eds Miell, MacDonald & Hargreaves)
Thaut, Michael H. (2005) Rhythm, Music and the Brain: Scientific
Foundations and Clinical Applications (Studies on New Music Research) Routledge
Publisher's book description
Thaut, Michael H. (2003) Neural Basis of Rhythmic Timing Networks in the
Human Brain in Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 364-373
Abstract
Thaut, Michael H. (2002) Psychomusical Foundations of Music Therapy:
Neuropsychological Processes in Music Perception and Their Relevance in Music
Therapy in Music Therapy in
the Treatment of Adults with Mental Disorders: Theoretical
bases and clinical information (R. Unkefer & M. H. Thaut) Barcelona
Publishers
Thaut, Michael H. (2002) Scientific foundations for music in medicine
and therapy presented at The
Musical Brain conference hosted by The Royal Institution of
Great Britain
Site on which abstracts of all
presentations can be viewed
Thaut, Michael H., McIntosh, G. C. & Rice, R. R. (1997) Rhythmic
facilitation of gait training in hemiparetic stroke rehabilitation in the
Journal of Neurological Sciences 151(2) 207-212
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Thaut, Michael H., McIntosh, Kathleen W., McIntosh, Gerald C. &
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motor control in patients with Parkinson's disease in Functional Neurology
16(2)
Table of contents for V16(2)
Thaut, Michael H., Nickel, A. & Hoemberg, V. (2004) Neurologic music
therapy: Compendium of scientific background and clinical methodology in
Musiktherapeutische Umschau 25 35-44
In German; M. Thaut has done earlier work on rhythm and Parkinson's
Thaut, Michael H., Peterson, David A. & McIntosh, Gerald C. (2005)
Temporal Entrainment of Cognitive Functions: Musical Mnemonics Induce Brain
Plasticity and Oscillatory Synchrony in Neural Networks Underlying Memory in
Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
243-254
Abstract
Thayer, Robert E., Newman, J. Robert & McClain, Tracey M. (1994) The
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910-925
Abstract
Thomas, Downing A. (1995) Music and the Origins of Language: Theories
from the
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Thomassen, Joseph M. (1982) Melodic accent: experiments and a tentative
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Abstract
Thompson, R. G., Moulin, C. J., Hayre, S. & Jones, R.W. (2005) Music
enhances category fluency in healthy older adults and Alzheimer's disease
patients in Experimental Aging Research 31(1) 91-99
Abstract
Thompson, William Forde (in progress) Music Thought & Feeling: The
Psychology of Music Oxford University Press
No web reference found
Thompson, William Forde (2003) Is music unique among human activities?
in the Bulletin of Psychology
and the Arts 4(1) 38-39
Referred to on author's site. Unable to find a direct
web source. The website of the journal of the Society
for the Psychology of Aesthetics, Creativity of the Arts is what comes up from
a BPA search
Thompson, William Forde & Balkwill, Laura-Lee (2006) Decoding speech
prosody in five languages in Semiotica 158(1) 407-424
Full text
Thompson, William Forde, Graham, Phil & Russo, Frank A. (2005)
Seeing music performance: Visual influences on perception and experience in
Semiotica 2005(156) 203-227
Abstract
Thompson, William Forde & Robitaille, Brent (1992) Can composers
express emotions through music? in Empirical Studies of the Arts 10(1) 79-89
Abstract
Thompson, William Forde & Russo, Frank A. (2004) The attribution of
emotion and meaning to song lyrics in Polskie Forum Psychologiczne 9(1) 51-62
Full text
Thompson, William Forde, Schellenberg, E. Glenn & Husain, Gabriela
(2004) Decoding speech prosody: Do music lessons help? in Emotion 4(1) 46-64
Full text
Thompson, William Forde, Schellenberg, E. Glenn & Husain, Gabriela
(2003) Perceiving Prosody in Speech: Effects of Music Lessons in Annals of the
New York Academy of Sciences: The
Neurosciences and Music (eds Avanzini, Faienza &
Minciacchi) 999 530-532
Full text
Thompson, William Forde, Schellenberg, E. Glenn & Husain, Gabriela (2001)
Arousal, mood, and the Mozart effect in Psychological Science 12 248-251
Full text
Tillmann, Barbara (2007) Tonal expectations in nonmusician listeners
presented at the Warsaw
Workhop on Music and the Brain
Abstract
Tillmann, Barbara (2005) Implicit Investigations of Tonal Knowledge in
Nonmusician Listeners in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 100-110
Abstract
Tillmann, Barbara, Janata, Petr & Bharucha, Jamshed J. (2003)
Activation of the inferior frontal cortex in musical priming Cognitive Brain
Research 16(2) 145-161
Abstract
Tillmann, Barbara, Koelsch, Stefan, Escoffier, N., Bigand, Emmanuel, Lalitte
P., Friederici, Angela D. & von Cramow, D. Y. (2006) Cognitive priming
in sung and instrumental music: Activation of inferior frontal cortex in
Neuroimage 31 1771-1782
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Tinbergen, N. (1963) On aims and methods of ethology in Zeitschrift fur
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Unable to find a web source
Tincoff, Ruth, Hauser, Marc D., Tsao, Fritz, Spaepen, Geertrui, Ramus,
Franck & Mehler, Jacques (2005) The role of speech rhythm in language
discrimination: further tests with a non-human primate in Developmental Science
8(1) 26-35
Abstract
Titon, Jeff Todd, Koetting, J. T., McAllester, D. P., Reck, D. B. &
Slobin, M. (eds) (2002) Worlds of Music: An Introduction to the Music of
the World's Peoples (4th ed) Schirmer Books
Publisher's book description Chapter: Titon & Slobin
Titon, Jeff Todd & Slobin, M. (1996) The music-culture as a world of
music in Worlds of Music:
An introduction to the music of the world's peoples (ed J. T.Titon) Schirmer
Books
Titze, Ingo R. (1994) Principles of Voice Production Prentice Hall
Out of print; google has digitised it; National
Library of Australia details.
Todd, N. P. McAngus (30/8/2002) Sex, drugs and rock 'n roll: Or on the evolutionary
neurobiology of hearing and hedonism presented to the Australian Music & Psychology Society
Abstract
Todd, N. P. McAngus (2001) Evidence for a behavioural significance of
saccular acoustic sensitivity in humans in the Journal of the Acoustical Society of America
110(1) 380-480
Abstract
Todd, N. P. McAngus (1992) The dynamics of dynamics: A model of musical
expression in Journal of the
Acoustical Society of America 91(6) 3540-3550
Abstract
Todd, N. P. McAngus & Cody, Frederick W. (2000) Vestibular responses
to loud dance music: A physiological basis for the 'rock and roll threshold'?
in the Journal of the
Acoustical Society of America 107(1) 496-500
Abstract
Todd, N. P. McAngus, Cody, Frederick W. & Banks, Jon (2000) A
saccular origin of frequency tuning in myogenic vestibular evoked potentials?:
Implications for human responses to loud sounds in Hearing Research 141 180-188
Abstract
Toiviainen, Petri, Krumhansl, Carol L. (2003) Measuring and modeling
real-time responses to music: The dynamics of tonality induction in Perception
32(6) 741Ð766
Abstract
Toiviainen, Petri & Snyder, Joel S. (2003) Tapping to Bach:
Resonance-Based Modeling of Pulse in Music Perception 21(1) 43-80
Abstract
Tolbert,
Abstract
Tolbert, Elizabeth (2005) Musical Meaning, Decomposability and Symbol
Grounding presented at a Science
and Music Group Seminar, Cambridge
Cannot find a web source.
Tolbert, Elizabeth (9-10/2004) The evolution of music and the birth of
representation presented at 'Music,
Language and Human Evolution', European Science Foundation
Exploratory Workshop
Tolbert, Elizabeth (2001) The Enigma of Music, the Voice of Reason:
'Music', 'Language', and 'Becoming Human' in New Literary History 32(3) Summer
Abstract
Tolbert,
Abstract
Tolbert, Elizabeth D. (1992) Theories of meaning and music cognition: an
ethnomusicological approach in The
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Online abstracts start in 1997. Citation only in The World of Music
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memory for music: Infants remember tempo and timbre in Developmental Science 7
289-296
Full text
Tramo, Mark Jude (2003) Neurobiology of harmony perception in The Cognitive Neuroscience of
Music (eds Peretz & Zatorre)
Tramo, Mark Jude (5/1/2001) Music of the Hemispheres in Science
291(5501) 54-56
Abstract. Commentary: Angier, Cromie & Leutwyler
Tramo, Mark Jude, Cariani, Peter A., Delgutte, Bertrand & Braida, Louis
D. (2001) Neurobiological foundations for the theory of harmony in western tonal
music in the Annals of the New York Academy of Sciences: The Biological Foundations of Music
(eds Zatorre & Peretz) 930(1) 92-116
Abstract
Tramo, Mark Jude, Cariani, Peter A., Koh, Christine K., Makris, Nikos &
Braida, Louis D. (2005) Neurophysiology and Neuroanatomy of Pitch
Perception: Auditory Cortex in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 148-174
Abstract
Trehub, Sandra E. (2006) Infants as musical connoisseurs in The Child as Musician:
A handbook of musical development (ed G. E. McPherson) Oxford University Press
33-49
Publisher's book description
Trehub, Sandra E. (8/2006) Lullaby and good night presented at Proceedings of ICMPC9
(eds M. Baroni, A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference,
Abstract
Trehub, Sandra E. (2005) Part IV: Developmental and Applied Perspectives
on Music. Introduction in Annals of the New York Academy of Sciences: The Neurosciences and Music II:
From Perception to Performance (eds Avanzini, Koelsch, Lopez
& Majno) 1060 198-201
Full text
Trehub, Sandra E. (2003) Absolute and relative pitch processing in tone
learning tasks in Developmental Science 6 46-47
Full text
Trehub, Sandra E. (2003) Absolute pitch and relative pitch processing in
tone learning tasks: Commentary on Saffron and Griegentrog in Developmental Science
6(1) 44-45
Citation only
Trehub, Sandra E. (2003) The developmental origins of musicality in
Nature Neuroscience: Focus on Music and the Brain (intro Spiro) 6(7) 669-673
Full text
Trehub, Sandra E. (2003) Musical predispositions in infancy: an update
in The Cognitive Neuroscience
of Music (eds Peretz & Zatorre)
An older version of this is abstracted in the original publication
Trehub, Sandra E. (2003) Toward a Developmental Psychology of Music in
Annals of the New York Academy of Sciences: The Neurosciences and Music (eds
Avanzini, Faienza & Minciacchi) 999 402-413
Full text
Trehub, Sandra E. (2002) The musical infant presented at The Musical Brain conference hosted by
The Royal Institution of Great Britain
Site on which abstracts of all
presentations can be viewed
Trehub, Sandra E. (2001) Musical predispositions in infancy in Annals of
the New York Academy of Sciences: The Biological Foundations of Music (eds Zatorre
& Peretz) 930(1) 1-16
Full text
Trehub, Sandra E. (1999) Human Processing Predispositions and Musical
Universals in The Origins of
Music (eds Wallin, Merker & Brown)
Trehub, Sandra E., Bull, D. & Thorpe, L. A. (1984) Infants'
perception of melodies: The role of melodic contour in Child Development 55(3)
821-830
Abstract
Trehub, Sandra E. & Hannon, Erin E. (in press) Conventional rhythms
enhance infants' and adults' perception of musical patterns in Cortex
Not listed on magazine's site; mentioned on author's site.
Trehub, Sandra E. & Hannon, Erin E. (2006) Infant music perception:
domain-general or domain-specific mechanisms? in Cognition; special issue: The Nature of Music
(ed I. Peretz) 100(1) 73-99
Abstract
Trehub, Sandra E. & Nakata, Takayuki (2001) Emotion and music in
infancy in Musicae Scientiae
Special Issue, 2001-2002: Current Trends in the Study of Music and Emotion
Abstract
Trehub, Sandra E. & Schellenberg, E. Glenn (1995) Music: its
relevance to infants in Annals of Child Development Jessica Kingsley 11
Out of print. Publisher's list of out of print
volumes.
Trehub, Sandra E., Schellenberg, E. Glenn & Hill, D. (1997) The
origins of music perception and cognition: a developmental perspective in The Perception and Cognition of
Music (eds Deliege & Sloboda)
Trehub, Sandra E., Schellenberg, E. Glenn, & Nakata, Takayuki (2008
in press) Cross-cultural perspectives on pitch memory in the Journal of
Experimental Child Psychology
No web source yet; cited on author's site
Trehub, Sandra E. & Trainor, Laurel J. (1998) Singing to infants:
lullabies and playsongs in Advances in Infancy Research 12
Full text
Trehub, Sandra E., Unyk, Anna M., & Trainor, Laurel J. (1993) Adults
identify infant-directed music across cultures in Infant Behavior and
Development 16(2) 193-211
Abstract
Trehub, Sandra E., Unyk, Anna M., & Trainor, Laurel J. (1993)
Maternal singing in cross cultural perspective in Infant Behavior and
Development 16(3) 285-295
Abstract
Trevarthen, Colwyn (2008) Rhythm with sympathy: Why all God's children
have music in their brains in Music
That Works (eds Haas & Brandes)
Trevarthen, Colwyn (2005) First things first: infants make good use of the
sympathetic rhythm of imitation, without reason or language in Journal of Child
Psychotherapy 31(1) 91-113
Abstract
Trevarthen, Colwyn (2002) Origins of musical identity: evidence from
infancy for musical social awareness in Musical Identities (eds MacDonald,
Hargreaves & Miell)
Trevarthen, Colwyn (2001) Autism, sympathy of motives and music therapy
in Enfance 1 86-99
Abstract
Trevarthen, Colwyn (2001) Intrinsic Motives for Companionship in
Understanding: Their Origin, Development and Significance for Infant Mental
Health in Infant Mental Health Journal 22(1-2)
Abstract
Trevarthen, Colwyn (1999) Musicality and the intrinsic motive pulse:
evidence from human psychobiology and infant communication in Musicae Scientiae Special Issue,
1999-2000: Rhythm, Musical Narrative, and Origins of Human Communication
Abstract
Trevarthen, Colwyn (1994) Infant semiosis in Origins of Semiosis: Sign
Evolution in Nature and Culture (ed W. Noth) Mouton de Gruyter
Publisher's book description
Trevarthen, Colwyn & Aitken, Kenneth J. (2001) Infant
intersubjectivity: research, theory, and clinical applications in the Journal
of Child Psychology and Psychiatry and Allied Disciplines 42(1) 3-48
Abstract
Trevarthen, Colwyn & Daniel, Stuart (2005) Disorganized rhythm and
synchrony: Early signs of autism and Rett syndrome in Brain and Development
27(Supplement1) S25-S34
Abstract
Trevarthen, Colwyn & Malloch, Stephen N. (2002) Musicality and music
before three: Human vitality and invention shared with pride in Zero to Three 23(1) 10-18
Publisher's site doesn't offer
abstracts or tables of contents.
Trevarthen, Colwyn & Malloch, Stephen N. (2000) The Dance of
Wellbeing: Defining the Musical Therapeutic Effect in the Nordic Journal of Music Therapy 9(2)
Abstract
Trevarthen, Colwyn, Powers, Niki & Mazokopaki, Katia (8/2006)
Investigating the rhythms and vocal expressions of infant musicality in Crete,
Japan and Scotland presented at the Proceedings of ICMPC9 (eds M. Baroni,
A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna
Full text
Turino, Thomas (1999) Signs of imagination, identity, and experience: A
Peircian semiotic theory for music in Ethnomusicology 42(2) 221-255
Citation
only
Turner, Victor (1975) Dramas, Fields and Metaphors: Symbolic Action in
Human Society Cornell University Press
Publisher's book description
Turner, Victor (1969, 1995) The Ritual Process: Structure and
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Publisher's book description
Turton, Angela & Durrant, Colin (2002) A study of adults' attitudes,
perceptions and reflections on their singing experience in secondary school:
some implications for music education in British Journal of Music Education 19
31-48
Abstract
Unkefer, Robert & Thaut, Michael H. (eds) (2002) Music Therapy in
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Publisher's book description
Unwin, Margaret M., Kenny, Dianna T. & Davis, Pamela J. (2002) The
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Abstract
Unyk, Anna M., Trehub, Sandra E., Trainor, Laurel J. & Schellenberg, E. Glenn
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Full text
Valentine, E. & Evans, C. (2001) The effects of solo singing, choral
singing and swimming on mood and physiological indices in British Journal of
Medical Psychology 74
Abstract
Van de Winckel, Ann, Feys, Hilde, De Weerdt, Willy & Dom, Rene (2004)
Cognitive and behavioural effects of music-based exercises in patients with
dementia in Clinical Rehabilitation 18(3) 253-260
Abstract
van Niekerk, Caroline (2007) The Potential Power of Music in Meetings in
Meeting Support Institue Newsletter
Full text
Van Parijs, S. M. (2003) Aquatic mating in pinnipeds: A review in
Aquatic Mammals 29(2) 214-226
Abstract
van Schaik, Carel P. (2007) Culture in primates and other animals in the
Oxford Handbook of Evolutionary Psychology (eds L. Barrett & R. I. M.
Dunbar) OUP 103-113
Publisher's book description
Vance, Michael (2006) Incorporating music into health care education:
Experience at a college of pharmacy in Education for Health: Change in Learning
& Practice 19(2) 251-255
Abstract
VanderArk, Sherman D. & Ely, Daniel (1993) Cortisol, biochemical,
and galvanic skin responses to music stimuli of different preference values by
college students in biology and music in Perceptual and Motor Skills 77(5)
227-234
Abstract
VanderArk, Sherman D. & Ely, Daniel (1992) Biochemical and galvanic
skin responses to music stimuli by college students in biology and music in
Perceptual and Motor Skills 74(3) 1079-1090
Abstract
Vaneechoutte, M. & Skoyles, J.R. (1998) The memetic origin of
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Evolutionary Models of Information Transmission 2
Full text
Vastfjall, Daniel (2001) A review of the musical mood induction
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Special Issue, 2001-2002: Current Trends in the Study of Music and Emotion
Abstract
Vaughn, Kathryn (2000) Music and mathematics: Modest support for the
oft-claimed relationship in Journal of Aesthetic Education; special issue: The
Arts and Academic Achievement: What The Evidence Shows 34(3-4) 149-166
Table of contents
Vella-Burrows, Trish (ed) (10/2005) Tuning Up in Community music making
for children and older people; Sing for Your Life Newsletter 1
General article in a local newsletter.
Vella-Burrows, Trish (2004) Working with music: music's role for the
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Full text
Verres, Rolf (2008) Responsiveness and the preparedness for
responsiveness, and quiescence in a therapeutic context in Music That Works (eds Haas &
Brandes)
Viadero, Debra (3/2008) Insights Gained Into Arts and Smarts in
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Opening paragraphs of general article
describing the Dana Foundations 3/08 release of research findings learning. arts and the brain.
Vihman, Marilyn M. & Croft, William (2005 in press) Phonological
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Full text
Vines, Bradley W., Krumhansl, Carol L., Wanderley, Marcelo M., Dalca, Iona
& Levitin, Daniel J. (2005) Dimensions of Emotion in Expressive Musical
Performance in Annals of the New York Academy of Sciences: The Neurosciences and Music II: From Perception to
Performance (eds Avanzini, Koelsch, Lopez & Majno) 1060
462-466
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Vines, Bradley W., Krumhansl, Carol L., Wanderley, Marcelo M. & Levitin,
Daniel J. (2006) Cross-modal interactions in the perception of musical
performance in Cognition 101(1) 80-113
Abstract
Vines, Bradley W., Wanderley, Marcelo M., Krumhansl, Carol L., Nuzzo, R. L.
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Vink, Annemiek (2002) Art and Intimacy a review of Art and Intimacy (Dissanayake) in the Nordic Journal of Music Therapy
Full text
Vitouch, Oliver (2001) When your ear sets the stage: Musical context
effects in film perception in Psychology
of Music 29(1) 70-83
Abstract
Volkova, Anna, Trehub, Sandra E. & Schellenberg, E. Glenn (2006)
Infants' memory for musical performances in Developmental Science 9(6) 583-589
Full text
Vongpaisal, Tara, Trehub, Sandra E., & Schellenberg, E. Glenn (2006)
Song recognition by children and adolescents with cochlear implants in the
Journal of Speech, Language, and Hearing Research 49(5) 1091-1103
Full text
Vorberg, Dirk & Schulze, Hans-Henning (2002) Linear phase-correction
in synchronization: predictions, parameter estimation, and simulations in
Journal of Mathematical Psychology 46(1) 56-87
Abstract
Vorberg, Dirk & Wing, Alan M. (1996) Modeling variability and
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Out of print; google book entry. National Library of
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Publisher's site; online archives
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General article covering the ideas of
Zatorre, Miller, Dunbar, Hagen, Bryant, Trehub, etc.
Walker, Gabrielle (2001) Big band in the New Scientist 2322 34-35
Abstract
Publisher's book description
Walker, Robert (6/2005) We All Came Out Of
Abstract
Walker, Robert (2004) Cultural Memes, Innate Proclivities and Musical
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Abstract
Wallace, Wanda T. (1994) Memory for music: Effect of melody on recall of
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Abstract
Waller, Stephen J. (1993) Sound reflection as an explanation for the
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Publisher's site; no abstracts from
this time.
Wallin, Nils L. (1992) Biomusicology: Neurophysiological,
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of Music Pendragon Press
Publisher's book description
Wallin, Nils L., Merker, Bjorn & Brown, Steven (eds) (1999) The
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Publisher's book description.
Chapters: Arom,
Bickerton,
Brown, Brown, Merker & Wallin,
Dissanayake,
Falk, Freeman, Geissmann, Hauser, Imberty, Jerison, Kunej & Turk,
Mache, Marler, Merker, Miller, Nettl, Payne, Richman, Slater, Trehub.
Reviews: Cross
(a second),
Kennair, Yee
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Accessible student essay
Warneken, Felix & Tomasello, Michael (2005) Altruistic Helping in
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Watkins, K. E., Dronkers, N. F. & Vergha-Khadem, F. (2002)
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Full text
Watkins, K. E., Strafella, A. P. & Paus, T. (2003) Seeing and
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Abstract
Watson, P. & Valentine, E. (1987) The practice of complementary
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Organisation's
site; their journal has no web archive
Watt, Roger J. & Ash, Roisin L. (1998) A psychological investigation
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Abstract
Webb, James T. (1972) Interview synchrony: an investigation into two
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Out of print (Pergamon was taken over by Elsevier in 1992). Webb
has moved on to become a figurehead of the 'gifted children' phenomenon. This
is an early piece of research. National Library of Australia details.
Webster, GregoryÊD.Ê&ÊWeir, CatherineÊG. (2005) Emotional Responses
to Music: Interactive Effects of Mode, Texture, and Tempo in Motivation and
Emotion 29(1) 19-39
Abstract
Weinberger, Norman M. (2001) Feel the Music in Musica Research Notes 8(1)
Full text
Weinberger, Norman M. (1999) Lessons of the Music Womb, etc in Musica 6(1)
Winter
Full text
Welch, Graham F. (2006) Singing and vocal development in The Child as Musician: A handbook of
musical development (ed G. E. McPherson)
Publisher's book description
Welch, Graham F. (2005) Singing as Communication in Musical Communication (eds Miell,
MacDonald & Hargreaves) Chapter 11
Full text
Welch, Graham F. (2005) We are musical in International Journal of Music Education
23(2)
Abstract
Welch, Graham F. (2004) Developing young professional female singers in
UK cathedrals presented at the 2nd International Acoustics and Physiology of
Singing Conference, Denver Oct 2004
Abstract
Welch, Graham F., Hallam, Susan, Lamont, Alexandra, Swanwick, Keith, Green,
Lucy, Hennessy, Sarah, Cox, Gordon, O'Neill, Susan & Farrell, Gerry
(2004) Mapping Music Education Research in the UK in Psychology of Music 32(3) 239-290
Abstract
Welch, Graham F. & Ockelford, Adam (2008 in press) Learning musical
skills: the role of the institution and teachers in supporting learning in The Oxford Handbook of Music
Psychology (eds Hallam, Cross & Thaut) OUP
Welch, Graham F., Ockelford, Adam, Carter, Fern-Chantelle, Zimmermann, Sally
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No web source yet
Weng, Gezhi, Bhalla, Upinder S. & Iyengar, Ravi (1999) Complexity in
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Abstract
Wenger, J. (1952) Choral music as a therapeutic aid for a group of
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4-5
Cannot find a web reference
Wennerstrom, Ann (2001) The music of everyday speech: prosody and
discourse analysis
Publisher's book description
Werker, Janet F. & McLeod, Peter J. (1989) Infant preference for
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Werker, Janet F. & Vouloumanos, Athena (2000) Who's got rhythm? in
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Abstract
Wermke, Kathleen & Mende, Werner (2008 in press) Musical elements in
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music and evolution
Cannot find a web source.
Wermke, Kathleen & Mende, Werner (2006) Melody as a primordial
legacy from early roots of language in Behavioral and Brain Sciences 29(3)
Abstract
Wermke, Kathleen, Mende, Werner, Manfredi, Claudia & Bruscaglion1, Pireo
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Abstract
Werner, Dennis (1984) Amazon Journey; An Anthropologist's Year among
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Publisher's book description
Wheeler, Mark (7/5/2008) Study usesÊmusic to explore the autistic
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General article about a research project at the UCLA Tennenbaum Center for the Biology of Creativity.
Full text, see also another report.
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Abstract
Wickler, Wolfgang & Siebt, Uta (1982) Song splitting in the
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Cannot find a web source (no online abstracts)
Widmer, Gerhard & Tobudic, Asmir (2003) Playing Mozart by analogy:
Learning multi-level timing and dynamics strategies in Journal of New Music Research 32(3)
259-68
Abstract
Wieser, Heinz Gregor (2003) Music and the Brain: Lessons from Brain
Diseases and Some Reflections on the 'Emotional' Brain in the Annals of the New
York Academy of Sciences: The
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Wignall,
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Wigram, Tony, Saperston, Bruce & West, Robert (1995) Art and Science
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Publisher's book description
Wikoff, Naj (11/2004) Cultures of Care: A Study of Arts Programs in
Abstract
Wilkins, John S. (28/1/2003) A review of Beethoven's Anvil: Music in mind and culture
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Full text
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Full text
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Publisher's book description
Williams, Leonard (1967, 1980) The Dancing Chimpanzee: A Study of the
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Out of print. National Library of Australia details.
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Magazine
General article
Wilson, Deidre & Wharton, Tim (2006) Relevance and prosody in the
Journal of Pragmatics 38(10) 1559-1579
Abstract
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Full text
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Online abstracts start in 1987. Journal site
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Publisher's
site; no abstract available
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community wellbeing: key trends and emerging ideas presented at Expanding
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The pdf version of the PowerPoint support
to this presentation displays, for the first time, the results of State-wide
research into the level of active arts participation amongst Victorians. This
includes a map of Victoria indicating the 'proportion of (the) adult population
who have participated in singing in the last month' according to local
government area
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Archaeology 59(2)
Full text
Wong, Kate (7/2004) Baby Talk Beginnings: Infant pacification may have
led to the origins of language in Scientific American Magazine
General article in response to Falk
Wong, Patrick C. M., Skoe, Erika, Russo, Nicole M., Dees, Tasha & Kraus,
Nina (2007) Musical experience shapes human brainstem encoding of
linguistic pitch patterns in Nature Neuroscience 10(4) 420-422
Full text
Wong, Patrick C. M., Warrier, Catherine M., Penhune, Virginia B., Roy, Anil
K., Sadehh, Abdulmalek, Parrish, Todd B. & Zatorre, Robert J. (2007 in
press) Volume of Left Heschl's Gyrus and Linguistic Pitch Learning in Cerebral
Cortex
Full text
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Abstracts from vol 12.
Wood, Stuart (1/11/2006) The Matrix: A Model of Community Music Therapy
Processes in Voices: A World
Forum for Music Therapy 6(3)
Full text
Wood, Stuart et al (2004) From Therapy to Community in Community Music Therapy (eds
Pavlicevic & Ansdell)
Woolhouse, M. & Cross, Ian (2006) An interval cycle-based model of
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M. Costa), 'Music in the Mind -
The Mind in Music' conference,
Full text
Woolhouse, M., Cross, Ian & Horton, T. (2006) The perception of
non-adjacent harmonic relations in Proceedings of ICMPC9 (eds M. Baroni,
A. R. Addessi, R. Caterina & M. Costa), 'Music in the Mind - The Mind in Music'
conference, Bologna 1236-1244
Full text
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University Press
Publisher's book description
Wray, Alison (ed) (2002) The Transition to Language Oxford University
Press
Publisher's book description
Wray, Alison (2000) Holistic utterances in protolanguage: The link from
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Publisher's book description
Wray, Alison (1998) Protolanguage as a holistic system for social
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Full text
Wray, Alison & Grace, George W. (2007) The consequences of talking
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linguistic form in Lingua 117(3) 543-578
Abstract
Wright, Anthony A., Rivera, Jacquelyne J., Hulse, Stewart H., Shyan, Melissa
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291-307
Abstract
Wynne-Edwards, Vero Copner (1962) Animal Dispersion in Relation to
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Out of print; google book entry. National Library of
Australia details.
Xu, Feng, Cai, Rui, Xu, Jinghong, Zhang, Jiping & Sun, Xinde (2007)
Early music exposure modifies GluR2 protein expression in rat auditory cortex
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Abstract
Yamamoto, Masahira, Naga, Shinobu & Shimizu, Jun (2007) Positive
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Abstract
Yannou, Demetere, Baloyiannis, Stavros, Kostaridou-Eukleides, Anastasia,
Kioseoglou, Grigorios, Damianou-Marinis, Erifili, Klonari, Despina, Nakopoulou,
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(eds Kopiez, Lehmann, Wolther & Wolf)
Full text
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Full text
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Full text
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Accessible student essay
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Full text
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Editor's summary; table
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